A provocative novel about an immigrant family living the American dream—and the daughter whose death raises questions about just how American they really want to become.Zorah Sharaf is her family’s pride and joy.Zorah Sharaf is bringing shame to her family.What is the truth? It depends on who you ask.After fleeing the horrors of war in Afghanistan, the Sharaf family resettles as refugees in Northern Virginia. After many years of hard work, the father has become a millionaire. Now they live in the most exclusive neighborhood, their growing family attending the most prestigious schools. And Zorah, the eldest daughter, is the apple of her father’s eye.When Zorah dies after her car veers off the road, it initially seems like a tragic accident—a rainy night, an inexperienced young driver. But stories start to emerge of Zorah as a daughter who disgraced her family, who cavorted with boys. There is talk that the Sharafs’ perfect teenage daughter was far from perfect.The media seizes on the story, dragging the family into the court of public opinion. Was Zorah’s death a tragic accident, or did she die by the hands of her own family in an “honor killing?”Told through multiple points of view and set against a backdrop of Islamophobia and xenophobia, the novel is riveting, provocative, and unforgettable. Good People is sure to spark ongoing conversation with its urgent storytelling, daring structure, and nuanced look at some of the most pressing questions of our time.

Annie always thinks she knows what’s best for everyone, but when her life goes sideways, she realizes that she doesn’t even know the inner workings of her own heart. After getting fired from her dream job at a tech company in New York City on the same day as she learns that her sister is engaged to the Worst Man Alive…again…Annie refuses to let this bad day get worse. When she sees an open position on her company's data strategy team, she’s determined to get it. So what if she’s never coded; how hard can it be? Connor, the interim department head, is unconvinced. But Annie capitalizes on her insider knowledge that Connor’s team of jolly nerds lacks a socially capable person and makes it her mission to convince him that she’s the perfect fit. She’ll just have to ignore the fact that he’s an unfortunate combination of exceedingly aggravating and distractingly hot. If that wasn’t tricky enough, Annie also has to attend her sister’s second engagement party, an engagement Annie ruined the first time, and her sister has not forgotten. So Annie must try to succeed in a job she has no business doing, navigate the budding tension with her new boss, and save her sister before she makes the worst decision a person can make. Annie’s not worried though. If there’s one thing she knows how to do, it’s getting involved in the lives of others. But what if, this time, her efforts to help destroy everything she treasures most?

There are two kinds of people no one ever expects to be murderers: little girls and old ladies. Elsie Mabel Fitzpatrick is eighty-one years old. She's lived on her idyllic street for sixty years—longer than anyone else. Aside from being a curmudgeon who minds everyone else's business, few would suspect that Elsie has a past she's worked exceedingly hard at concealing—because when it comes to murder, no one ever suspects little girls or old ladies. And Elsie Mabel Fitzpatrick, once a little girl and now an old lady, has a strange history of people in her life coming to a foul end.

The New York Times bestselling author of The Weird Sisters returns with a striking and intimate new novel about three very different women facing an impossible question: What makes a family? They look just like any other family. But they aren't a family like any other – not quite. Instead, they are three sets of parents who adopted four biological siblings, committing to keeping the children connected after the death of their grandmother. Tabitha, who adopted the twins, is the planner of the group, responsible for coordinating playdates and birthdays and Sunday night dinners, insistent that everything happens just so. Quiet and steady Ginger, single mother to the eldest daughter, resists the forced togetherness, her own unsettled childhood leaving her wary of trusting too much. And Elizabeth is still reeling from going directly from failed fertility treatments into adopting a newborn, terrified that her unhappiness means she was not meant to be a mother at all. But when the three women receive a surprising call from their children’s birth mother, announcing she is pregnant again and wants them to help her find an adoptive family for this child too, the delicate bonds they are still struggling to form threaten to collapse. As tensions rise, the women reckon with their own feelings about what it means to be a mother and what they owe each other as a family. Set across the span of a family vacation, one full of boisterous laughter and emotional upheaval, Any Other Family is a thought-provoking and poignant look at how families shift and evolve and a striking portrait of motherhood in all its forms.

What she doesn't know about love could fill a book. With a successful career as a romance editor, and an engagement to a man who checks off all ninety-nine boxes on her carefully curated list, Lanie's more than good. She's killing it. Then she’s given the opportunity of a to work with world-renowned author and her biggest inspiration in love and life—the Noa Callaway. All Lanie has to do is cure Noa's writer's block and she'll get the promotion she's always dreamed of. Simple, right? But there's a reason no one has ever seen or spoken to the mysterious Noa Calloway. And that reason will rock Lanie’s world. It will call into question everything she thought she knew. When she finally tosses her ninety-nine expectations to the wind, Lanie may just discover that love By Any Other Name can still be as sweet.

The New York Times bestselling author of The Weird Sisters returns with a striking and intimate new novel about three very different women facing an impossible question: What makes a family? They look just like any other family. But they aren't a family like any other – not quite. Instead, they are three sets of parents who adopted four biological siblings, committing to keeping the children connected after the death of their grandmother. Tabitha, who adopted the twins, is the planner of the group, responsible for coordinating playdates and birthdays and Sunday night dinners, insistent that everything happens just so. Quiet and steady Ginger, single mother to the eldest daughter, resists the forced togetherness, her own unsettled childhood leaving her wary of trusting too much. And Elizabeth is still reeling from going directly from failed fertility treatments into adopting a newborn, terrified that her unhappiness means she was not meant to be a mother at all. But when the three women receive a surprising call from their children’s birth mother, announcing she is pregnant again and wants them to help her find an adoptive family for this child too, the delicate bonds they are still struggling to form threaten to collapse. As tensions rise, the women reckon with their own feelings about what it means to be a mother and what they owe each other as a family. Set across the span of a family vacation, one full of boisterous laughter and emotional upheaval, Any Other Family is a thought-provoking and poignant look at how families shift and evolve and a striking portrait of motherhood in all its forms.

A kaleidoscopic portrait of a modern American family—steadfast, complicated, begrudging, and loving—from the bestselling author of Isola Was this just a brief skirmish, or the beginning of a thirty-year feud? In the Rubenstein family, it could go either way.When their beloved sister passes away, Sylvia and Helen Rubinstein are unmoored. A misunderstanding about apple cake turns into a decade of stubborn silence. Busy with their own lives—divorces, dating, career setbacks, college applications, bat mitzvahs and ballet recitals—their children do not want to get involved. As for their grandchildren? Impossible.With This Is Not About Us, master storyteller Allegra Goodman—whose prior collection was heralded as “one of the most astute and engaging books about American family life” (The Boston Globe)—returns to the form and subject that endeared her to legions of readers. Sharply observed and laced with humor, This Is Not About Us is a story of growing up and growing old, the weight of parental expectations, and the complex connection between sisters—a big-hearted book about the love that binds a family across generations.

They died with smiles on their faces. Three apparent suicides: a brilliant engineer, an infamous lawyer, and a controversial politician. Three strangers with nothing in common - and no obvious reasons for killing themselves. Police lieutenant Eve Dallas found the deaths suspicious. And her instincts paid off when autopsies revealed small burns on the brains of the victims. Was it a genetic abnormality or a high-tech method of murder? Eve's investigation turned to the provocative world of virtual reality games - where the same techniques used to create joy and desire could also prompt the mind to become the weapon of its own destruction . . .

A kaleidoscopic portrait of a modern American family—steadfast, complicated, begrudging, and loving—from the bestselling author of Isola Was this just a brief skirmish, or the beginning of a thirty-year feud? In the Rubenstein family, it could go either way.When their beloved sister passes away, Sylvia and Helen Rubinstein are unmoored. A misunderstanding about apple cake turns into a decade of stubborn silence. Busy with their own lives—divorces, dating, career setbacks, college applications, bat mitzvahs and ballet recitals—their children do not want to get involved. As for their grandchildren? Impossible.With This Is Not About Us, master storyteller Allegra Goodman—whose prior collection was heralded as “one of the most astute and engaging books about American family life” (The Boston Globe)—returns to the form and subject that endeared her to legions of readers. Sharply observed and laced with humor, This Is Not About Us is a story of growing up and growing old, the weight of parental expectations, and the complex connection between sisters—a big-hearted book about the love that binds a family across generations.

A tale of a single night. The story of a lifetime. If you had to pick five people to sum up your life, who would they be? If you were to raise a glass to each of them, what would you say? And what would you learn about yourself, when all is said and done? This is the story of Maurice Hannigan, who, over the course of a Saturday night in June, orders five different drinks at the Rainford House Hotel. With each he toasts a person vital to him: his doomed older brother, his troubled sister-in-law, his daughter of fifteen minutes, his son far off in America, and his late, lamented wife. And through these people, the ones who left him behind, he tells the story of his own life, with all its regrets and feuds, loves and triumphs. Beautifully written, powerfully felt, When All Is Said promises to be the next great Irish novel.

It is 2058, New York City. In a world where technology can reveal the darkest of secrets, there's only one place to hide a crime of passion-in the heart. Even in the mid-twenty-first century, during a time when genetic testing usually weeds out any violent hereditary traits before they can take over, murder still happens. The first victim is found lying on a sidewalk in the rain. The second is murdered in her own apartment building. Police Lieutenant Eve Dallas has no problem finding connections between the two crimes. Both victims were beautiful and highly successful women. Their glamorous lives and loves were the talk of the city. And their intimate relations with men of great power and wealth provide Eve with a long list of suspects -- including her own lover, Roarke.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

From the USA Today bestselling author of The Last Caretaker comes a hopeful and empowering novel about the messy beauty of female friendship and the deep courage it takes to rebuild a life at any age. When four ride-or-die friends reunite for a getaway, they’re desperate for a break, a chance to reconnect. But each is hiding a deeper reason why. Marie feels like an impostor teaching “How to Say No” seminars while her marriage has evolved into something she never said yes to. Brooke’s most heartfelt goal—motherhood—is proving out of reach. Lucy’s dream career has broken her spirit, possibly for good. And Collins feels trapped in grief by her late husband’s legacy. All their lives, they’ve encouraged each other not to give up—but they can’t do this anymore. Now, at a breaking point, they make a Quit. And help each other through the fallout. At first, it’s positively liberating. A husband gets a much-needed wake-up call. A singles retreat is a widow’s perfect escape. A very public career exit becomes a never-too-late return to college. And a childless life becomes a bold new plan to travel the world. But letting go will be more complicated than they imagined. Confronting hard truths about love, loss, and starting over, these four women must discover what’s worth fighting for—and what’s truly best left behind.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A poignant, hilarious, and wholly original love story, from the New York Times bestselling author of The Celebrants and winner of the Thurber Prize for American Humor. College professor Jesse del Ruth has been abandoned. Thirty years into their relationship, Jesse witnesses his husband Norman get out of bed late one night, walk into their Joshua Tree backyard, step into a strange beam of light and . . . disappear. How could Norman desert him after a lifetime together? Where did he go? And, most confoundingly . . . will he ever return? Jesse knew they were longing for something, both feeling stuck. But had Norman been so stuck that his only option was to leave Jesse behind? As Jesse struggles to understand Norman’s disappearance, he tries to piece together his new reality. Is he expected to wait patiently for a partner who may never come back? Or is this an opportunity for reinvention? He is, after all, alone for the first time in his adult life. Should he return to the classroom? Put in a pool? Get a dog? Call his estranged mother? What does it mean to be alone when you’ve always been one half of a whole? When Norman’s sister Lally lands on Jesse’s doorstep with an urgent request, Norman’s absence becomes even more profound. Add to Jesse’s grief and confusion a conspiracy-theorist neighbor, a strange man following him, and suspicions that he may have had a hand in Norman’s disappearance, and Jesse starts to crack under the pressure. With his husband missing and the world closing in, all eyes are on Jesse. Before he can understand how Norman could leave it all behind, Jesse must confront what it means to stay. In Take Me With You, Steven Rowley brings his resonant wit and emotional insight to an epic love story – an exploration of the forces that draw two people into the same orbit and the gravity that threatens to pull them apart.

From the award-winning author of Fiebre Tropical, an electric, highly anticipated novel set in Colombia’s underground queer scene. Isolated in a dreary Bogotá apartment, Ignacio’s light has dimmed, leaving his teenage daughter Valentina to raise herself in the wake of her mother’s death. Valentina longs to discover the details of her mother’s drowning and for Ignacio to snap out of his depression—his listless afternoons spent smoking cigarettes in long blonde wigs, telenovelas humming in the background, haunted by memories of the young man he loved and betrayed. From Ignacio’s dark past emerges the luminous Mamadora Eléctrica, the wise travesti who introduced Ignacio to the city’s queer scene years prior. Stepping into a maternal role for Valentina, Mamadora fears the that Ignacio’s self-loathing may have unleashed a curse on them all. A profound and irreverent story about coming undone, Pretend You’re Dead and I Carry You affirms Julián Delgado Lopera as a brilliant and singular voice—“a writer who is grinding their own colors” (Dwight Garner, The New York Times).

When her seven-year long relationship suddenly falls apart, relationship advice columnist Gemma Cho is convinced that real love doesn’t exist. As a bisexual woman who’s had zero luck with both men and women, she’s ready to give up on her own romantic prospects when she gets paired up with Celeste Min, a world-renowned photographer, on a highly visual, potentially career-saving piece on modern love. Celeste is extremely talented, sexy, and gay, and would be the perfect collaborator and rebound for Gemma if it weren’t for one major she’s Gemma’s ex, the one that broke her heart in college and moved to a whole another country before Gemma could even make sense of what went wrong between them. Despite working on a project together about what constitutes love and romance in the modern age, when it comes to their own affairs, both Gemma and Celeste are tripping over each other’s feet…and into each other’s arms. Heightened by their shared love for love and the unmistakable sparks that still fly between them, Gemma and Celeste struggle to keep their relationship strictly professional. For the sake of her career, Gemma needs this piece to do well. And for the sake of what’s left of her beaten up hopeless romantic heart, she wants to fall head over heels for Celeste again. But can she trust Celeste to feel the same this time around? LOVE IN FOCUS is a second chance sapphic rom com that will appeal to fans of THE BOLD TYPE and DELILAH GREEN DOESN’T CARE.

A poignant, hilarious, and wholly original love story, from the New York Times bestselling author of The Celebrants and winner of the Thurber Prize for American Humor. College professor Jesse del Ruth has been abandoned. Thirty years into their relationship, Jesse witnesses his husband Norman get out of bed late one night, walk into their Joshua Tree backyard, step into a strange beam of light and . . . disappear. How could Norman desert him after a lifetime together? Where did he go? And, most confoundingly . . . will he ever return? Jesse knew they were longing for something, both feeling stuck. But had Norman been so stuck that his only option was to leave Jesse behind? As Jesse struggles to understand Norman’s disappearance, he tries to piece together his new reality. Is he expected to wait patiently for a partner who may never come back? Or is this an opportunity for reinvention? He is, after all, alone for the first time in his adult life. Should he return to the classroom? Put in a pool? Get a dog? Call his estranged mother? What does it mean to be alone when you’ve always been one half of a whole? When Norman’s sister Lally lands on Jesse’s doorstep with an urgent request, Norman’s absence becomes even more profound. Add to Jesse’s grief and confusion a conspiracy-theorist neighbor, a strange man following him, and suspicions that he may have had a hand in Norman’s disappearance, and Jesse starts to crack under the pressure. With his husband missing and the world closing in, all eyes are on Jesse. Before he can understand how Norman could leave it all behind, Jesse must confront what it means to stay. In Take Me With You, Steven Rowley brings his resonant wit and emotional insight to an epic love story – an exploration of the forces that draw two people into the same orbit and the gravity that threatens to pull them apart.