The incredible story of MOVE, the revolutionary Black civil liberties group that Philadelphia police bombed in 1985, killing 11 civilians—by one of the few people born into the organization, raised during the bombing's tumultuous aftermath, and in the face of unthinkable systemic abuses, entrusted with repairing what was left of his family and building life anew. Before police dropped a bomb on a residential neighborhood on May 13, 1985, few outside Philadelphia knew a Black-led peace organization had taken root there. Founded in 1972 by a charismatic ideologue called John Africa, MOVE’s mission was to protect all forms of life from systemic oppression, drawing ideology from the Black Panther Party, PETA, and Earth First. The organization emerged in an era when Black Philadelphians suffered under devastating policies brought by President Ronald Reagan’s War on Drugs and Mayor Frank Rizzo’s overtly racist police surveillance. Living together in a commune of West Philly row houses, MOVE members took the surname Africa out of admiration for the founder. But in MOVE’s lifestyle, city officials saw threats to their status quo. The city’s bombing of their commune shocked the nation and made international news. Eleven people were killed, including five children. And the City of Brotherly Love became known as the City That Bombed Itself. Among the surviving children most affected by the bombing was Mike Africa, Jr. Born in jail following a police attack on MOVE that led to his parents’ incarcerations, Mike was placed in an abusive orphanage at age three. He was six and living with his grandmother when the commune was bombed. In the ensuing years, Mike sought purpose in the ashes left behind. He studied the law as a teenager and learned how to speak and inspire public support with the help of other MOVE members. In 2018, at age 40, he finally succeeded in vindicating his parents and securing their release from prison. On a Move is one of the most unimaginable stories of injustice and resilience in recent American history. But Mike Africa, Jr.’s experience is not only one of tragedy. It is about coming-of-age as an activist, the strong ties of family, and, against all odds, learning how to take indignities on the chin and to work within the very system that created them. At once a harrowing memoir and an impassioned examination of racism and police violence, On a Move testifies to the power of love and hope, in the face of astonishing wrongdoing.

Action, intrigue, and magic collide in this epic fantasy following Sir Konrad Vonvalt, an Emperor's Justice, who is a detective, judge, and executioner all in one—but with rebellion and unrest building, these are dangerous times to be a Justice . . . The Empire of the Wolf simmers with unrest. Rebels, heretics, and powerful patricians all challenge the power of the Imperial throne.  Only the Order of Justices stands in the way of chaos. Sir Konrad Vonvalt is the most feared Justice of all, upholding the law by way of his sharp mind, arcane powers, and skill as a swordsman. At his side stands Helena Sedanka, his talented protégé, orphaned by the wars that forged the Empire.  When the pair investigates the murder of a provincial aristocrat, they unearth a conspiracy that stretches to the very top of Imperial society. As the stakes rise and become ever more personal, Vonvalt and Helena must make a choice: Will they abandon the laws they’ve sworn to uphold, in order to protect the Empire?

The Shape of Water meets Mexican Gothic in this sapphic monster romance novella wrapped in gothic fantasy trappings The old keeper of the keys is dead, and the creature who ate her is the volatile Lady of the Capricious House⁠―Anatema, an enormous humanoid spider with a taste for laudanum and human brides. Dália, the old keeper’s protégée, must take up her duties, locking and unlocking the little drawers in which Anatema keeps her memories. And if she can unravel the crime that led to her predecessor's death, Dália might just be able to survive long enough to grow into her new role. But there’s a gaping hole in Dália’s plan that she refuses to see: Anatema cannot resist a beautiful woman, and she eventually devours every single bride that crosses her path.

A bittersweet story of love between two women, nested in an artful exploration of language, history, and power May 1938. The young novelist Aoyama Chizuko has sailed from her home in Nagasaki, Japan, and arrived in Taiwan. She’s been invited there by the Japanese government ruling the island, though she has no interest in their official banquets or imperialist agenda. Instead, Chizuko longs to experience real island life and to taste as much of its authentic cuisine as her famously monstrous appetite can bear. Soon a Taiwanese woman―who is younger even than she is, and who shares the characters of her name―is hired as her interpreter and makes her dreams come true. The charming, erudite, meticulous Chizuru arranges Chizuko’s travels all over the Land of the South and also proves to be an exceptional cook. Over scenic train rides and braised pork rice, lively banter and winter melon tea, Chizuko grows infatuated with her companion and intent on drawing her closer. But something causes Chizuru to keep her distance. It’s only after a heartbreaking separation that Chizuko begins to grasp what the “something” is. Disguised as a translation of a rediscovered text by a Japanese writer, this novel was a sensation on its first publication in Mandarin Chinese in 2020 and won Taiwan’s highest literary honor, the Golden Tripod Award. Taiwan Travelogue unburies lost colonial histories and deftly reveals how power dynamics inflect our most intimate relationships.

Shoot Down the Sun The bloody war against the Wen Clan once led Wei Wuxian to seek power in demonic cultivation, and the dark acts he committed drove a wedge between him and Lan Wangji. Now, those old sins come back to haunt him as his reincarnated identity is revealed to the cultivation world. But even as the other clans call for Wei Wuxian’s death, Lan Wangji stands by him, making Wei Wuxian realize what he took for disapproval in the past might have been a much deeper emotion.