You can find the redesigned cover of this edition HERE. At the centre of this novel is the passionate love between Catherine Earnshaw and Heathcliff - recounted with such emotional intensity that a plain tale of the Yorkshire moors acquires the depth and simplicity of ancient tragedy. This best-selling Norton Critical Edition is based on the 1847 first edition of the novel. For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations. New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work. Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights. A Chronology and updated Selected Bibliography are also included.

This is the story of Louis, as told in his own words, of his journey through mortal and immortal life. Louis recounts how he became a vampire at the hands of the radiant and sinister Lestat and how he became indoctrinated, unwillingly, into the vampire way of life. His story ebbs and flows through the streets of New Orleans, defining crucial moments such as his discovery of the exquisite lost young child Claudia, wanting not to hurt but to comfort her with the last breaths of humanity he has inside. Yet, he makes Claudia a vampire, trapping her womanly passion, will, and intelligence inside the body of a small child. Louis and Claudia form a seemingly unbreakable alliance and even "settle down" for a while in the opulent French Quarter. Louis remembers Claudia's struggle to understand herself and the hatred they both have for Lestat that sends them halfway across the world to seek others of their kind. Louis and Claudia are desperate to find somewhere they belong, to find others who understand, and someone who knows what and why they are.Louis and Claudia travel Europe, eventually coming to Paris and the ragingly successful Theatre des Vampires--a theatre of vampires pretending to be mortals pretending to be vampires. Here they meet the magnetic and ethereal Armand, who brings them into a whole society of vampires. But Louis and Claudia find that finding others like themselves provides no easy answers and in fact presents dangers they scarcely imagined.Originally begun as a short story, the book took off as Anne wrote it, spinning the tragic and triumphant life experiences of a soul. As well as the struggles of its characters, Interview captures the political and social changes of two continents. The novel also introduces Lestat, Anne's most enduring character, a heady mixture of attraction and revulsion. The book, full of lush description, centers on the themes of immortality, change, loss, sexuality, and annerice.com

John Green, the #1 bestselling author of The Anthropocene Reviewed and a passionate advocate for global healthcare reform, tells a deeply human story illuminating the fight against the world’s deadliest disease. Tuberculosis has been entwined with humanity for millennia. Once romanticized as a malady of poets, today tuberculosis is a disease of poverty that walks the trails of injustice and inequity we blazed for it. In 2019, John Green met Henry, a young tuberculosis patient at Lakka Government Hospital in Sierra Leone while traveling with Partners in Health. John became fast friends with Henry, a boy with spindly legs and a big, goofy smile. In the years since that first visit to Lakka, Green has become a vocal and dynamic advocate for increased access to treatment and wider awareness of the healthcare inequities that allow this curable, treatable infectious disease to also be the deadliest, killing 1.5 million people every year. In Everything is Tuberculosis, John tells Henry’s story, woven through with the scientific and social histories of how tuberculosis has shaped our world and how our choices will shape the future of tuberculosis.

Based on the popular podcast, The Big Hot Book of Death is a smart, funny look at the American culture of death and how we’re remembered. It's safe to say everyone thinks about death-whether they want to or not. But have you ever wondered about what sort of keepsakes you can make with your remains, or given any thought to the most scandalous deathbed confessions throughout history? Well Madison Reyes and Spencer Henry have, and they've spent countless hours scouring the darkest corners of the internet, digging through newspaper archives, devouring documents, and picking the brains of death industry experts to bring you Obitchuary, a darkly funny and deeply poignant exploration of all things death.  With chapters like "Coffin Confessions," “Executions to Die For,” “The Last Word,” and “If These Dolls Could Speak," Madison and Spencer guide us through surprisingly colorful history, traditions, and contemporary practices. They also demystify taboo topics with incredible and hilarious details, including FUNerals, as they call them, cremations and themed funerals, famous body snatchers, and so much more. Shocking, macabre, hilarious, and moving, Obitchuary digs deep into the physical aspects of death while also carefully exploring what death says about our humanity, and the ways we choose to remember those we've lost. So go ahead, crack open the book--we know you're dying to read it.

France, 1714: in a moment of desperation, a young woman makes a Faustian bargain to live forever and is cursed to be forgotten by everyone she meets. Thus begins the extraordinary life of Addie LaRue, and a dazzling adventure that will play out across centuries and continents, across history and art, as a young woman learns how far she will go to leave her mark on the world. But everything changes when, after nearly 300 years, Addie stumbles across a young man in a hidden bookstore and he remembers her name.

The Invisible Life of Addie La Rue meets This is How You Lose The Time War in this fantastical love story that defies death as two souls reincarnate through the centuries. They've loved each other in a thousand lifetimes. They've killed each other in every one. Evelyn remembers all her past lives. She also remembers that in every single one, she’s been murdered before her eighteenth birthday by Arden, a supernatural being whose soul―and survival―is tethered to hers. The problem is that she’s quite fond of the life she’s in now, and her little sister needs her for bone marrow transplants in order to stay alive. If Evelyn wants to save her sister, she’ll have to: 1. Find the centuries-old devil who hunts her through each life―before they find her first. 2. Figure out why she’s being hunted and finally break their curse. 3. Try not to fall in love.

Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. A breakout, genre-blurring novel from one of the most exciting new voices of Latin America’s feminist Gothic. It is the twilight of Europe’s bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women—and they cross a threshold from which there’s no turning back. With echoes of Mary Shelley’s Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.