A reimagining of Lady Macbeth, Shakespeare’s most famous villainess, giving her a voice, a past, and a power that transforms the story men have written for her. The Lady knows the stories: how her eyes induce madness in men. The Lady knows she will be wed to the Scottish brute, who does not leave his warrior ways behind when he comes to the marriage bed. The Lady knows his hostile, suspicious court will be a game of strategy, requiring all of her wiles and hidden witchcraft to survive. But the Lady does not know her husband has occult secrets of his own. She does not know that prophecy girds him like armor. She does not know that her magic is greater and more dangerous, and that it will threaten the order of the world. She does not know this yet. But she will.

For fans of The Midnight Library and Before the Coffee Gets Cold, this charming Japanese novel shows how the perfect book recommendation can change a reader's life.What are you looking for? This is the famous question routinely asked by Tokyo’s most enigmatic librarian, Sayuri Komachi. Like most librarians, Komachi has read every book lining her shelves—but she also has the unique ability to read the souls of her library guests. For anyone who walks through her door, Komachi can sense exactly what they’re looking for in life and provide just the book recommendation they never knew they needed to help them find it. Each visitor comes to her library from a different juncture in their careers and dreams, from the restless sales attendant who feels stuck at her job to the struggling working mother who longs to be a magazine editor. The conversation that they have with Sayuri Komachi—and the surprise book she lends each of them—will have life-altering consequences. With heartwarming charm and wisdom, What You Are Looking For Is in the Library is a paean to the magic of libraries, friendship and community, perfect for anyone who has ever found themselves at an impasse in their life and in need of a little inspiration.

Kissen’s family were killed by zealots of a fire god. Now, she makes a living killing gods, and enjoys it. That is until she finds a god she cannot kill: Skedi, a god of white lies, has somehow bound himself to a young noble, and they are both on the run from unknown assassins. Joined by a disillusioned knight on a secret quest, they must travel to the ruined city of Blenraden, where the last of the wild gods reside, to each beg a favour. Pursued by demons, and in the midst of burgeoning civil war, they will all face a reckoning – something is rotting at the heart of their world, and only they can be the ones to stop it.

Wicker Man meets Final Destination in Jennifer Thorne's atmospheric, unsettling folk horror novel about love, duty, and community. On the idyllic island of Lute, every seventh summer, seven people die. No more, no less. Lute and its inhabitants are blessed, year after year, with good weather, good health, and good fortune. They live a happy, superior life, untouched by the war that rages all around them. So it’s only fair that every seven years, on the day of the tithe, the island’s gift is honored. Nina Treadway is new to The Day. A Florida girl by birth, she became a Lady through her marriage to Lord Treadway, whose family has long protected the island. Nina’s heard about The Day, of course. Heard about the horrific tragedies, the lives lost, but she doesn’t believe in it. It's all superstitious nonsense. Stories told to keep newcomers at bay and youngsters in line. Then The Day begins. And it's a day of nightmares, of grief, of reckoning. But it is also a day of community. Of survival and strength. Of love, at its most pure and untamed. When The Day ends, Nina―and Lute―will never be the same.

The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain. When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.​ To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia​. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.

Folksy and fresh, endearing and affecting, Fried Green Tomatoes at the Whistle Stop Cafe is a now-classic novel about two women: Evelyn, who is in the sad slump of middle age, and gray-headed Mrs. Threadgoode, who is telling her life story. Her tale includes two more women, the irrepressibly daredevilish tomboy Idgie and her friend Ruth who back in the thirties ran a little place in Whistle Stop, Alabama, offering good coffee, southern barbecue, and all kinds of love and laughter, even an occasional murder. And as the past unfolds, the present will never be quite the same again.

WANTED: One (fake) boyfriend Practically perfect in every way Luc O'Donnell is tangentially—and reluctantly—famous. His rock star parents split when he was young, and the father he's never met spent the next twenty years cruising in and out of rehab. Now that his dad's making a comeback, Luc's back in the public eye, and one compromising photo is enough to ruin everything. To clean up his image, Luc has to find a nice, normal relationship...and Oliver Blackwood is as nice and normal as they come. He's a barrister, an ethical vegetarian, and he's never inspired a moment of scandal in his life. In other words: perfect boyfriend material. Unfortunately, apart from being gay, single, and really, really in need of a date for a big event, Luc and Oliver have nothing in common. So they strike a deal to be publicity-friendly (fake) boyfriends until the dust has settled. Then they can go their separate ways and pretend it never happened. But the thing about fake-dating is that it can feel a lot like real-dating. And that's when you get used to someone. Start falling for them. Don't ever want to let them go.

Stacey is jolted when her friends Simon and Emily get engaged. She knew she was putting her life on hold when she stayed in Willow Creek to care for her sick mother, but it's been years now, and even though Stacey loves spending her summers pouring drinks and flirting with patrons at the local Renaissance Faire, she wants more out of life. Stacey vows to have her life figured out by the time her friends get hitched at Faire next summer. Maybe she'll even find The One. When Stacey imagined "The One," it never occurred to her that her summertime Faire fling, Dex MacLean, might fit the bill. While Dex is easy on the eyes onstage with his band The Dueling Kilts, Stacey has never felt an emotional connection with him. So when she receives a tender email from the typically monosyllabic hunk, she's not sure what to make of it. Faire returns to Willow Creek, and Stacey comes face-to-face with the man with whom she’s exchanged hundreds of online messages over the past nine months. To Stacey's shock, it isn't Dex—she's been falling in love with a man she barely knows. Another laugh-out-loud romantic comedy featuring kilted musicians, Renaissance Faire tavern wenches, and an unlikely love story.

Single mother April Parker has lived in Willow Creek for twelve years with a wall around her heart. On the verge of being an empty nester, she's decided to move on from her quaint little town, and asks her friend Mitch for his help with some home improvement projects to get her house ready to sell. Mitch Malone is known for being the life of every party, but mostly for the attire he wears to the local Renaissance Faire -- a kilt (and not much else) that shows off his muscled form to perfection. While he agrees to help April, he needs a favor too: she'll pretend to be his girlfriend at an upcoming family dinner, so that he can avoid the lectures about settling down and having a more "serious" career than high school coach and gym teacher. April reluctantly agrees, but when dinner turns into a weekend trip, it becomes hard to tell what's real and what's been just for show. But when the weekend ends, so must their fake relationship. As summer begins, Faire returns to Willow Creek, and April volunteers for the first time. When Mitch's family shows up unexpectedly, April pretends to be Mitch's girlfriend again... something that doesn't feel so fake anymore. Despite their obvious connection, April insists they've just been putting on an act. But when there's the chance for something real, she has to decide whether to change her plans -- and open her heart -- for the kilt-wearing hunk who might just be the love of her life. An accidentally in-love rom-com filled with Renaissance Faire flower crowns, kilts, corsets, and sword fights.

Heartstopper meets A Knight’s Tale in this queer medieval rom-com YA debut about love, friendship, and being brave enough to change the course of history. It’s been hundreds of years since King Arthur’s reign. His descendant, Arthur, a future Lord and general gadabout, has been betrothed to Gwendoline, the quick-witted, short-tempered princess of England, since birth. The only thing they can agree on is that they despise each other. They’re forced to spend the summer together at Camelot in the run-up to their nuptials, and within 24 hours, Gwen has discovered Arthur kissing a boy, and Arthur has gone digging for Gwen's childhood diary and found confessions about her crush on the kingdom's only lady knight, Bridget Leclair. Realizing they might make better allies than enemies, Gwen and Art make a reluctant pact to cover for each other, and as things heat up at the annual royal tournament, Gwen is swept off her feet by her knight, and Arthur takes an interest in Gwen's royal brother. Lex Croucher's Gwen & Art Are Not in Love is chock full of sword-fighting, found family, and romantic shenanigans destined to make readers fall in love.

Jamie Wendon-Dale may design haunted houses, but they don't actually believe in ghosts—until they meet Edgar Lovejoy, who is tall, clever, beautiful…and 100% haunted. A COZY, GHOSTLY LGBTQIA+ ROMANCE Jamie Wendon-Dale creates haunted houses for a living. Haunting is their life—but nobody working New Orleans' spooky circuit actually believes in ghosts. Edgar Lovejoy is 100% haunted. No, really. Ghosts have tormented him since childhood and he's organized his life around attempts to avoid them. Opposites? Get ready to attract. But while Jamie's biggest concern is that Edgar sometimes seems a bit distracted, Edgar's fears are much greater. Not only is he scared of encountering the dearly departed whenever he leaves the house, but he's terrified of making himself vulnerable to Jamie. After all, how do you tell someone who believes ghosts only exist as smoke and mirrors that you see them everywhere you go? And how can you trust in a happy future when you can't even believe in yourself? A little spooky, a little magical, and a whole lot The (Most Unusual) Haunting of Edgar Lovejoy will leave you feeling like you've found a brand new bookish family of your own.

SciFi’s favorite antisocial A.I. is again on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah’s SecUnit is. And Murderbot would rather those questions went away. For good. Martha Wells' Rogue Protocol is the third in the Murderbot Diaries series, starring a human-like android who keeps getting sucked back into adventure after adventure, though it just wants to be left alone, away from humanity and small talk.

When the casket reached the front of the sanctuary, there was a loud cracking sound as the bottom fell out. And with a thump, down came Father Iggy.From shoot-outs at funerals to dead men screaming and runaway corpses, undertakers have plenty of unusual stories to tell--and a special way of telling them. In this macabre and moving compilation, funeral directors across the country share their most embarrassing, jaw-dropping, irreverent, and deeply poignant stories about life at death's door. Discover what scares them and what moves them to tears. Learn about rookie mistakes and why death sometimes calls for duct tape.Enjoy tales of the dearly departed spending eternity naked from the waist down and getting bottled and corked--in a wine bottle. And then meet their families--the weepers, the punchers, the stolidly dignified, and the ones who deliver their dead mother in a pickup truck. If there's one thing undertakers know, it's that death drives people crazy. These are the best "bodies of work" from America's darkest profession. "Sick, funny, and brilliant! I love this book." --Jonathan Maberry, multiple Bram Stoker Award-winning author of They Bite! and Rot & Ruin"As unpredictable and lively as a bunch of drunks at a New Orleans funeral."--Joe R. Lansdale

A haunting, imaginative, and twisting tale of two sisters and the menacing, unexplained forces that threaten them and their rural mountain community. Ferns grow knee-deep along the shoulder, laced with briars and unripe raspberries, so thick they could hide a bear. Could hide anything, really. In 1980s Appalachia, life isn’t easy for Sheila. She endures relentless taunting and bullying at the hands of her classmates; she takes care of her great-aunt, the garden and home, and the rabbits; and forages for mushrooms in the forest, all while her mother works long, back-breaking shifts at the nearby state asylum. But it’s her peculiar little sister, Angie, who worries her the most. Angie is obsessed with nuclear war, Rambo, zombies, a Russian invasion of their community, and the ominous, tarot-like cards that she creates that somehow speak to her. As if all that weren’t enough, Sheila feels an unexplainable weight around her neck. Is it the ancient and strange mountain that they live on that casts its shadow on her, or something or someone else unknown? Unseen? When a pair of female hikers are brutally murdered on the nearby Appalachian trail, Sheila and Angie find themselves inexorably drawn into the hunt for the killer. As the ever-present threat of violence looms larger, the mountain might be the only thing that can save them from the darkness consuming their home and their community. Unsettling, propulsive, and chillingly atmospheric, Alisa Alering’s Smothermoss opens a hidden door into a world caught between rural gothic and fairytale, inviting the reader to renegotiate what is seen and unseen, what is real and what is haunted

Super fans. Groupies. Stalkers. These people will give anything for the idols they worship, be they rock stars, actors or authors. Or even serial killers. Lori is just such a fanatic. Her obsession is with Edmund Cox, a man of sadistic cruelty who butchered more than twenty women. She’s gone so far as to forge a relationship with him, visiting him in prison and sending him letters on a regular basis. She will do anything to get close to him, so when he gives her a task, she eagerly accepts it. She has no idea of the horror that awaits her. Edmund tells her she must go to his cabin in the woods of Killen and retrieve a key to deliver to a mysterious figure known only as The River Man. In her quest, she brings along her handicapped sister, and they journey through the deep, dark valley, beginning their trip upriver. The trip quickly becomes a surreal nightmare, one that digs up Lori’s personal demons, the ones she feels bonds her to Edmund. The river runs with flesh, the cabin is a vault of horrors, and ghostly blues music echoes through the mountains. Soon they will learn that The River Man is not quite fact or folklore, and definitely not human -- at least, not anymore. And the key is just the beginning of what is required of Lori to prove she’s worthy of a madman’s love.

A young woman discovers a strange portal in her uncle’s house, leading to madness and terror in this gripping new novel. Pray they are hungry. Kara finds these words in the mysterious bunker that she’s discovered behind a hole in the wall of her uncle’s house. Freshly divorced and living back at home, Kara now becomes obsessed with these cryptic words and starts exploring the peculiar bunker—only to discover that it holds portals to countless alternate realities. But these places are haunted by creatures that seem to hear thoughts…and the more you fear them, the stronger they become.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.