When the casket reached the front of the sanctuary, there was a loud cracking sound as the bottom fell out. And with a thump, down came Father Iggy.From shoot-outs at funerals to dead men screaming and runaway corpses, undertakers have plenty of unusual stories to tell--and a special way of telling them. In this macabre and moving compilation, funeral directors across the country share their most embarrassing, jaw-dropping, irreverent, and deeply poignant stories about life at death's door. Discover what scares them and what moves them to tears. Learn about rookie mistakes and why death sometimes calls for duct tape.Enjoy tales of the dearly departed spending eternity naked from the waist down and getting bottled and corked--in a wine bottle. And then meet their families--the weepers, the punchers, the stolidly dignified, and the ones who deliver their dead mother in a pickup truck. If there's one thing undertakers know, it's that death drives people crazy. These are the best "bodies of work" from America's darkest profession. "Sick, funny, and brilliant! I love this book." --Jonathan Maberry, multiple Bram Stoker Award-winning author of They Bite! and Rot & Ruin"As unpredictable and lively as a bunch of drunks at a New Orleans funeral."--Joe R. Lansdale

A haunting, imaginative, and twisting tale of two sisters and the menacing, unexplained forces that threaten them and their rural mountain community. Ferns grow knee-deep along the shoulder, laced with briars and unripe raspberries, so thick they could hide a bear. Could hide anything, really. In 1980s Appalachia, life isn’t easy for Sheila. She endures relentless taunting and bullying at the hands of her classmates; she takes care of her great-aunt, the garden and home, and the rabbits; and forages for mushrooms in the forest, all while her mother works long, back-breaking shifts at the nearby state asylum. But it’s her peculiar little sister, Angie, who worries her the most. Angie is obsessed with nuclear war, Rambo, zombies, a Russian invasion of their community, and the ominous, tarot-like cards that she creates that somehow speak to her. As if all that weren’t enough, Sheila feels an unexplainable weight around her neck. Is it the ancient and strange mountain that they live on that casts its shadow on her, or something or someone else unknown? Unseen? When a pair of female hikers are brutally murdered on the nearby Appalachian trail, Sheila and Angie find themselves inexorably drawn into the hunt for the killer. As the ever-present threat of violence looms larger, the mountain might be the only thing that can save them from the darkness consuming their home and their community. Unsettling, propulsive, and chillingly atmospheric, Alisa Alering’s Smothermoss opens a hidden door into a world caught between rural gothic and fairytale, inviting the reader to renegotiate what is seen and unseen, what is real and what is haunted

Super fans. Groupies. Stalkers. These people will give anything for the idols they worship, be they rock stars, actors or authors. Or even serial killers. Lori is just such a fanatic. Her obsession is with Edmund Cox, a man of sadistic cruelty who butchered more than twenty women. She’s gone so far as to forge a relationship with him, visiting him in prison and sending him letters on a regular basis. She will do anything to get close to him, so when he gives her a task, she eagerly accepts it. She has no idea of the horror that awaits her. Edmund tells her she must go to his cabin in the woods of Killen and retrieve a key to deliver to a mysterious figure known only as The River Man. In her quest, she brings along her handicapped sister, and they journey through the deep, dark valley, beginning their trip upriver. The trip quickly becomes a surreal nightmare, one that digs up Lori’s personal demons, the ones she feels bonds her to Edmund. The river runs with flesh, the cabin is a vault of horrors, and ghostly blues music echoes through the mountains. Soon they will learn that The River Man is not quite fact or folklore, and definitely not human -- at least, not anymore. And the key is just the beginning of what is required of Lori to prove she’s worthy of a madman’s love.

A young woman discovers a strange portal in her uncle’s house, leading to madness and terror in this gripping new novel. Pray they are hungry. Kara finds these words in the mysterious bunker that she’s discovered behind a hole in the wall of her uncle’s house. Freshly divorced and living back at home, Kara now becomes obsessed with these cryptic words and starts exploring the peculiar bunker—only to discover that it holds portals to countless alternate realities. But these places are haunted by creatures that seem to hear thoughts…and the more you fear them, the stronger they become.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

When the casket reached the front of the sanctuary, there was a loud cracking sound as the bottom fell out. And with a thump, down came Father Iggy.From shoot-outs at funerals to dead men screaming and runaway corpses, undertakers have plenty of unusual stories to tell--and a special way of telling them. In this macabre and moving compilation, funeral directors across the country share their most embarrassing, jaw-dropping, irreverent, and deeply poignant stories about life at death's door. Discover what scares them and what moves them to tears. Learn about rookie mistakes and why death sometimes calls for duct tape.Enjoy tales of the dearly departed spending eternity naked from the waist down and getting bottled and corked--in a wine bottle. And then meet their families--the weepers, the punchers, the stolidly dignified, and the ones who deliver their dead mother in a pickup truck. If there's one thing undertakers know, it's that death drives people crazy. These are the best "bodies of work" from America's darkest profession. "Sick, funny, and brilliant! I love this book." --Jonathan Maberry, multiple Bram Stoker Award-winning author of They Bite! and Rot & Ruin"As unpredictable and lively as a bunch of drunks at a New Orleans funeral."--Joe R. Lansdale

It has a dark past--one in which a number of humans were killed. A past that caused it to christen itself “Murderbot." But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks. Alternate cover of ISBN 9781250186928. Another cover edition can be found here

It has a dark past--one in which a number of humans were killed. A past that caused it to christen itself “Murderbot." But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks. Alternate cover of ISBN 9781250186928. Another cover edition can be found here

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid — a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is. But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.

Harrow the Ninth, the sequel to Gideon the Ninth, turns a galaxy inside out as one necromancer struggles to survive the wreckage of herself aboard the Emperor's haunted space station. She answered the Emperor's call. She arrived with her arts, her wits, and her only friend. In victory, her world has turned to ash. After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman's shoulders. Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her. Sealed in the gothic gloom of the Emperor's Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off?

At Camp Mirror Lake, terror is the name of the game . . . but can you survive the night?This heart-pounding slasher by New York Times bestselling author Kalynn Bayron is perfect for fans of Fear Street.Charity Curtis has the summer job of her dreams, playing the “final girl” at Camp Mirror Lake. Guests pay to be scared in this full-contact terror game, as Charity and her summer crew recreate scenes from a classic slasher film, Curse of Camp Mirror Lake. The more realistic the fear, the better for business.But the last weekend of the season, Charity's co-workers begin disappearing. And when one ends up dead, Charity's role as the final girl suddenly becomes all too real. If Charity and her girlfriend Bezi hope to survive the night, they'll need figure out what this killer is after. Is there is more to the story of Mirror Lake and its dangerous past than Charity ever suspected?

14 hours, 37 minutes From the New York Times bestselling author of We Begin at the End comes a soaring thriller and an epic love story that “hits like a sledgehammer . . . an absolutely must-read novel” (Gillian Flynn, author of Gone Girl). 1975 is a time of change in America. The Vietnam War is ending. Muhammad Ali is fighting Joe Frazier. And in the small town of Monta Clare, Missouri, girls are disappearing. When the daughter of a wealthy family is targeted, the most unlikely hero emerges—Patch, a local boy, who saves the girl, and, in doing so, leaves heartache in his wake. Patch and those who love him soon discover that the line between triumph and tragedy has never been finer. And that their search for answers will lead them to truths that could mean losing one another. A missing person mystery, a serial killer thriller, a love story, a unique twist on each, Chris Whitaker has written a novel about what lurks in the shadows of obsession and the blinding light of hope.

The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain. When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.​ To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia​. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.

A devastating love story. A bewitching twist on history. A blood-drenched hunt for purpose, power, and redemption. In 1785, Professor Sebastian Grave receives the news he fears most: the terrible Beast of Gévaudan has returned, and the French countryside runs red in its wake. Sebastian knows the Beast. A monster-slayer with centuries of experience, he joined the hunt for the creature twenty years ago and watched it slaughter its way through a long and bloody winter. Even with the help of his indwelling demon, Sarmodel – who takes payment in living hearts – it nearly cost him his life to bring the monster down. Now, two decades later, Sebastian has been recalled to the hunt by Antoine Avenel d’Ocerne, an estranged lover who shares a dark history with the Beast and a terrible secret with Sebastian. Drawn by both the chance to finish the Beast for good and the promise of a reconciliation with Antoine, Sebastian cannot refuse. But Gévaudan is not as he remembers it, and Sebastian’s unfinished business is everywhere he looks. Years of misery have driven the people to desperation, and France teeters on the edge of revolution. Sebastian’s arcane activities – not to mention his demonic counterpart – have also attracted the inquisitorial eye of the French clergy. And the Beast is poised to close his jaws around them all and plunge the continent into war. Debut author Cameron Sullivan tears the heart out of history with this darkly entertaining retelling of the hunt for the Beast of Gévaudan. Lifting the veil on the hidden world behind our own, it reimagines the story of Europe, from Imperial Rome to Saint Jehanne d’Arc, the madness of Gilles de Rais and the first flickers of the French Revolution.

The Magnus Archives is a horror story written by Jonathan Sims, directed by Alexander J. Newall and distributed by Rusty Quill. Sims narrates the stories in-character as the main character, Jonathan Sims, the newly-appointed head archivist of the fictional Magnus Institute; an institution based in London centred on research into the paranormal. With each chapter released as a podcast episode, The Magnus Archive is structured as a series of statements recorded or written and then recorded for internal research use within The Magnus Institute. At the beginning of each statement, the statement-taker (mainly Jon, the head archivist) provides a brief description of the statement and the name of the statement-maker. Those who give or record statements in the Magnus Institute tend to lapse into a trance-like state not unlike reliving the event.