Who is the biggest villain in your office? A gripping and incisive psychological drama from the internationally bestselling author of DallerGut Dream Department Store. Eight unsuspecting people receive an invitation to participate in a mysterious new reality show called Break Room. But what starts as an opportunity for fame is quickly revealed to be something far more unsettling when they learn how they were chosen - voted in by their own co-workers as the people they'd least like to share a break room with. But there's another twist. Among them is an imposter - a mole planted by the show's producers. The only way to win the prize money is to uncover the saboteur before time runs out. Labelled as "villains", the participants are left to grapple with the alarming realisation that their actions might be perceived differently by others. As alliances shift and paranoia festers, the contestants begin to realise that the true challenge isn't surviving the show - it's facing their own selves. Welcome . . . Step into the world of the reality show, Break Room, where every smile hides suspicion, and every word could be a clue.

From the author of Orpheus Girl and finalist for the Lambda Literary Award for Lesbian Poetry, this lyrical YA novel follows a teen as she unravels a personal mystery as she tries to understand her older sister’s death. A discovery of authentic self and sapphic love—perfect for fans of Nina LaCour and Lily Braun-Arnold. Seventeen-year-old Isadora is reeling after the sudden loss of her older sister, Eleni, to a pulmonary embolism. Her grieving parents can’t offer much support—her only reprieve is her close friend Ani, but lately the intensity of her feelings for Ani have been more confusing than comforting. Then Isadora discovers secret letters in Eleni’s belongings that suggest her artist sister was hiding more from her family than Isadora ever expected. Isadora travels to her uncle’s apartment in New York City, where Eleni lived, determined to unravel the threads of her sister’s life. As she searches for clues, Isadora embraces her own sexuality and begins to fall in love. But can she learn to live when Eleni will never have the same chance? Heartbreaking and healing, this gut-punch of a novel is an essential read for anyone who’s ever lost—and loved.

From the author of Orpheus Girl and finalist for the Lambda Literary Award for Lesbian Poetry, this lyrical YA novel follows a teen as she unravels a personal mystery as she tries to understand her older sister’s death. A discovery of authentic self and sapphic love—perfect for fans of Nina LaCour and Lily Braun-Arnold. Seventeen-year-old Isadora is reeling after the sudden loss of her older sister, Eleni, to a pulmonary embolism. Her grieving parents can’t offer much support—her only reprieve is her close friend Ani, but lately the intensity of her feelings for Ani have been more confusing than comforting. Then Isadora discovers secret letters in Eleni’s belongings that suggest her artist sister was hiding more from her family than Isadora ever expected. Isadora travels to her uncle’s apartment in New York City, where Eleni lived, determined to unravel the threads of her sister’s life. As she searches for clues, Isadora embraces her own sexuality and begins to fall in love. But can she learn to live when Eleni will never have the same chance? Heartbreaking and healing, this gut-punch of a novel is an essential read for anyone who’s ever lost—and loved.

Black Mirror meets Goosebumps in the first installment of this fast-paced middle-grade horror series by New York Times-bestselling authors Erin Entrada Kelly and Eliot Schrefer featuring tales of technology gone wrong. Eleven-year-old Sofia Mendoza is a gamer, not a camper. She should be at home building landscapes and fighting monsters in Sandbox, not deep in the forest with six other kids, who might as well be playing her favorite game in tutorial mode. Even worse, there's something off about this summer camp. There are creepy, mechanical vultures, cloaked NPC figures, and the only adult is Monarch, a grim woman in combat boots. And then the game of elimination begins. Sofia may be caught in the clutches of Camp Forestjaw, but she'll do anything to survive. Anything. The problem is, in Forestjaw, everything you've ever done—no matter how long ago—comes back to you . . .

A queer "enemies to lovers" journey of a lost princess and a changeling who was made to take the heir's place as part of a fey scheme. Aisling is many things to many people: princess, heir to the throne, teenage daughter of two loving parents… She’s also about to learn a lot more about herself: changeling. Fey creature. Hunted. Feared. Loved? Forgive-Me-Not is the name given to the true princess — the lost teenage biological daughter to the king and queen, who’s grown up in the chaotic and untrustworthy realm of Faerie. When Forgive-Me-Not breaks into Aisling’s room the night before their 18 th birthday looking for revenge, the two embark on a long and arduous journey. And what starts as a confrontational and adversarial pairing grows into a bond of mutual understanding, friendship, and maybe something more…

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A queer "enemies to lovers" journey of a lost princess and a changeling who was made to take the heir's place as part of a fey scheme. Aisling is many things to many people: princess, heir to the throne, teenage daughter of two loving parents… She’s also about to learn a lot more about herself: changeling. Fey creature. Hunted. Feared. Loved? Forgive-Me-Not is the name given to the true princess — the lost teenage biological daughter to the king and queen, who’s grown up in the chaotic and untrustworthy realm of Faerie. When Forgive-Me-Not breaks into Aisling’s room the night before their 18 th birthday looking for revenge, the two embark on a long and arduous journey. And what starts as a confrontational and adversarial pairing grows into a bond of mutual understanding, friendship, and maybe something more…

Who is the biggest villain in your office? A gripping and incisive psychological drama from the internationally bestselling author of DallerGut Dream Department Store. Eight unsuspecting people receive an invitation to participate in a mysterious new reality show called Break Room. But what starts as an opportunity for fame is quickly revealed to be something far more unsettling when they learn how they were chosen - voted in by their own co-workers as the people they'd least like to share a break room with. But there's another twist. Among them is an imposter - a mole planted by the show's producers. The only way to win the prize money is to uncover the saboteur before time runs out. Labelled as "villains", the participants are left to grapple with the alarming realisation that their actions might be perceived differently by others. As alliances shift and paranoia festers, the contestants begin to realise that the true challenge isn't surviving the show - it's facing their own selves. Welcome . . . Step into the world of the reality show, Break Room, where every smile hides suspicion, and every word could be a clue.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

Josie is at rock bottom. Burned out and recovering from an abusive relationship, she lives a haunted existence after returning to her isolated hometown on the edge of the Forest of Dean. But the tall, dense pine trees are not the only things casting shadows across her skin. When Josie stumbles across a dead woman's decaying, ant-infested body in the woods, she plummets into a downward spiral, facing uncomfortable truths about the victim and her own past - all whilst battling the swarming black ants that seem to have burrowed into her mind . . . and her flesh. Struggling with infestations of all kinds, Josie scratches the surface of an age-old mystery - a masked predator stalks the forest around Ellwood, a place deeply gripped by folklore and strange customs. As the village prepares for its annual festival, Josie gets closer and closer to unveiling a monster, and begins to ask Are these dark crawling insects leading her to uncover the truth? Or is she their next victim?

Have you suffered a loss? How was your life changed by the grief you experienced? Did you feel like your grief was properly acknowledged? Mourning is a personal experience and shouldn't be judged. There are no do-overs in death, but there are do-betters. All My Dead Cats is not a book about pet loss. You will meet award-winning journalist and debut author s.e. smith’s cats and read small slices of their stories. Their vignettes serve as an opening to scary conversations about loss, so grief can feel less intimidating and more relatable. This is a book about grief and mourning as collective activities best undertaken in community. s.e. interviews dozens of experts—from death doulas to funeral home directors to therapists and psychologists—and discusses the different stages of grief. The shared perspectives help us understand that grief is not fixable but it can be livable. They teach us that if we have the courage, which begins with honest conversations about how we navigate grief, then we can learn how to do better. After reading you'll better understand: Disenfranchised grief and how you can be part of the solution and not the problem How to be an advocate for people subjected to trauma and violence The stages of grief and how to process your experiences Grief is not over once the body is neatly disposed of, the rubble of the house has been taken away in dumpsters, the final fit on the prosthesis is done, the law is passed and withstands legal challenges, or when the permanent peace is brokered. It is an ongoing shift in our relationship to the world, and one that deserves attention and care as well as time and space to be amongst fellow mourners, to whom we do not need to justify or explain, because they understand where we are. Readers will feel seen rather than being chastised for how they grieve and better understand how to process mourning--and how to help others. All My Dead Cats provides an entry point, by beginning the conversation about a beloved pet, so readers can think about the larger stakes of death and live a more fulfilled life.

From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

The duke who fears nothing… Kate Howard, the Duke of Howard, is known throughout Europe as a merciless autocrat who none dares to cross. Consumed by an old, bitter rivalry, she avoids the ballrooms where debutantes gather. She has vowed never to trap a woman into marriage with a monster like herself. Until the woman she never forgot walks through her door… Desperate to escape the guillotine, the beautiful, ambitious courtesan Celine Genet once threw herself on the mercy of the visiting Duke of Howard. But after a night of searing passion the duke left her to the ravages of Revolutionary Paris and didn’t look back. Now Celine is in London and in possession of a dangerous letter that proves the Duke of Howard committed treason as a child – and possibly even murder. And brings her to her knees… In return for keeping the duke’s secret, Celine wants a titled husband, leaving Kate no choice but to return to the ballrooms of her youth. But as Celine transforms from the desperate vagrant who dared blackmail a duke into a fashionable young beauty taking society by storm, Kate faces an impossible choice: keep her childhood secret, or win the woman she loves.

A suffocating and sharp narrative horror novel for fans of Victor LaValle and The Reformatory, I’ll Watch Your Baby is a haunting reimagining of Linda Taylor -known as the original Welfare Queen - pursued, scrutinized, celebrated and vilified, and the impact her image has had for generations. 1974. Lottie Turner is already infamous. Running a wheel of schemes and scams, she’s willing to work for what she wants in…creative ways. But no business is more lucrative than desperate families looking to adopt a child—and there’s only one way to procure children quickly. And the only way to take what’s owed you is to cross the line no one else is willing to cross. 1994. Bless has finally found the family she deserved. After suffocating slowly with lackluster parents and a non-starter past, she’s found the friends that means everything to her. That she’d live and die for. As they make their way across the country, one smash and grab at a time, Bless is used to acting fast and thinking on her feet. But someone is playing a long game. Someone has unfinished business. Soon Bless is trapped in a web of horrors past and present, where the only escape hatch is a path only she can walk, if she finds the courage to take it.