A young, mixed-race vampire must find a way to balance her deep-seated desire to live amongst humans with her incessant hunger in this stunning debut novel from a writer-to-watch. Lydia is hungry. She's always wanted to try Japanese food. Sashimi, ramen, onigiri with sour plum stuffed inside - the food her Japanese father liked to eat. And then there is bubble tea and iced-coffee, ice cream and cake, and foraged herbs and plants, and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But, Lydia can't eat any of these things. Her body doesn't work like those of other people. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London--where she is living away from her vampire mother for the first time - is much more difficult than she'd anticipated. Then there are the humans--the other artists at the studio space, the people at the gallery she interns at, the strange men that follow her after dark, and Ben, a boyish, goofy-grinned artist she is developing feelings for. Lydia knows that they are her natural prey, but she can't bring herself to feed on them. In her windowless studio, where she paints and studies the work of other artists, binge-watches Buffy the Vampire Slayer and videos of people eating food on YouTube and Instagram, Lydia considers her place in the world. She has many of the things humans wish for--perpetual youth, near-invulnerability, immortality--but, she is miserable; she is lonely; and she is hungry--always hungry. As Lydia develops as a woman and an artist, she will learn that she must reconcile the conflicts within her--between her demon and human sides, her mixed ethnic heritage, and her relationship with food, and, in turn, humans if she is to find a way to exist in the world. Before any of this, however, she must eat.

When a local fisherman is mauled to death, it seems like the only possible cause is a mythical creature in the latest puzzling entry in this USA Today bestselling series.An ice fisherman is savagely mauled to death in Rhinelander, Wisconsin, and an eyewitness claims the man was attacked by a hodag. There's just one problem with it's well known that the creature is not real and was created by a local hoaxer. So how could an imaginary creature be chomping on local sportsmen? The suggestion that a hodag killed someone isn’t well received by the townsfolk because of its beloved ties to the town and the money it generates from tourist dollars. Due to this, people begin to suspect the witness is the real killer, especially when it’s discovered he has a tangled past with the victim. The witness to the attack happens to be the nephew of Morgan Carter’s bookstore employee, Rita Bosworth, who convinces the professional cryptozoologist to travel to Wisconsin to prove that a hodag not only exists but killed the victim. Clues may be hard to come by, but one thing's for something killed that man, and that something now has its eyes focused on Morgan.

When a local fisherman is mauled to death, it seems like the only possible cause is a mythical creature in the latest puzzling entry in this USA Today bestselling series.An ice fisherman is savagely mauled to death in Rhinelander, Wisconsin, and an eyewitness claims the man was attacked by a hodag. There's just one problem with it's well known that the creature is not real and was created by a local hoaxer. So how could an imaginary creature be chomping on local sportsmen? The suggestion that a hodag killed someone isn’t well received by the townsfolk because of its beloved ties to the town and the money it generates from tourist dollars. Due to this, people begin to suspect the witness is the real killer, especially when it’s discovered he has a tangled past with the victim. The witness to the attack happens to be the nephew of Morgan Carter’s bookstore employee, Rita Bosworth, who convinces the professional cryptozoologist to travel to Wisconsin to prove that a hodag not only exists but killed the victim. Clues may be hard to come by, but one thing's for something killed that man, and that something now has its eyes focused on Morgan.

Sing to me of the man, Muse, the man of twists and turns driven time and again off course, once he had plundered the hallowed heights of Troy. So begins Robert Fagles' magnificent translation of the Odyssey. If the Iliad is the world's greatest war epic, then the Odyssey is literature's grandest evocation of everyman's journey though life. Odysseus' reliance on his wit and wiliness for survival in his encounters with divine and natural forces, during his ten-year voyage home to Ithaca after the Trojan War, is at once a timeless human story and an individual test of moral endurance. In the myths and legends that are retold here, Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom, and given us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery. Renowned classicist Bernard Knox's superb Introduction and textual commentary provide new insights and background information for the general reader and scholar alike, intensifying the strength of Fagles' translation. This is an Odyssey to delight both the classicist and the public at large, and to captivate a new generation of Homer's students. -- Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, presents us with Homer's best-loved and most accessible poem in a stunning new modern-verse translation.

Set in Colonial New England, Slewfoot is a tale of magic and mystery, of triumph and terror as only dark fantasist Brom can tell it. A spirited young Englishwoman, Abitha, arrives at a Puritan colony betrothed to a stranger – only to become quickly widowed when her husband dies under mysterious circumstances. All alone in this pious and patriarchal society, Abitha fights for what little freedom she can grasp onto, while trying to stay true to herself and her past. Enter Slewfoot, a powerful spirit of antiquity newly woken ... and trying to find his own role in the world. Healer or destroyer? Protector or predator? But as the shadows walk and villagers start dying, a new rumor is whispered: Witch. Both Abitha and Slewfoot must swiftly decide who they are, and what they must do to survive in a world intent on hanging any who meddle in the dark arts. Complete with 8 pages of Brom’s mesmerizing full-color artwork and chapter illustrations throughout, his latest book is sure to delight.

Set in Colonial New England, Slewfoot is a tale of magic and mystery, of triumph and terror as only dark fantasist Brom can tell it. A spirited young Englishwoman, Abitha, arrives at a Puritan colony betrothed to a stranger – only to become quickly widowed when her husband dies under mysterious circumstances. All alone in this pious and patriarchal society, Abitha fights for what little freedom she can grasp onto, while trying to stay true to herself and her past. Enter Slewfoot, a powerful spirit of antiquity newly woken ... and trying to find his own role in the world. Healer or destroyer? Protector or predator? But as the shadows walk and villagers start dying, a new rumor is whispered: Witch. Both Abitha and Slewfoot must swiftly decide who they are, and what they must do to survive in a world intent on hanging any who meddle in the dark arts. Complete with 8 pages of Brom’s mesmerizing full-color artwork and chapter illustrations throughout, his latest book is sure to delight.

Drawing on Maggie O'Farrell's long-term fascination with the little-known story behind Shakespeare's most enigmatic play, Hamnet is a luminous portrait of a marriage, at its heart the loss of a beloved child. Warwickshire in the 1580s. Agnes is a woman as feared as she is sought after for her unusual gifts. She settles with her husband in Henley street, Stratford, and has three children: a daughter, Susanna, and then twins, Hamnet and Judith. The boy, Hamnet, dies in 1596, aged eleven. Four years or so later, the husband writes a play called Hamlet. Award-winning author Maggie O'Farrell's new novel breathes full-blooded life into the story of a loss usually consigned to literary footnotes, and provides an unforgettable vindication of Agnes, a woman intriguingly absent from history. A New York Times Notable Book (2020), Best Book of 2020: Guardian, Financial Times, Literary Hub, and NPR.