Paddy de Courcy is Ireland's debonair politician, the "John F. Kennedy Jr. of Dublin." His charm and charisma have taken hold of the country and the tabloids, not to mention our four heroines: Lola, Grace, Marnie, and Alicia. But though Paddy's winning smile is fooling Irish minds, the broken hearts he's left in his past offer a far more truthful look into his character. Narrated in turn by each woman, This Charming Man explores how their love for this one man has shaped their lives. But in true Marian Keyes fashion, this is more than a story of four love affairs. It's a testament to the strength women find in themselves through work, friendship, and family, no matter what demons may be haunting their lives. Depression, self-doubt, domestic abuse—each of these women has seen tough times in life, and it's through Keyes's wonderful storytelling ability that these subjects are approached with the appropriate tone and candor. Her deft touch provides a gripping story and, ultimately, a redemptive ending.

Paddy de Courcy is Ireland's debonair politician, the "John F. Kennedy Jr. of Dublin." His charm and charisma have taken hold of the country and the tabloids, not to mention our four heroines: Lola, Grace, Marnie, and Alicia. But though Paddy's winning smile is fooling Irish minds, the broken hearts he's left in his past offer a far more truthful look into his character. Narrated in turn by each woman, This Charming Man explores how their love for this one man has shaped their lives. But in true Marian Keyes fashion, this is more than a story of four love affairs. It's a testament to the strength women find in themselves through work, friendship, and family, no matter what demons may be haunting their lives. Depression, self-doubt, domestic abuse—each of these women has seen tough times in life, and it's through Keyes's wonderful storytelling ability that these subjects are approached with the appropriate tone and candor. Her deft touch provides a gripping story and, ultimately, a redemptive ending.

It's bad when the heart is ripped out of a community... it's worse when it loses its soul. 1865. There is coal under the fields of Scratch Moss Manor and Sir Henry Brody is determined to get at it. But there is something else in the ground as well, something dark and evil 1905. A more Godless set of people the Reverend George Ackman has never known than the people of the northern town of Scratch Moss. But if not God, what do they believe in? 1945. Arthur works for the Coal Commission, visiting privately-owned pits ahead of their nationalisation. But something is amiss in Scratch Moss, with a disturbing number of deaths at the mine and children going missing in the tunnels. 1985. The miners have lost. Thatcher reigns supreme. And in the shattered community of Scratch Moss, rumours resurface about Red Clogs, a terrible presence in the land below. 2025: Divorced, fifty-something writer Joe returns to the former mining community of Scratch Moss where he grew up, for the funeral of his father. Soon the memories of Joe's teenage years, and the horror that blighted the community, come flooding back. A devastating, five-timeline tale centred on a community first invigorated, then devastated by the coal mining industry in the most original folk horror novel of the year.

It's bad when the heart is ripped out of a community... it's worse when it loses its soul. 1865. There is coal under the fields of Scratch Moss Manor and Sir Henry Brody is determined to get at it. But there is something else in the ground as well, something dark and evil 1905. A more Godless set of people the Reverend George Ackman has never known than the people of the northern town of Scratch Moss. But if not God, what do they believe in? 1945. Arthur works for the Coal Commission, visiting privately-owned pits ahead of their nationalisation. But something is amiss in Scratch Moss, with a disturbing number of deaths at the mine and children going missing in the tunnels. 1985. The miners have lost. Thatcher reigns supreme. And in the shattered community of Scratch Moss, rumours resurface about Red Clogs, a terrible presence in the land below. 2025: Divorced, fifty-something writer Joe returns to the former mining community of Scratch Moss where he grew up, for the funeral of his father. Soon the memories of Joe's teenage years, and the horror that blighted the community, come flooding back. A devastating, five-timeline tale centred on a community first invigorated, then devastated by the coal mining industry in the most original folk horror novel of the year.

It is difficult trying to talk in our family cos: a) Grandparents don’t speak English at allb) Mum hardly speaks any Englishc) Me, Bonny and Simon hardly speak Chinesed) Dad speaks Chinese and good English – but doesn’t like talkingIn other words, we all have to cobble together tiny bits of English and Chinese into a rubbish new language I call 'Chinglish'. It is very awkward. Jo Kwan is a teenager growing up in 1980s Coventry with her annoying little sister, too-cool older brother, a series of very unlucky pets and utterly bonkers parents. But unlike the other kids at her new school or her posh cousins, Jo lives above her parents' Chinese takeaway. And things can be tough – whether it's unruly customers or the snotty popular girls who bully Jo for being different. Even when she does find a BFF who actually likes Jo for herself, she still has to contend with her erratic dad's behaviour. All Jo dreams of is breaking free and forging a career as an artist. Told in diary entries and doodles, Jo's brilliantly funny observations about life, family and char siu make for a searingly honest portrayal of life on the other side of the takeaway counter.

It is difficult trying to talk in our family cos: a) Grandparents don’t speak English at allb) Mum hardly speaks any Englishc) Me, Bonny and Simon hardly speak Chinesed) Dad speaks Chinese and good English – but doesn’t like talkingIn other words, we all have to cobble together tiny bits of English and Chinese into a rubbish new language I call 'Chinglish'. It is very awkward. Jo Kwan is a teenager growing up in 1980s Coventry with her annoying little sister, too-cool older brother, a series of very unlucky pets and utterly bonkers parents. But unlike the other kids at her new school or her posh cousins, Jo lives above her parents' Chinese takeaway. And things can be tough – whether it's unruly customers or the snotty popular girls who bully Jo for being different. Even when she does find a BFF who actually likes Jo for herself, she still has to contend with her erratic dad's behaviour. All Jo dreams of is breaking free and forging a career as an artist. Told in diary entries and doodles, Jo's brilliantly funny observations about life, family and char siu make for a searingly honest portrayal of life on the other side of the takeaway counter.

They escaped their mother’s hellish trap years ago, but a cruel history of lies and deceit has come full circle… The forbidden love that blossomed when Cathy and Christopher were held captive in Foxworth Hall is one the Dollanganger family’s darkest secrets. Now, with three grown children and even a new last name, the pair seem to have outlived a twisted legacy. But on their son Bart’s twenty-fifth birthday, when the spiteful and disturbed young man claims his rightful inheritance, the full, shattering truth of their tainted past will be revealed at Foxworth Hall—the place where the nightmare began, and where Christopher and Cathy were once just innocent flowers in the attic…

They escaped their mother’s hellish trap years ago, but a cruel history of lies and deceit has come full circle… The forbidden love that blossomed when Cathy and Christopher were held captive in Foxworth Hall is one the Dollanganger family’s darkest secrets. Now, with three grown children and even a new last name, the pair seem to have outlived a twisted legacy. But on their son Bart’s twenty-fifth birthday, when the spiteful and disturbed young man claims his rightful inheritance, the full, shattering truth of their tainted past will be revealed at Foxworth Hall—the place where the nightmare began, and where Christopher and Cathy were once just innocent flowers in the attic…

Move over, Bridget Jones’s diary: She’s back, and this time she’s texting and tweeting. . . Fourteen years after landing Mark Darcy, Bridget’s life has taken her places she never expected. But despite the new challenges of single parenting, online dating, wildly morphing dress sizes, and bafflingly complex remote controls, she is the same irrepressible and endearing soul we all remember—though her talent for embarrassing herself in hilarious ways has become dangerously amplified now that she has 752 Twitter followers. As Bridget navigates head lice epidemics, school-picnic humiliations, and cross-generational sex, she learns that life isn’t over when you start needing reading glasses—and why one should never, ever text while drunk. Studded with witty observations about the perils and absurdities of our times, Mad About the Boy is both outrageously comic and genuinely moving. As we watch her dealing with heartbreaking loss and rediscovering love and joy, Bridget invites us to fall for her all over again.