A moving cultural history of disability—and a powerful call to action to change how our medical system and society supports those with complex chronic conditions   From lupus to Lyme, invisible illness is often dismissed by everyone but the sufferers. Why does the medical establishment continually insist that, when symptoms are hard to explain, they are probably just in your head?   Inspired by her work with long Covid patients, medical anthropologist Emily Mendenhall traces the story of complex chronic conditions from hysteria to long Covid to show why both research and practice fail so many. Mendenhall points out disconnects between the reality of chronic disease—which typically involves multiple intersecting problems resulting in unique, individualized illness—and the assumptions of medical providers, who behave as though illnesses have uniform effects for everyone. And while invisible illnesses have historically been associated with white middle-class women, being believed that you are sick is even more difficult when you're Black, trans, poor, young, disabled, or undocumented. Weaving together cultural history with intimate interviews, Invisible Illness lifts up the experiences of those living with complex illness to expose the failures of the American healthcare system—and how we can do better.

With her country's future and her own life at stake, an orphaned duchess must journey into a world of myth and there discover a power that may be her salvation—or her demise—in this enchanting new novel from the New York Times bestselling author of the Winternight Trilogy and The Warm Hands of Ghosts. Anne of Brittany was a child when her realm was invaded, her home besieged, and her royal father driven to his death. Now her treasury is empty, her land occupied by her enemies, and she is ordered, under threat of renewed war, to become queen of her conquerors and marry the King of France. This marriage means her country’s annexation. But Anne promised her father that Brittany would never be conquered. Defiantly, she betroths herself in secret to France’s greatest enemy. But in a world where courts may spy on each other by magic, there is only one way to solemnize this illicit union. Anne takes her court deep into a legendary forest, where the court diviners’ skill cannot reach. The world thinks they are only a hunting party, coursing after unicorns. But that is a lie, a trick, a feint. No one in living memory has seen a unicorn. All Anne wants is this secret wedding, which is her only hope of salvation. But when against all hope a unicorn appears and a stranger out of legend stumbles from the trees and falls at her feet, Anne is plunged into a world of enchantment where a doomed sovereign might find the power to change her own and her country’s destiny—or be lost in the shadows forever.

Librarian's Note: For an alternate cover edition of the same ISBN, click here. "Another world is colliding with this one," said the toad. "All the monsters are coming back." "Why?" said Tiffany. "There's no one to stop them." There was silence for a moment. Then Tiffany said, "There's me." Armed only with a frying pan and her common sense, Tiffany Aching, a young witch-to-be, is all that stands between the monsters of Fairyland and the warm, green Chalk country that is her home. Forced into Fairyland to seek her kidnapped brother, Tiffany allies herself with the Chalk's local Nac Mac Feegle - aka the Wee Free Men - a clan of sheep-stealing, sword-wielding, six-inch-high blue men who are as fierce as they are funny. Together they battle through an eerie and ever-shifting landscape, fighting brutal flying fairies, dream-spinning dromes, and grimhounds - black dogs with eyes of fire and teeth of razors - before ultimately confronting the Queen of the Elves, absolute ruler of a world in which reality intertwines with nightmare. And in the final showdown, Tiffany must face her cruel power alone... In a riveting narrative that is equal parts suspense and humor, Carnegie Medalist Terry Pratchett returns to his internationally popular Discworld with a breathtaking tale certain to leave fans, new and old, enthralled.

From the author of Medusa comes another beautiful and emotional story, this one featuring a selkie, a mythological creature who can turn from a seal into a human. Seven years ago, Quinn finally dared to transform from a seal into a human and took her first steps on land. As a selkie, she is both a daughter of land and sea. But when a human stole her pelt, he stole her freedom as well, forcing Quinn to become his wife and bear his children. As legend tells, capturing a selkie will bring you luck, and she became a coveted prize. Constrained to a life that was no longer her own, Quinn longed for nothing more than to find her pelt and seize her freedom. Then one day, her eldest daughter hands Quinn her pelt and without a second thought, Quinn snatches it and escapes to the sea. But she's no longer used to swimming and doesn't know where her herd has gone. And after an almost disastrous encounter with her former husband, leaving her severely injured, Quinn doesn't even have the strength to go searching. Instead, she finds herself taking shelter on a nearby island with a lighthouse and three lighthouse keepers. Quinn doesn't trust humans anymore and wants to stay hidden from the keepers. But she can't survive on her own either. Can she learn to trust these humans and shed her hatred of all humankind? Or will she give into her fears and accept the monstrous fate that others have bestowed upon her?

An intimate look into the life of a legendary mythical villain who has so often been stripped of her voice and humanity in this debut novel, perfect for fans of Madeline Miller’s Circe and the works of Jennifer Saint. You know how Medusa’s story ends, but you’ve never heard her tell her own story… until now. The only mortal daughter of two sea gods, and a priestess of Athena, Medusa was a woman who thought she had found her place in the world. But when Medusa suffers a horrific violation at the hands of Poseidon, Athena is outraged over the desecration of her name and sends a message by transforming Medusa into the snake-haired monster of legend. With one look, any who meet her gaze is turned to stone. Word of her monstrosity travels fast, igniting a king’s fear so greatly that he commands the boy-hero Perseus to bring him her head. With a power that will spare no one, Medusa begins to wonder if this is a blessing or a curse. Medusa only knows that she must leave the city she has come to call home before she harms another soul. Searching for a haven free from mortals, anger buoying her every step, Medusa journeys across ancient Greece. Her eyes are hidden beneath a blindfold, with nothing but the snakes for company. Through her travels, Medusa discovers solace and understanding in the mythical figures she stumbles upon: A debaucherous wine god, an alluring nymph, and a three-headed dog. But one cannot escape fate forever. As Perseus closes in, Medusa faces a choice: become the monster everyone expects her to be, or cling to the last piece of her humanity.

Composed toward the end of the first millennium, Beowulf is the elegiac narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. He then returns to his own country and dies in old age in a vivid fight against a dragon. The poem is about encountering the monstrous, defeating it, and then having to live on in the exhausted aftermath. In the contours of this story, at once remote and uncannily familiar at the beginning of the twenty-first century, Nobel laureate Seamus Heaney finds a resonance that summons power to the poetry from deep beneath its surface. Drawn to what he has called the "four-squareness of the utterance" in Beowulf and its immense emotional credibility, Heaney gives these epic qualities new and convincing reality for the contemporary reader.

The Aeneid – thrilling, terrifying and poignant in equal measure – has inspired centuries of artists, writers and musicians. Virgil’s epic tale tells the story of Aeneas, a Trojan hero, who flees his city after its fall, with his father Anchises and his young son Ascanius – for Aeneas is destined to found Rome and father the Roman race. As Aeneas journeys closer to his goal, he must first prove his worth and attain the maturity necessary for such an illustrious task. He battles raging storms in the Mediterranean, encounters the fearsome Cyclopes, falls in love with Dido, Queen of Carthage, travels into the Underworld and wages war in Italy.

Forty years ago, the world nearly ended. Be is an old robot who was there, and doesn’t want to think about what happened, or what role they played in that conflict. They have settled into a life of isolation in the abandoned ruins of an old mill in the former New York Botanical Gardens, disinterested in what has happened in the outside world since they stepped away from the war. Someone out there, though, has not forgotten about them, and when they are attacked, their person vandalized, and one of their leg stolen, they set out to find the thief accompanied by a cyborg dog and a human mechanic. The world has changed, but the recovery from the war is uneven and faltering, and Be begins to suspect a malicious hand trying to rekindle the old conflict and finish what was started. In order to stop them, Be needs to come to terms with both their own past and who they have become, and how everything and everyone else they knew has changed in their absence. Being left alone is no longer an option, and peace may be impossible. This is a story about coming to terms with your past, with who you’ve become and who you still want to be: a tale of resilence and hope, an ode to those struggling to become whole in a world half-broken.