Through the lens of her years spent as a sex worker, Charlotte Shane offers a provocative and tender reckoning of what it means to be a heterosexual woman and a feminist in a misogynistic society. In her early twenties, Charlotte Shane quit her women’s studies graduate program to devote herself to sex work because it was a way to devote herself to men. Her lifelong curiosity about male lust, love, selfishness, and social capital dovetailed with her own insatiable desire for intimacy to sustain a long career in escorting, with unexpectedly poignant results. Shane uses her personal and professional history to examine how men and women struggle in their attempts at romantic and sexual bonding, no matter how true their intentions. As she takes stock of her relationships—with clients, with her father, with friends, with married men, and later, with her own husband—she tells a candid and haunting tale of love, marriage, and (in)fidelity, as seen through the eyes of the perpetual “other woman.” Braiding the personal and the universal, Shane’s memoir is a merciless and moving love letter to straight men and an indictment of habitual dishonesty, a condemnation of every social constraint acting on heterosexual unions, and a hopeful affirmation of the possibility for true connection between men and women.

How the Word Is Passed meets Braiding Sweetgrass in a cultural and personal reclamation of Black history and Black botanical mastery, told through the stories of long-lived trees. The histories of trees in America are also the histories of Black Americans. Pecan trees were domesticated by an enslaved African named Antoine; sycamore trees were both havens and signposts for people trying to escape enslavement; poplar trees are historically associated with lynching; and willow bark has offered the gift of medicine. These trees, and others, testify not only to the complexity of the Black American narrative but also to a heritage of Black botanical expertise that, like Native American traditions, predates the United States entirely. In When Trees Testify, award-winning plant biologist Beronda L. Montgomery explores the way seven trees—as well as the cotton shrub—are intertwined with Black history and culture. She reveals how knowledge surrounding these trees has shaped America since the very beginning. As Montgomery shows, trees are material witnesses to the lives of enslaved Africans and their descendants. Combining the wisdom of science and history with stories from her own path to botany, Montgomery talks to majestic trees, and in this unique and compelling narrative, they answer.

Darley, the eldest daughter in the well-connected, old money Stockton family, followed her heart, trading her job and her inheritance for motherhood but giving up far too much in the process; Sasha, a middle-class New England girl, has married into the Brooklyn Heights family, and finds herself cast as the arriviste outsider; and Georgiana, the baby of the family, has fallen in love with someone she can’t have and must decide what kind of person she wants to be. Shot through with the indulgent pleasures of life among New York’s one-percenters, Pineapple Street is an addictive, escapist novel that sparkles with wit. Full of recognizable, lovable—if fallible—characters, it’s about the peculiar unknowability of someone else’s family, the miles between the haves and have-nots, and the insanity of first love—all wrapped in a deliciously funny, sharply observed debut of family, love, and class.

A bighearted and moving debut about a wry retired schoolteacher whose decade-old secret threatens to come to light and send shockwaves through her small Texas town. Billington, Texas, is a place where nothing changes. Well, almost nothing. For the first time in nearly four decades, Mary Alice Roth is not getting ready for the first day of school at Billington High. A few months into her retirement—or, district mandated exile as she calls it—Mary Alice does not know how to fill her days. The annual picnic is coming up, but that isn’t nearly enough since the menu never changes and she had the roles mentally assigned weeks ago. At least there’s Ellie, who stops by each morning for coffee and whose reemergence in Mary Alice’s life is the one thing soothing the sting of retirement. Mary Alice and Ellie were a pair since the day Ellie moved in next door. That they both were single mothers – Mary Alice widowed, Ellie divorced—with sons the same age was a pleasant coincidence, but they were forever linked when they lost the boys, one right after the other. Years later, the two are working their way back to a comfortable friendship. But when Mary Alice’s sister arrives on her doorstep with a staggering piece of news, it jeopardizes the careful shell she’s built around her life. The whole of her friendship with Ellie is put at risk, the fabric of a place as steadfast as Billington is questioned, and the unflappable, knotty fixture that is Mary Alice Roth might have to change after all.

From the International Booker Prize Shortlisted author of Heaven and Breasts and Eggs.Hana has nothing but she’s hopeful. She’s fifteen years old. She lives in a tiny apartment in a suburb of Tokyo with her young mother, a hostess at a local dive bar. They have no money, no security. Then Kimiko appears.Kimiko is older, a bright light in Hana’s dark world. Together they set up Lemon, a bar that caters to hostesses and their marks, small-time crooks, men with low morals and deep pockets, and anyone down on their luck. Suddenly Hana has a job she loves, friends to share her days with, and the glittering promise of money. She feels like a normal girl. She feels invincible.But in the seedy streets of Setagaya, nothing is as it seems. Soon all of Hana’s hope, her optimism, and her drive, will be tested to the limt . . .Twenty years later, Kimiko is on trial. Now Hana must wrestle with her own actions, and face their devastating consequences.A story of enduring friendship and deep betrayal, Sisters in Yellow is a masterpiece of teenage dreams and adult cruelties that confirms Mieko Kawakami as one of the great writers of her generation.

A brave and captivating graphic memoir about the power of therapy to heal anxiety and generational trauma When Sacha Mardou turned forty years old she was leading a life that looked perfect. But for reasons she couldn’t explain, the anxiety that had always plagued her only seemed to be getting worse, and then she began breaking out in terrible acne. The product of a stoic, working-class British family, Mardou had a deep-seated distrust of mental-health treatment, but now, living the life she’d built in the United States and desperate for relief, she finds herself in a therapist’s office for the first time. There she begins the real work of growing up: learning to understand her family of origin and the childhood trauma she thought she’d left in the past.

From the International Booker Prize Shortlisted author of Heaven and Breasts and Eggs.Hana has nothing but she’s hopeful. She’s fifteen years old. She lives in a tiny apartment in a suburb of Tokyo with her young mother, a hostess at a local dive bar. They have no money, no security. Then Kimiko appears.Kimiko is older, a bright light in Hana’s dark world. Together they set up Lemon, a bar that caters to hostesses and their marks, small-time crooks, men with low morals and deep pockets, and anyone down on their luck. Suddenly Hana has a job she loves, friends to share her days with, and the glittering promise of money. She feels like a normal girl. She feels invincible.But in the seedy streets of Setagaya, nothing is as it seems. Soon all of Hana’s hope, her optimism, and her drive, will be tested to the limt . . .Twenty years later, Kimiko is on trial. Now Hana must wrestle with her own actions, and face their devastating consequences.A story of enduring friendship and deep betrayal, Sisters in Yellow is a masterpiece of teenage dreams and adult cruelties that confirms Mieko Kawakami as one of the great writers of her generation.

In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a Understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep that child. This is the story, written forty years later, of a trauma Ernaux never overcame. In a France where abortion was illegal, she attempted, in vain, to self-administer the abortion with a knitting needle. Fearful and desperate, she finally located an abortionist, and ends up in a hospital emergency ward where she nearly dies. In Happening, Ernaux sifts through her memories and her journal entries dating from those days. Clearly, cleanly, she gleans the meanings of her experience.

What happens to a cat who goes through a wormhole? Tom Gauld returns with Physics for Cats, his second collection of science-based cartoons for the New Scientist. Find out why every scientist worth his sodium chloride has a Tom Gauld cartoon taped to his electron microscope. This new batch of hilarious gags will be as important to every self-respecting scientist as a lab coat and goggles and oversize rubber gloves. Find out what the hadron’s news alert about CERN says! Everyone asks, “What is dark matter?” and “Where is dark matter?” but do they ever take the time to ask, “How is dark matter?” Based all on previous data, we can predict with a 99,99% certainty that you will either laugh, guffaw, chortle or snort (we don’t have a large enough sample set to be able to say which particular type of mirth you will experience.)

A warm and relateable collection of essays exploring the memories we associate with different meals in our lives, from a spectrum of talented creators What is your most poignant memory surrounding food? Of all the essentials for survival: oxygen, water, sleep, and food, only food is a vast treasure trove of memory and of sensory experience. Food is a portal to culture, to times past, to disgust, to comfort, to love: no matter one's feelings about a particular dish, they are hardly ever neutral. In MY FIRST POPSICLE, Zosia Mamet has curated some of the most prominent voices in art and culture to tackle the topic of food in its elegance, its profundity, and its incidental charm. With contributions from Stephanie Danler on vinaigrette and starting over, Anita Lo on the cultural responsibility of dumplings, Tony Hale on his obsession with desserts at chain restaurants, Patti LuPone on childhood memories of seeking out shellfish, Gabourey Sidibe on her connections with her father and the Senegalese dish Poullet Yassa, Andrew Rannells on his nostalgia for Jell-O Cake, Sloane Crosley on the pesto that got her through the early months of the pandemic, Michelle Buteau on her love for all things pasta, Jia Tolentino on the chicken dish she makes to escape reality, and more, MY FIRST POPSICLE is as much an ode to food and emotion as it is to life. After all, the two are inseparable.

The brilliant, bestselling, landmark novel that tells the story of the Buendia family, and chronicles the irreconcilable conflict between the desire for solitude and the need for love—in rich, imaginative prose that has come to define an entire genre known as "magical realism."

Ever since my cosmic twin disappeared, nothing makes sense anymore. Friends, work, life—well, you get the picture. For all of five minutes I thought therapy might be the answer. But then I I’m a cartoonist. Why waste a skilled professional’s time when I could just spend 10 years of my life making an autobiographical comic and call it a “voyage of self-discovery”? So here it the opening chapter of my life. It’s 1985 in a small Quebec town called Notre-Dame du Lac. We’re going to get to know a little girl who enjoys chatting with the forest (that’s me!), a younger brother with demonic tendencies, a tyrannical older brother, and two marvelous parents who may or may not be aliens. And please, PLEASE, take my advice, dear reader. If you ever find yourself in the midst of an existential crisis, don’t make a comic about it. See a therapist instead. Much love!