A previously unpublished novel of the reflections of a deeply scarred and reclusive woman, from the cult icon Katherine Dunn, the author of Geek Love. Sally Gunnar has been in love, has been mad, has been an agent of destruction, has been spurned; and now she has retreated from the world. She lives in isolation in her small house, where her only companions are a vase of goldfish, a garden toad, and the door-to-door salesman who sells her cleaning supplies once a month. From her comfortable perch, she broods over her deepest regrets: her wayward, weed-hazy college days; her blighted romance with a scornful poet; a tragically comic accident involving a paper cutter; a suicide attempt; and her decision to ultimately relinquish a conventional life.Colorful, crass, and profound, Toad is Katherine Dunn’s ode to her time as a student at Reed College, filled with the same keen observations, taboo-shirking verve, and singular characters that made Geek Love a cult classic. Through the perceptive Sally, a fish out of water among a cadre of eccentric, privileged young people, we meet Sam, an unwashed collector of other people’s stories; Carlotta, a free spirit who nevertheless fails to escape the deception of marriage; and Rennel, a shallow, self-obsessed philosophy student. With sly self-deprecation and mordant wit, Sally recounts their misadventures, up to the tragedy that tore them apart.Through it all, Toad demonstrates Dunn’s genius for black humor and irony, her ecstatic celebration of the grotesque. Daring and bizarre, Toad is a brilliant precursor to the book that would make Dunn a misfit hero—even fifty-some years after it was written, it’s a refreshing take on the lives of young outsiders treading the delicate lines between isolation and freedom, love and insanity, hatred and friendship.

A riveting true story of a young woman’s days stripping in grunge-era San Francisco where a radical group of dancers banded together to unionize and run the club on their own terms. When graduate student Jenny Worley needed a fast way to earn more money, she found herself at the door of the Lusty Lady Theater in San Francisco, auditioning on a stage surrounded by mirrors, in platform heels, and not much else. So began Jenny’s career as a stripper strutting the peepshow stage as her alter-ego “Polly” alongside women called Octopussy and Amnesia. But this wasn’t your run-of-the-mill strip club—it was a peepshow populated by free-thinking women who talked feminist theory and swapped radical zines like lipstick. As management’s discriminatory practices and the rise of hidden cameras stir up tension among the dancers, Jenny rallies them to demand change. Together, they organize the first strippers’ union in the world and risk it all to take over the club and run it as a co-operative. Refusing to be treated as sex objects or disposable labor, they become instead the rulers of their kingdom. Jenny’s elation over the Lusty Lady’s revolution is tempered by her evolving understanding of the toll dancing has taken on her. When she finally hangs up her heels for good to finish her Ph.D., neither Jenny nor San Francisco are the same—but she and the cadre of wild, beautiful, brave women who run the Lusty Lady come out on top despite it all.  A first-hand account as only an insider could tell it, Neon Girls paints a vivid picture of a bygone San Francisco and a fiercely feminist world within the sex industry, asking sharp questions about what keeps women from fighting for their rights, who benefits from capitalizing on desire, and how we can change entrenched systems of power.  

The electric and intimate memoir of a person who spent ten years as a stripper. This Is My Real Name is the memoir of Cid V Brunet, who spent ten years working as a dancer at strip clubs, using the name Michelle. From her very first lap dance in a small-town bar to her work at high-end clubs, Michelle learns she must follow the unspoken rules that will allow her to succeed in the competitive industry. Along the way, she and her co-workers encounter compelling clients and unreasonable bosses and navigate their own relationships to drugs and alcohol. Michelle and her friends rely on each other's camaraderie and strength in an industry that can be both toxic and deeply rewarding. Intensely personal, This Is My Real Name demystifies stripping as a career with great respect and candour, while at the same time exploring the complex, sex-positive relationships (queer and otherwise) that make it meaningful.

Fiction. Women's Studies. Art by Amy Sillman. The long out-of-print 1978 novella by the brilliant Lynne Tillman catalogs a series of encounters and relationships spanning the 60s and the 70s. Fucking is involved. So is weird, but in a way that means more than just weird. Think wyrd, like the witch sisters of Macbeth, or already feeling like a ghost, or waiting in a Victorian nightgown on Valium for two months, or knowing more about the cock of the baby alien in your bed than about his face. It's an early work, but already the sentences are classic Lynne Tillman, brutal, funny, concrete, and haunted. This is how WEIRD FUCKS should have always been, alone and beautiful and shiny in the world. The 8 full color artworks by Amy Sillman rub up against the words, and the fine detail and construction make it a pleasurably Weird Fuck to read and hold.

From one of our fiercest stylists, a roaring epic chronicling the life, times, and secrets of a notorious artist.When X—an iconoclastic artist, writer, and polarizing shape-shifter—falls dead in her office, her widow, wild with grief and refusing everyone’s good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM, her wife, knew where X had been born, and in her quest to find out, she opens a Pandora’s box of secrets, betrayals, and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, as it is finally, in the present day, forced into an uneasy reunification. A masterfully constructed literary adventure complete with original images assembled by X’s widow, Biography of X follows a grieving wife seeking to understand the woman who enthralled her. CM traces X’s peripatetic trajectory over decades, from Europe to the ruins of America's divided territories, and through her collaborations and feuds with everyone from Bowie and Waits to Sontag and Acker. And when she finally understands the scope of X’s defining artistic project, CM realizes her wife’s deceptions were far crueler than she imagined.Pulsing with suspense and intellect while blending nonfiction and fiction, Biography of X is a roaring epic that plumbs the depths of grief, art, and love. In her most ambitious novel yet, Catherine Lacey, one of our most acclaimed literary innovators, pushes her craft to its highest level, introducing us to an unforgettable character who, in her tantalizing mystery, shows us the fallibility of the stories we craft for ourselves.

Cassandra Edwards is a graduate student at Berkeley: gay, brilliant, nerve-wracked, miserable. At the beginning of this novel, she drives back to her family ranch in the foothills of the Sierras to attend the wedding of her identical twin, Judith, to a nice young doctor from Connecticut. Cassandra, however, is hell-bent on sabotaging the wedding.   Dorothy Baker's entrancing tragicomic novella follows an unpredictable course of events in which her heroine appears variously as conniving, self-aware, pitiful, frenzied, absurd, and heartbroken—at once utterly impossible and tremendously sympathetic. Cassandra reckons with her complicated feelings about the sister who she feels owes it to her to be her alter ego; with her father, a brandy-soaked retired professor of philosophy; and with the ghost of her dead mother, as she struggles to come to terms with the only life she has.   First published in 1962, Cassandra at the Wedding is a book of enduring freshness, insight, and verve. Like the fiction of Jeffrey Eugenides and Jhumpa Lahiri, it is the work of a master stylist with a profound understanding of the complexities of the heart and mind.  

When her cousin and wife fail to return from a walk, this story takes a sinister turn to a quest of survival A woman takes a holiday in the Austrian mountains, spending a few days with her cousin and his wife in their hunting lodge. When the couple fails to return from a walk, the woman sets off to look for them. But her journey reaches a sinister and inexplicable dead end. She discovers only a transparent wall behind which there seems to be no life. Trapped alone behind the mysterious wall she begins the arduous work of survival. This is at once a simple account of potatoes and beans, of hoping for a calf, of counting matches, of forgetting the taste of sugar and the use of one's name, and simultaneously a disturbing dissection of the place of human beings in the natural world. **PERFECT FOR FANS OF THE YELLOW WALLPAPER, STATION ELEVEN AND THE MARTIAN VINTAGE EARTH is a collection of novels to transform our relationship with the natural world. Each one is a work of creative activism, a blast of fresh air, a seed from which change can grow. The books in this series reconnect us to the planet we inhabit - and must protect. Discover great writing on the most urgent story of our times.

The author of How Was It for You? is a sex worker. Let’s call her ‘Eve’. Eve is someone’s partner. Someone’s mother. And she has worked across the sex industry for twenty in a brothel, as an escort in a strip club, online and as a dominatrix. In this candid memoir she reveals the good stuff, the bad, the downright ugly, and the boring bits too. Responding to the relentless attacks on sex work by MPs and the police, as well as trying to make sense of the pitiful opportunities for progression in minimum wage jobs, Eve takes an informed look at the parts of the system which, perhaps more than ever, make it impossible for people with fewer opportunities to thrive. We lie with her poolside as she visits wealthy clients at their Caribbean villas. We watch from the public gallery as she is dragged in and out of court by the law. We perch at her side in a cell as she contemplates the true meaning of freedom. And we’re with her as she discovers she's pregnant and her body is given another job to growing and giving birth to a baby. Honest, eye-opening, full of fury but frequently funny, How Was It for You? is a compelling commentary on what’s happening in society’s shadows, and a walk in someone else’s high heels that you won’t forget in a hurry.

An enlightening linguistic journey through a thousand years of feminist language--and what we can learn from the vivid vocabulary English once had for women's bodies, experiences, and sexuality So many of the words we use to articulate the experiences women share feel awkward or alien. Medical terms are scrupulously accurate but antiseptic. Slang and obscenities have shock value, yet they perpetuate taboos. Where are the plain, honest words for the experiences that women encounter in their daily lives? Mother Tongue is a historical investigation of feminist language and thought, from the dawn of Old English to the present day. Dr. Jenni Nuttall guides readers through the evolution of words we have used to describe female bodies, menstruation, women's sexuality, the consequences of male violence, childbirth, women's paid and unpaid work, and gender. Along the way, she challenges our modern language's ability to insightfully articulate women's shared experiences by examining the long-forgotten words once used in English for female sexual and reproductive organs. Nuttall also tells the story of words like womb and breast, whose meanings have changed over time, as well as how anatomical words such as hysteria and hysterical came to have such loaded legacies. Inspired by today's heated debates about words like womxn and menstruators--and also by more personal conversations between her and her teenage daughter--Nuttall describes the profound transformation of the English language. In the process, she unearths some surprisingly progressive thinking that challenges our assumptions about the past--and, in some cases, puts our twenty-first-century society to shame.