The Spellshop is Sarah Beth Durst’s romantasy debut–a lush cottagecore tale full of stolen spellbooks, unexpected friendships, sweet jams, and even sweeter love. Kiela has always had trouble dealing with people. Thankfully, as a librarian at the Great Library of Alyssium, she and her assistant, Caz—a magically sentient spider plant—have spent the last decade sequestered among the empire’s most precious spellbooks, preserving their magic for the city’s elite. When a revolution begins and the library goes up in flames, she and Caz flee with all the spellbooks they can carry and head to a remote island Kiela never thought she’d see again: her childhood home. Taking refuge there, Kiela discovers, much to her dismay, a nosy—and very handsome—neighbor who can’t take a hint and keeps showing up day after day to make sure she’s fed and to help fix up her new home. In need of income, Kiela identifies something that even the bakery in town doesn’t have: jam. With the help of an old recipe book her parents left her and a bit of illegal magic, her cottage garden is soon covered in ripe berries. But magic can do more than make life a little sweeter, so Kiela risks the consequences of using unsanctioned spells and opens the island’s first-ever and much needed secret spellshop. Like a Hallmark rom-com full of mythical creatures and fueled by cinnamon rolls and magic, The Spellshop will heal your heart and feed your soul.

A fierce international bestseller that launched Korea’s new feminist movement, Kim Jiyoung, Born 1982 follows one woman’s psychic deterioration in the face of rigid misogyny. Truly, flawlessly, completely, she became that person. In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul lives Kim Jiyoung. A thirtysomething-year-old “millennial everywoman,” she has recently left her white-collar desk job—in order to care for her newborn daughter full-time—as so many Korean women are expected to do. But she quickly begins to exhibit strange symptoms that alarm her husband, parents, and in-laws: Jiyoung impersonates the voices of other women—alive and even dead, both known and unknown to her. As she plunges deeper into this psychosis, her discomfited husband sends her to a male psychiatrist. In a chilling, eerily truncated third-person voice, Jiyoung’s entire life is recounted to the psychiatrist—a narrative infused with disparate elements of frustration, perseverance, and submission. Born in 1982 and given the most common name for Korean baby girls, Jiyoung quickly becomes the unfavored sister to her princeling little brother. Always, her behavior is policed by the male figures around her—from the elementary school teachers who enforce strict uniforms for girls, to the coworkers who install a hidden camera in the women’s restroom and post their photos online. In her father’s eyes, it is Jiyoung’s fault that men harass her late at night; in her husband’s eyes, it is Jiyoung’s duty to forsake her career to take care of him and their child—to put them first. Jiyoung’s painfully common life is juxtaposed against a backdrop of an advancing Korea, as it abandons “family planning” birth control policies and passes new legislation against gender discrimination. But can her doctor flawlessly, completely cure her, or even discover what truly ails her? Rendered in minimalist yet lacerating prose, Kim Jiyoung, Born 1982 sits at the center of our global #MeToo movement and announces the arrival of writer of international significance

A fierce international bestseller that launched Korea’s new feminist movement, Kim Jiyoung, Born 1982 follows one woman’s psychic deterioration in the face of rigid misogyny. Truly, flawlessly, completely, she became that person. In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul lives Kim Jiyoung. A thirtysomething-year-old “millennial everywoman,” she has recently left her white-collar desk job—in order to care for her newborn daughter full-time—as so many Korean women are expected to do. But she quickly begins to exhibit strange symptoms that alarm her husband, parents, and in-laws: Jiyoung impersonates the voices of other women—alive and even dead, both known and unknown to her. As she plunges deeper into this psychosis, her discomfited husband sends her to a male psychiatrist. In a chilling, eerily truncated third-person voice, Jiyoung’s entire life is recounted to the psychiatrist—a narrative infused with disparate elements of frustration, perseverance, and submission. Born in 1982 and given the most common name for Korean baby girls, Jiyoung quickly becomes the unfavored sister to her princeling little brother. Always, her behavior is policed by the male figures around her—from the elementary school teachers who enforce strict uniforms for girls, to the coworkers who install a hidden camera in the women’s restroom and post their photos online. In her father’s eyes, it is Jiyoung’s fault that men harass her late at night; in her husband’s eyes, it is Jiyoung’s duty to forsake her career to take care of him and their child—to put them first. Jiyoung’s painfully common life is juxtaposed against a backdrop of an advancing Korea, as it abandons “family planning” birth control policies and passes new legislation against gender discrimination. But can her doctor flawlessly, completely cure her, or even discover what truly ails her? Rendered in minimalist yet lacerating prose, Kim Jiyoung, Born 1982 sits at the center of our global #MeToo movement and announces the arrival of writer of international significance

From award-winning author R. F. Kuang comes Babel, a historical fantasy epic that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British Empire Traduttore, traditore: An act of translation is always an act of betrayal. 1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel. The tower and its students are the world's center for translation and, more importantly, magic. Silver-working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as the arcane craft serves the Empire's quest for colonization. For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide . . . Can powerful institutions be changed from within, or does revolution always require violence?

ASIN B08H831J18 moved to the more recent edition Centuries before, robots of Panga gained self-awareness, laid down their tools, wandered, en masse into the wilderness, never to be seen again. They faded into myth and urban legend. Now the life of the tea monk who tells this story is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how. They will need to ask it a lot. Chambers' series asks: in a world where people have what they want, does having more matter?