A touching and deeply funny debut about starting over sober only to discover life’s biggest messes are still waiting right where you left them. The very last person anyone should worry about is Emma. Yes, hi, she’s an alcoholic. But she’s officially been sober for one entire year. That’s twelve months of better health. Fifty-two whole weeks of focusing on nothing but her nine-to-five office job, group meetings, and avoiding the kind of bad decisions that previously left her awash in shame and regret. It’s also been 365 days of not dating. And with her new dating profile, Emma, 26, of New York is ready to put herself back out there. Except—was dating always this complicated? And did Emma’s mother really have to choose now to move in with her new boyfriend? Being assigned to plan her office’s holiday party feels like icing on the suddenly very overwhelming cake until her estranged father reappears with devastating news. Icing, meet cherry on top. But then there’s Ben, the charming IT guy who, despite Emma’s awkwardness and shortcomings, seems to maybe actually get her? Sobriety is turning out to be far from the flawless future Emma had once envisioned for herself, but as she allows herself to open up to Ben and confront difficult past relationships, she’s beginning to realize that taking things one day at a time might just be the perfectly imperfect path she’s meant to be on. Bittersweet and darkly hilarious, Ava Robinson’s debut novel about navigating sobriety and complicated family dynamics is witty, heartbreaking and profoundly relatable.

Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?

A bold, inventive, and fiercely original debut novel that begins with an uncle dead and his tween niece’s private confession to the reader—she and her sister killed him, and they blame the British. Summer, 1986. The Creel sisters, Georgie Ayyar and Agatha Krishna, welcome their aunt, uncle and young cousin—newly arrived from India—into their house in rural Wyoming where they’ll all live together. Because this is what families do. That is, until the sisters decide that it’s time for their uncle to die. According to Georgie, the British are to blame. And to understand why, you need to hear her story. She details the violence hiding in their house and history, her once-unshakeable bond with Agatha Krishna, and her understanding of herself as an Indian-American in the heart of the West. Her account is, at every turn, cheeky, unflinching, and infectiously inflected with the trappings of teendom, including the magazine quizzes that help her make sense of her life. At its heart, the tale she weaves is: a) a vivid portrait of an extended family b) a moving story of sisterhood c) a playful ode to the 80s d) a murder mystery (of sorts) e) an unexpected and unwaveringly powerful meditation on history and language, trauma and healing, and the meaning of independence Or maybe it’s really: f) all of the above.

A touching and deeply funny debut about starting over sober only to discover life’s biggest messes are still waiting right where you left them. The very last person anyone should worry about is Emma. Yes, hi, she’s an alcoholic. But she’s officially been sober for one entire year. That’s twelve months of better health. Fifty-two whole weeks of focusing on nothing but her nine-to-five office job, group meetings, and avoiding the kind of bad decisions that previously left her awash in shame and regret. It’s also been 365 days of not dating. And with her new dating profile, Emma, 26, of New York is ready to put herself back out there. Except—was dating always this complicated? And did Emma’s mother really have to choose now to move in with her new boyfriend? Being assigned to plan her office’s holiday party feels like icing on the suddenly very overwhelming cake until her estranged father reappears with devastating news. Icing, meet cherry on top. But then there’s Ben, the charming IT guy who, despite Emma’s awkwardness and shortcomings, seems to maybe actually get her? Sobriety is turning out to be far from the flawless future Emma had once envisioned for herself, but as she allows herself to open up to Ben and confront difficult past relationships, she’s beginning to realize that taking things one day at a time might just be the perfectly imperfect path she’s meant to be on. Bittersweet and darkly hilarious, Ava Robinson’s debut novel about navigating sobriety and complicated family dynamics is witty, heartbreaking and profoundly relatable.

To All the Boys I Loved Before meets World of Dance in this delectable love story that combines food, dance, and a hint of drama to cook up the perfect romance. Radha is on the verge of becoming one of the greatest Kathak dancers in the world . . . until a family betrayal costs her the biggest competition of her life. Now, she has left her Chicago home behind to follow her stage mom to New Jersey. At the Princeton Academy of the Arts, Radha is determined to leave performing in her past, and reinvent herself from scratch. Jai is captain of the Bollywood Beats dance team, ranked first in his class, and an overachiever with no college plans. Tight family funds means medical school is a pipe dream, which is why he wants to make the most out of high school. When Radha enters his life, he realizes she's the exact ingredient he needs for a show-stopping senior year. With careful choreography, both Radha and Jai will need to face their fears (and their families) if they want a taste of a happily ever after. A delicious YA rom-com full of heart, flavor, and just enough heat. -JULIE MURPHY, New York Times bestselling author of Dumplin' A tasty treat! Nisha Sharma always delights. -MEG CABOT, author of The Princess Diaries A sumptuous tale of dance, food, and culture. I savored every last page! - PINTIP DUNN, New York Times bestselling author

To All the Boys I Loved Before meets World of Dance in this delectable love story that combines food, dance, and a hint of drama to cook up the perfect romance. Radha is on the verge of becoming one of the greatest Kathak dancers in the world . . . until a family betrayal costs her the biggest competition of her life. Now, she has left her Chicago home behind to follow her stage mom to New Jersey. At the Princeton Academy of the Arts, Radha is determined to leave performing in her past, and reinvent herself from scratch. Jai is captain of the Bollywood Beats dance team, ranked first in his class, and an overachiever with no college plans. Tight family funds means medical school is a pipe dream, which is why he wants to make the most out of high school. When Radha enters his life, he realizes she's the exact ingredient he needs for a show-stopping senior year. With careful choreography, both Radha and Jai will need to face their fears (and their families) if they want a taste of a happily ever after. A delicious YA rom-com full of heart, flavor, and just enough heat. -JULIE MURPHY, New York Times bestselling author of Dumplin' A tasty treat! Nisha Sharma always delights. -MEG CABOT, author of The Princess Diaries A sumptuous tale of dance, food, and culture. I savored every last page! - PINTIP DUNN, New York Times bestselling author

A bold, inventive, and fiercely original debut novel that begins with an uncle dead and his tween niece’s private confession to the reader—she and her sister killed him, and they blame the British. Summer, 1986. The Creel sisters, Georgie Ayyar and Agatha Krishna, welcome their aunt, uncle and young cousin—newly arrived from India—into their house in rural Wyoming where they’ll all live together. Because this is what families do. That is, until the sisters decide that it’s time for their uncle to die. According to Georgie, the British are to blame. And to understand why, you need to hear her story. She details the violence hiding in their house and history, her once-unshakeable bond with Agatha Krishna, and her understanding of herself as an Indian-American in the heart of the West. Her account is, at every turn, cheeky, unflinching, and infectiously inflected with the trappings of teendom, including the magazine quizzes that help her make sense of her life. At its heart, the tale she weaves is: a) a vivid portrait of an extended family b) a moving story of sisterhood c) a playful ode to the 80s d) a murder mystery (of sorts) e) an unexpected and unwaveringly powerful meditation on history and language, trauma and healing, and the meaning of independence Or maybe it’s really: f) all of the above.