BOOK ONE OF THE INFATUATED FAE SERIES A forbidden obsession Unyielding family allegiance Three deadly challenges THE HUMAN.     When a trip into the forest to collect a rare mushroom goes horribly wrong, I find myself falling through a fairy portal and straight into the arms of the Unseelie Fae prince. The dangerously unhinged and handsome Unseelie Fae prince.    What could be more horrible than that? He thinks I'm an assassin sent by the humans to kill him, not a biologist.    Determined to kill me first, and rid himself of the human he has unwillingly grown obsessed with, yet also needing to entertain his people, the villain challenges me to three deadly trials.           If I survive, I gain my freedom. But if not... The Fae.     I've never felt anything but hate and loathing until my eyes found hers--the vile human assassin's. She is a parasite that has mercilessly latched onto my mind and won't let me free.     My hand itches to be ungloved and feel her smooth skin, even though I would never. The Unseelie Fae royals would rather burn than touch a repulsive human.      I fear that if I do not destroy the girl soon, she may be the only thing that's capable of truly destroying me.

From New York Times bestselling author L.J. Shen comes a dark age-gap mafia romance. He's Deathless. She's trying to find a reason to live. Lila My innocence was ripped from me one fateful night under the starless sky. Resulting in an unwanted teenage pregnancy and a secret the Camorra must bury. My father decided to hand me off to the highest bidder. The lucky winner? Tiernan Callaghan, psychopath extraordinaire. The Irish mafia prince wants me for all the wrong reasons. Alliance. Money. Prestige. War. I am but a pawn in his twisted game. The man who sits on a throne of his enemies' skulls thinks I'm a weakling. Little does he know, in this chess game, the underdog wins. Because the thing about bad bishops? They protect good pawns. Bad Bishop is a dark and twisted romance. Please read trigger warnings before reading.

Something is wrong inside her. It’s changing her. She chased her loved ones into the dark, and they stumbled out with monsters beneath their skin. Now they are less than they were, but destined for so much more. If they survive training. And if her new commander doesn’t kill her first. The boy-prince she saved as a child is now the unforgiving, terrifying man in charge of her future. They are bound in a way neither can escape: two forces as opposite as sunrise and shadow, drawn together as inevitably as the dawn collides with the sky. But don’t misunderstand. This is not a love story. The king has already decided that she will be married to one of his other sons—regardless of her opinion on the matter. So let this be a story of war instead. She will wage war on the magic awakening beneath her skin. On the power-ravenous king who would do anything to control her. On the many hands that seek to mould her, shape her, and shackle her. But most of all … she will wage war on him. Prince Chasin. Her commander. Her tormentor. Let this story end with a dagger in his treacherous heart. Let her carve his influence from her soul. Let her make him suffer as she has suffered. Let her have this one, small thing. ~~~ One Small Echo is Book 1 of 3 in the Shadowsong series. This lush, dark romantasy will have bonded monsters, forbidden attraction, deadly trials, royal intrigue, and a true, enemies-to-lovers, slow-burn romance, all set in a brutally lavish, high-stakes world where darkness means death. Grab a blanket, turn on your nightlight, and get ready. For what you fear is already here.

T. Kingfisher meets Cassandra Khaw in a chilling horror novel that illustrates the fine line between humanity and monstrosity. Blackwood mansion looms, surrounded by nightmare pines, atop the hill over the small town of New Haven. Ben Bookman, bestselling novelist and heir to the Blackwood estate, spent a weekend at the ancestral home to finish writing his latest horror novel, The Scarecrow. Now, on the eve of the book’s release, the terrible story within begins to unfold in real life. Detective Mills arrives at the scene of a gruesome murder: a family butchered and bundled inside cocoons stitched from corn husks, and hung from the rafters of a barn, eerily mirroring the opening of Bookman’s latest novel. When another family is killed in a similar manner, Mills, along with his daughter, rookie detective Samantha Blue, is determined to find the link to the book—and the killer—before the story reaches its chilling climax. As the series of “Scarecrow crimes” continues to mirror the book, Ben quickly becomes the prime suspect. He can’t remember much from the night he finished writing the novel, but he knows he wrote it in The Atrium, his grandfather’s forbidden room full of numbered books. Thousands of books. Books without words. As Ben digs deep into Blackwood’s history he learns he may have triggered a release of something trapped long ago—and it won’t stop with the horrors buried within the pages of his book.

Older women often feel invisible, but sometimes that's their secret weapon. They've spent their lives as the deadliest assassins in a clandestine international organization, but now that they're sixty years old, four women friends can't just retire - it's kill or be killed in this action-packed thriller. Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for forty years. Now their talents are considered old-school and no one appreciates what they have to offer in an age that relies more on technology than people skills. When the foursome is sent on an all-expenses paid vacation to mark their retirement, they are targeted by one of their own. Only the Board, the top-level members of the Museum, can order the termination of field agents, and the women realize they've been marked for death. Now to get out alive they have to turn against their own organization, relying on experience and each other to get the job done, knowing that working together is the secret to their survival. They're about to teach the Board what it really means to be a woman--and a killer--of a certain age.

“Sometimes monsters are just broken people, hiding their scars from a world that has hurt them.”Dove Carroway has two lives… By day, she’s the bubbly, pink-clad media journalist who writes sensational stories about a vigilante serial killer. By night, she becomes the Baby Doll Killer, an avenger with a flair for punishing the worst of humanity—men who prey on children. But her most formidable challenge isn’t a criminal; it’s her insufferably charming work rival. Wrenley Campbell is the perfect gentleman to everyone but Dove, the one person who grates on his nerves with her sunshine act. But Wrenley’s secrets are darker than the articles they write, and when Dove unburies the truths he’s hiding, she finds herself drawn to him in ways she never expected. When their battle of wits escalates into something that hits too close to home, Dove steps into his world as her deadly alter ego, intending to terrify him into backing off. As Wrenley pieces together who she really is, their rivalry turns into a fiery connection that neither can deny.Secrets this dark have a way of coming to light, and soon, they will have to decide whether their love is strong enough to survive the shadows or shatter under the weight of their haunted pasts.Perfect for fans of dark humor, sizzling tension, and morally gray characters, Dolls & Daggers is a wickedly dark romantic comedy that’ll have you laughing, gasping, and swooning in equal measure.TropesRivals to LoversWorkplaceRevengeForced ProximityTouch Him/Her and DieFeminine RageMorally Gray FMCShe’s the Masked OnePink ObsessedHeight Difference (she’s 5’ he’s 6’2)

Sarai was only fourteen when her mother uprooted her to live in Mexico with a notorious drug lord. Over time she forgot what it was like to live a normal life, but she never let go of her hope to escape the compound where she has been held for the past nine years. Victor is a cold-blooded assassin who, like Sarai, has known only death and violence since he was a young boy. When Victor arrives at the compound to collect details and payment for a hit, Sarai sees him as her only opportunity for escape. But things don’t go as planned and instead of finding transport back to Tucson, she finds herself free from one dangerous man and caught in the clutches of another. While on the run, Victor strays from his primal nature as he succumbs to his conscience and resolves to help Sarai. As they grow closer, he finds himself willing to risk everything to keep her alive; even his relationship with his devoted brother and liaison, Niklas, who now like everyone else wants Sarai dead. As Victor and Sarai slowly build a trust, the differences between them seem to lessen, and an unlikely attraction intensifies. But Victor’s brutal skills and experience may not be enough in the end to save her, as the power she unknowingly holds over him may ultimately be what gets her killed. This is their story…

Shailee Thompson’s HOW TO KILL A GUY IN TEN DATES, a horror romance in which a woman gets caught in the middle of a killing spree at a speed dating event and must find a way to use her encyclopedic knowledge of the horror genre to make it as a real-life final girl.

Rule One—Nothing is right, nothing is wrong. Rule Two—Be careful. Rule Three—Fight using your legs whenever possible, because they’re the strongest part of your body. Your arms are the weakest. Rule Four—Hit to kill. The first blow should be the last, if at all possible. Rule Five—The letters are the law. Kit takes her role as London’s notorious “Perfect Killer” seriously. The letters and cash that come to her via a secret mailbox are not a game; choosing who to kill is not an impulse decision. Every letter she receives begins with “Dear Killer,” and every time Kit murders, she leaves a letter with the dead body. Her moral nihilism and thus her murders are a way of life—the only way of life she has ever known. But when a letter appears in the mailbox that will have the power to topple Kit’s convictions as perfectly as she commits her murders, she must make a decision: follow the only rules she has ever known, or challenge Rule One, and go from there. Katherine Ewell’s Dear Killer is a sinister psychological thriller that explores the thin line between good and evil, and the messiness of that inevitable moment when life contradicts everything you believe.