Knives Out meets Bridgerton in Fair Verona, as New York Times bestselling author Christina Dodd kicks off a frothy, irreverent, witty new series with an irresistible premise—Romeo and Juliet’s daughter as a clever, rebellious, fiercely independent young woman in fair Verona—told from the delightfully engaging point of view of the captivating Rosie Montague herself… "A sharp, determined heroine, a clever historical mystery, sparkling wit, a unique setting, family drama and a dash of romance.”– Amanda Quick, New York Times bestselling author of The Lady Has a Past Once upon a time a young couple met and fell in love. You probably know that story, and how it ended ( badly). Only here’s the That’s not how it ended at all. Romeo and Juliet are alive and well and the parents of seven kids. I’m the oldest, with the emphasis on ‘old’—a certified spinster at twenty, and happy to stay that way. It’s not easy to keep your taste for romance with parents like mine. Picture it—constant monologues, passionate declarations, fighting, making up, making out . . . it’s exhausting. Each time they’ve presented me with a betrothal, I’ve set out to find the groom-to-be a more suitable bride. After all, someone sensible needs to stay home and manage this household. But their latest match, Duke Stephano, isn’t so easy to palm off on anyone else. The debaucher has had three previous wives—all of whom met unfortunate ends. Conscience forbids me from consigning another woman to that fate. As it turns out, I don’t have to . . . At our betrothal ball—where, quite by accident, I meet a beautiful young man who makes me wonder if perhaps there is something to love at first sight—I stumble upon Duke Stephano with a dagger in his chest. But who killed him? His late wives’ families, his relatives, his mistress, his servants—half of Verona had motive. And when everyone around the Duke begins dying, disappearing, or descending into madness, I know I must uncover the killer . . . before death lies on me like an untimely frost.

A genre-bending Gothic mystery with a strong LGBTQIA+ romance from beloved, award-winning author KJ Charles. As the mists descend, the gaslight flickers, and terror takes its hold, two warring lovers must reconcile in time to uncover the murderous mysteries of Lackaday House—and live to tell the tale.

An atmospheric, feminist retelling of the early life of famed villainess Morgan le Fay, set against the colourful chivalric backdrop of Arthurian legend. When King Uther Pendragon murders her father and tricks her mother into marriage, Morgan refuses to be crushed. Trapped amid the machinations of men in a world of isolated castles and gossiping courts, she discovers secret powers. Vengeful and brilliant, it's not long before Morgan becomes a worthy adversary to Merlin, influential sorcerer to the king. But fighting for her freedom, she risks losing everything – her reputation, her loved ones and her life.

The Yaga siblings--Bellatine, a young woodworker, and Isaac, a wayfaring street performer and con artist--have been estranged since childhood, separated both by resentment and by wide miles of American highway. But when they learn that they are to receive a mysterious inheritance, the siblings are reunited--only to discover that their bequest isn't land or money, but something far stranger: a sentient house on chicken legs. Thistlefoot, as the house is called, has arrived from the Yagas' ancestral home in Russia--but not alone. A sinister figure known only as the Longshadow Man has tracked it to American shores, bearing with him violent secrets from the past: fiery memories that have hidden in Isaac and Bellatine's blood for generations. As the Yaga siblings embark with Thistlefoot on a final cross-country tour of their family's traveling theater show, the Longshadow Man follows in relentless pursuit, seeding destruction in his wake. Ultimately, time, magic, and legacy must collide--erupting in a powerful conflagration to determine who gets to remember the past and craft a new future. An enchanted adventure illuminated by Jewish myth and adorned with lyrical prose as tantalizing and sweet as briar berries, Thistlefoot is an immersive modern fantasy saga by a bold new talent.

The dons of Harriet Vane's alma mater, the all-female Shrewsbury College, Oxford, have invited her back to attend the annual Gaudy celebrations. However, the mood turns sour when someone begins a series of malicious acts including poison-pen messages, obscene graffiti and wanton vandalism. Harriet asks her old friend Wimsey to investigate.

People are fascinated by murder. The popularity of murder mystery books, TV series, and even board games shows that there is an appetite for death, and the more unusual or macabre the method, the better. With gunshots or stabbings the cause of death is obvious, but poisons are inherently more mysterious. How are some compounds so deadly in such tiny amounts? Agatha Christie used poison to kill her characters more often than any other crime fiction writer. The poison was a central part of the novel, and her choice of deadly substances was far from random; the chemical and physiological characteristics of each poison provide vital clues to the discovery of the murderer. Christie demonstrated her extensive chemical knowledge (much of it gleaned by working in a pharmacy during both world wars) in many of her novels, but this is rarely appreciated by the reader. Written by former research chemist Kathryn Harkup, each chapter takes a different novel and investigates the poison used by the murderer. Fact- and fun-packed, A is for Arsenic looks at why certain chemicals kill, how they interact with the body, and the feasibility of obtaining, administering, and detecting these poisons, both when Christie was writing and today.