Poetic Prose. Lesbian Erotica. Lesbian Identity. In Spanish and English on inverted pages. This philosophical exploration of the fantasy of being a lesbian is a poetic vision from the heart of the matriarchy. FOR THE HARD ONES/PARA LAS DURAS looks at different aspects of lesbianism, from the fingernails and the tongue to the literature and the herstory. A lesbian manifesto for hardcore dykes, baby dykes and wanna-be lesbians, FOR THE HARD ONES/PARA LAS DURAS is a lesbian celebration in Spanish and English, written by Colombian-American queer activist and librarian, tatiana de la tierra.

Lahore, Pakistan. Then. Misbah is a dreamer and storyteller, newly married to Toufiq in an arranged match. After their young life is shaken by tragedy, they come to the United States and open the Cloud’s Rest Inn Motel, hoping for a new start. Juniper, California. Now. Salahudin and Noor are more than best friends; they are family. Growing up as outcasts in the small desert town of Juniper, California, they understand each other the way no one else does. Until The Fight, which destroys their bond with the swift fury of a star exploding. Now, Sal scrambles to run the family motel as his mother Misbah’s health fails and his grieving father loses himself to alcoholism. Noor, meanwhile, walks a harrowing tightrope: working at her wrathful uncle’s liquor store while hiding the fact that she’s applying to college so she can escape him—and Juniper—forever. When Sal’s attempts to save the motel spiral out of control, he and Noor must ask themselves what friendship is worth—and what it takes to defeat the monsters in their pasts and the ones in their midst. From one of today’s most cherished and bestselling young adult authors comes a breathtaking novel of young love, old regrets, and forgiveness—one that’s both tragic and poignant in its tender ferocity.

A collection of stories by Sandra Cisneros, the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. The lovingly drawn characters of these stories give voice to the vibrant and varied life on both sides of the Mexican border with tales of pure discovery, filled with moments of infinite and intimate wisdom.

A sharply intelligent and intimate debut novel about a secret society of hungry young women who meet after dark and feast to reclaim their appetites--and their physical spaces--that posits the question: if you feed a starving woman, what will she grow into? Roberta spends her life trying not to take up space. At almost thirty, she is adrift and alienated from life. Stuck in a mindless job and reluctant to pursue her passion for food, she suppresses her appetite and recedes to the corners of rooms. But when she meets Stevie, a spirited and effervescent artist, their intense friendship sparks a change in Roberta, a shift in her desire for more. Together, they invent the Supper Club, a transgressive and joyous collective of women who gather to celebrate, rather than admonish, their hungers. They gather after dark and feast until they are sick; they break into private buildings and leave carnage in their wake; they embrace their changing bodies; they stop apologizing. For these women, each extraordinary yet unfulfilled, the club is a way to explore, discover, and push the boundaries of the space they take up in the world. Yet as the club expands, growing both in size and rebellion, Roberta is forced to reconcile herself to the desire and vulnerabilities of the body--and the past she has worked so hard to repress. Devastatingly perceptive and savagely funny, Supper Club is an essential coming-of-age story for our times.

From the Man Booker-nominated author of The Water Cure comes an elegant and hypnotic new novel of obsession that centers on the real unsolved mystery of the 1951 mass poisoning of a French village. Still reeling in the aftermath of the deadliest war the world had ever seen, the small town of Pont-Saint-Esprit collectively lost its mind. Some historians believe the mysterious illness and violent hallucinations were caused by spoiled bread; others claim it was the result of covert government testing on the local population. In that town lived a woman named Elodie. She was the baker’s wife: a plain, unremarkable person who yearned to transcend her dull existence. So when a charismatic new couple arrived in town, the forceful ambassador and his sharp-toothed wife, Violet, Elodie was quickly drawn into their orbit. Thus began a dangerous game of cat and mouse – but who was the predator and on whom did they prey? Audacious and mesmerising, Cursed Bread is a fevered confession, an entry into memory’s hall of mirrors, and an erotic fable of transformation. Sophie Mackintosh spins a darkly gleaming tale of a town gripped by hysteria, envy like poison in the blood, and desire that burns and consumes.

Plunge into this hypnotic tale of female sexuality and power Two women arrive in a village on the Spanish coast. Rose is suffering from a strange illness and her doctors are mystified. Her daughter Sofia has brought her here to find a cure with the infamous and controversial Dr Gomez - a man of questionable methods and motives. Intoxicated by thick heat and the seductive people who move through it, both women begin to see their lives clearly for the first time in years. Through the opposing figures of mother and daughter, Deborah Levy explores the strange and monstrous nature of womanhood. Dreamlike and utterly compulsive, Hot Milk is a delirious fairy tale of feminine potency, a story both modern and timeless.

Longlisted for the Scotiabank Giller Prize Spanning three continents, Butter Honey Pig Bread tells the interconnected stories of three Nigerian women: Kambirinachi and her twin daughters, Kehinde and Taiye. Kambirinachi believes that she is an Ogbanje, or an Abiku, a non-human spirit that plagues a family with misfortune by being born and then dying in childhood to cause a human mother misery. She has made the unnatural choice of staying alive to love her human family but lives in fear of the consequences of her decision. Kambirinachi and her two daughters become estranged from one another because of a trauma that Kehinde experiences in childhood, which leads her to move away and cut off all contact. She ultimately finds her path as an artist and seeks to raise a family of her own, despite her fear that she won't be a good mother. Meanwhile, Taiye is plagued by guilt for what her sister suffered and also runs away, attempting to fill the void of that lost relationship with casual flings with women. She eventually discovers a way out of her stifling loneliness through a passion for food and cooking. But now, after more than a decade of living apart, Taiye and Kehinde have returned home to Lagos. It is here that the three women must face each other and address the wounds of the past if they are to reconcile and move forward. For readers of African diasporic authors such as Teju Cole and Chimamanda Ngozi Adichie, Butter Honey Pig Bread is a story of choices and their consequences, of motherhood, of the malleable line between the spirit and the mind, of finding new homes and mending old ones, of voracious appetites, of queer love, of friendship, faith, and above all, family.

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists -- he a photographer, she a dancer -- trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence. At once an achingly beautiful love story and a potent insight into race and masculinity, Open Water asks what it means to be a person in a world that sees you only as a Black body, to be vulnerable when you are only respected for strength, to find safety in love, only to lose it. With gorgeous, soulful intensity, Caleb Azumah Nelson has written the most essential British debut of recent years.

There is a lifeform so strange and wondrous that it forces us to rethink how life works…Neither plant nor animal, it is found throughout the earth, the air and our bodies. It can be microscopic, yet also accounts for the largest organisms ever recorded, living for millennia and weighing tens of thousands of tonnes. Its ability to digest rock enabled the first life on land, it can survive unprotected in space, and thrives amidst nuclear radiation. In this captivating adventure, Merlin Sheldrake explores the spectacular and neglected world of fungi: endlessly surprising organisms that sustain nearly all living systems. They can solve problems without a brain, stretching traditional definitions of ‘intelligence’, and can manipulate animal behaviour with devastating precision. In giving us bread, alcohol and life-saving medicines, fungi have shaped human history, and their psychedelic properties, which have influenced societies since antiquity, have recently been shown to alleviate a number of mental illnesses. The ability of fungi to digest plastic, explosives, pesticides and crude oil is being harnessed in break-through technologies, and the discovery that they connect plants in underground networks, the ‘Wood Wide Web’, is transforming the way we understand ecosystems. Yet they live their lives largely out of sight, and over ninety percent of their species remain undocumented. Entangled Life is a mind-altering journey into this hidden kingdom of life, and shows that fungi are key to understanding the planet on which we live, and the ways we think, feel and behave. The more we learn about fungi, the less makes sense without them.

From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds--past, present, and future. Choi's third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival. Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples and calls us to imagine what will persist in the aftermaths. With lyric and tonal dexterity, these poems spin backwards and forwards in time. They look into the collective psyche of our years in the pandemic and in the throes of anti-racist uprisings, while imagining other vectors, directions, and futures. Stories of survival collide across space and time--from Korean comfort women during World War II to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. Throughout, Choi grapples with where the individual fits within the strange landscapes of this apocalyptic world, with its violent and many-layered histories. In the process, she imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope.

With warmth and humour, Elizabeth Lovatt reimagines the women who both called and volunteered for the Lesbian Line in the 1990s, whilst also tracing her own journey from accidentally coming out to disastrous dates to finding her chosen family. With callers and agents alike dealing with first crushes and break-ups, sex and marriage, loneliness and illness (or simply the need to know the name of a gay bar on a night out), this is a celebration of the ordinary lives of queer women. Thank You for Calling the Lesbian Line is timely and vital exploration of how lesbian identity continues to remake and redefine itself in the 21st century, and where it might lead us in the future.