From the bestselling author of Whistlin’ Dixie in a Nor’easter comes a soulful, nostalgic novel about a young woman coming of age in the ‘60s to the blare of the music that shaped a generation. It’s the summer of ’69. While her peers revel in free love and rock and roll, Suzannah is home from college, sequestered inside her conservative Southern home. Her domineering father has condemned rock music and driven away her best friend. She’s counting the days until fall. But everything changes when her free-spirited best friend, Livy, resurfaces, urging Suzannah, a talented singer, to join her for three days of peace and music in upstate New York. Fed up with her father’s rules and fearful for her brother’s fate in Vietnam, Suzannah agrees to the road trip, sneaking off without her parents’ knowledge. Miles outside her comfort zone, the electrifying bedlam of Woodstock jolts her into a journey of self-transformation. But it’s not all incense and peppermints. Suzannah’s falling hard for Leon, a boy she meets at the festival, and the seductive bud of first love conceals a thorn of heartache. Lies uncover betrayal, and Livy’s wild behavior leads to a startling revelation. A nostalgic trip through the turbulent ’60s, this is the story of a lovable heroine who lets go of the girl she was to embrace the woman she’s becoming while she learns to lift her voice—for herself and perhaps for the world.

From the author of Utopia For Realists, a revolutionary argument that the innate goodness and cooperation of human beings has been the greatest factor in our success If one basic principle has served as the bedrock of bestselling author Rutger Bregman's thinking, it is that every progressive idea -- whether it was the abolition of slavery, the advent of democracy, women's suffrage, or the ratification of marriage equality -- was once considered radical and dangerous by the mainstream opinion of its time. With Humankind, he brings that mentality to bear against one of our most entrenched ideas: namely, that human beings are by nature selfish and self-interested. By providing a new historical perspective of the last 200,000 years of human history, Bregman sets out to prove that we are in fact evolutionarily wired for cooperation rather than competition, and that our instinct to trust each other has a firm evolutionary basis going back to the beginning of Homo sapiens. Bregman systematically debunks our understanding of the Milgram electrical-shock experiment, the Zimbardo prison experiment, and the Kitty Genovese "bystander effect." In place of these, he offers little-known true stories: the tale of twin brothers on opposing sides of apartheid in South Africa who came together with Nelson Mandela to create peace; a group of six shipwrecked children who survived for a year and a half on a deserted island by working together; a study done after World War II that found that as few as 15% of American soldiers were actually capable of firing at the enemy. The ultimate goal of Humankind is to demonstrate that while neither capitalism nor communism has on its own been proven to be a workable social system, there is a third option: giving "citizens and professionals the means (left) to make their own choices (right)." Reorienting our thinking toward positive and high expectations of our fellow man, Bregman argues, will reap lasting success. Bregman presents this idea with his signature wit and frankness, once again making history, social science and economic theory accessible and enjoyable for lay readers.

Africa Is Not A Country is a bright portrait of modern Africa that pushes back against harmful stereotypes to tell a more comprehensive story. You already know these stereotypes. So often Africa is depicted simplistically as an arid red landscape of famines and safaris, uniquely plagued by poverty and strife. In this funny and insightful book, Dipo Faloyin offers a much-needed corrective. He examines each country's colonial heritage, and explores a wide range of subjects, from chronicling urban life in Lagos and the lively West African rivalry over who makes the best Jollof rice, to the story of democracy in seven dictatorships and the dangers of stereotypes in popular culture. By turns intimate and political, Africa Is Not A Country brings the story of the continent towards reality, celebrating the energy and fabric of its different cultures and communities in a way that has never been done before.

The first nonfiction work by one of the most distinctive prose stylists of our era, Joan Didion's Slouching Towards Bethlehem remains, decades after its first publication, the essential portrait of America—particularly California—in the sixties. It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture. It contains Didion's famous essay, "Goodbye to All That".

First published in 1979, Joan Didion's The White Album records indelibly the upheavals and aftermaths of the 1960s. Examining key events, figures, and trends of the era—including Charles Manson, the Black Panthers, and the shopping mall—through the lens of her own spiritual confusion, Joan Didion helped to define mass culture as we now understand it. Written with a commanding sureness of tone and linguistic precision, The White Album is a central text of American reportage and a classic of American autobiography.

From the #1 New York Times bestselling author of The Seven Husbands of Evelyn Hugo and Daisy Jones & The Six comes an epic new novel set against the backdrop of the 1980s space shuttle program and the extraordinary lengths we go to live and love beyond our limits. Joan Goodwin has been obsessed with the stars for as long as she can remember. Thoughtful and reserved, Joan is content with her life as a professor of physics and astronomy at Rice University and as aunt to her precocious niece, Frances. That is, until she comes across an advertisement seeking the first women scientists to join NASA’s Space Shuttle Program. Suddenly, Joan burns to be one of the few people to go to space. Selected from a pool of thousands of applicants in the summer of 1980, Joan begins training at Houston’s Johnson Space Center, alongside an exceptional group of fellow candidates: Top Gun pilots Hank Redmond and John Griffin, who are kind and easy-going even when the stakes are highest; mission specialist Lydia Danes, who has worked too hard to play nice; warm-hearted Donna Fitzgerald, who is navigating her own secrets; and Vanessa Ford, the magnetic and mysterious aeronautical engineer, who can fix any engine and fly any plane. As the new astronauts become unlikely friends and prepare for their first flights, Joan finds a passion and a love she never imagined. In this new light, Joan begins to question everything she thinks she knows about her place in the observable universe. Then, in December of 1984, on mission STS-LR9, everything changes in an instant. Fast-paced, thrilling, and emotional, Atmosphere is Taylor Jenkins Reid at her best: transporting readers to iconic times and places, with complex protagonists, telling a passionate and soaring story about the transformative power of love, this time among the stars.

From the Whiting and O. Henry–winning author of Private Citizens (“the first great millennial novel,” New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos. Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet. In “The Feminist,” a young man’s passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn’t getting him laid. A young woman’s unrequited crush in “Pics” spirals into borderline obsession and the systematic destruction of her sense of self. And in “Ahegao; or, The Ballad of Sexual Repression,” a shy late bloomer’s flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, they reveal the ways our delusions can warp our desire for connection. These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself.

From Booker Prize finalist David Szalay, a propulsive, hypnotic novel, about a man whose future is derailed by a series of events that he is unable to control.Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and soon becomes isolated, with his neighbor—a married woman close to his mother’s age, whom he begrudgingly helps with errands—as his only companion. But as these periodical encounters shift into a clandestine relationship that István himself can barely understand, his life soon spirals out of control, ending in a violent accident that leaves a man dead. What follows is a rocky trajectory that sees István emigrate from Hungary to London, where he moves from job to job before finding steady work as a driver for London’s billionaire class. At each juncture, his life is affected by the goodwill or self-interest of strangers. Through it all, István is a calm, detached observer of his own life, and through his eyes we experience a tragic twist on an immigrant “success story,” brightened by moments of sensitivity, softness, and Szalay’s keen observation. Fast-paced and immersive, Flesh reveals István’s life through intimate moments, with lovers, employers, and family members, charted over the course of decades. As the story unfolds, the tension between what is seen and unseen, what can and cannot be said, hurtles forward until finally—with everything at stake—sudden tragedy again throws life as István knows it in jeopardy. Spare and penetrating, Flesh traces the imperceptible but indelible contours of unresolved trauma and its aftermath amid the precarity and violence of an ever-globalizing Europe with incisive insight, unyielding pathos, and startling humanity.

From the New York Times bestselling author of Empire of Pain and Say Nothing - a stunning story of corruption and tragedy in one of the world's great London."A new book by Keefe means drop everything and close the blinds; you'll be turning pages for hours" Los Angeles Times'Patrick Radden Keefe [is] one of the top narrative nonfiction authors of his generation' TIMEIn 2019, a London teenager, Zac Brettler, mysteriously fell to his death from a luxury apartment building on the banks of the Thames. When his grieving parents began their desperate quest to understand how their son had died, they made a terrible Zac had been leading a fantasy life, posing as the son of a wealthy Russian oligarch.In his inimitably gripping and forensic prose, Baillie Gifford Prize winner and New Yorker writer Patrick Radden Keefe follows Zac's parents on a dark journey to find out what brought Zac to the balcony that night - and how a teenager's world of make-believe drew him into the city's terrifying underworld.London Falling is at once a devastating family tragedy, a riveting story of greed, power and deception, and an indictment of the culture that has transformed London into a haven for the malignant forces that have come to influence us all.