Like Dylan Thomas' "Under Milk Wood" and Sherwood Anderson's "Winesburg, Ohio, " Brian Doyle's stunning fiction debut brings a town to life through the jumbled lives and braided stories of its people. In a small fictional town on the Oregon coast there are love affairs and almost-love-affairs, mystery and hilarity, bears and tears, brawls and boats, a garrulous logger and a silent doctor, rain and pain, Irish immigrants and Salish stories, mud and laughter. There's a Department of Public Works that gives haircuts and counts insects, a policeman addicted to Puccini, a philosophizing crow, beer and berries. An expedition is mounted, a crime committed, and there's an unbelievably huge picnic on the football field. Babies are born. A car is cut in half with a saw. A river confesses what it's thinking. . . It's the tale of a town, written in a distinct and lyrical voice, and readers will close the book more than a little sad to leave the village of Neawanaka, on the wet coast of Oregon, beneath the hills that used to boast the biggest trees in the history of the world.

A prize-winning, boundary-breaking debut exploring family, class, history, and the true idea of the self. A glorious, tender, unsparing exploration of language, family, history, class, and the very idea of the self and the human, Sea, Mothers, Swallow, Tongues begins with the loss of memory. As their grandmother falls into dementia, the narrator begins to ask questions—to fill in the silences and the gaps. Childhood memories resurface, revealing a path into the past. The matrilineal line leads toward nature, witchcraft, freedom, and power. Could this be where they belong?A quest toward understanding, a story of liberation—from generational trauma, gender constructs, class identity, the limits of language—Sea, Mothers, Swallow, Tongues invents its own forms, words, and bodies to conjure and cast out the very idea of the unspeakable. It searches for other kinds of knowledge and traditions, other ways of becoming, and reaches for wisdom beyond the human. In Sea, Mothers, Kim de l’Horizon recasts family narratives, abandoning the linear in favor of a fluid, incantatory, expansive search into who we are.

Rice's new novel continues the epic occult saga that began with The Witching Hour and Lasher. Taltos takes readers back through the centuries to a civilization part human and part of wholly mysterious origins, at odds with mortality and immortality, justice and guilt. 

The Talamasca, documenters of paranormal activity, is on the hunt for the newly born Lasher. Mayfair women are dying from hemorrhages and a strange genetic anomaly has been found in Rowan and Michael. Lasher, born from Rowan, is another species altogether and now in the corporeal body, represents an incalculable threat to the Mayfairs. Rowan and Lasher travel together to Houston and she becomes pregnant with another creature like him, a Taltos. Lasher seeks to reproduce his race in other women, but they cannot withstand it. Rowan escapes and becomes comatose as her fully-grown Taltos daughter is born. The Mayfairs declare all-out war on Lasher and try to nurse Rowan back to health. Michael remains entwined in the Mayfair family and learns how he comes by his strange powers. Michael's ghostly visiting from a long-dead Mayfair reveals the importance of destroying Lasher. In the investigation, Lasher's origins are revealed, the new Taltos Emaleth returns, and the climax of death and life engulfs the family.

Like Dylan Thomas' "Under Milk Wood" and Sherwood Anderson's "Winesburg, Ohio, " Brian Doyle's stunning fiction debut brings a town to life through the jumbled lives and braided stories of its people. In a small fictional town on the Oregon coast there are love affairs and almost-love-affairs, mystery and hilarity, bears and tears, brawls and boats, a garrulous logger and a silent doctor, rain and pain, Irish immigrants and Salish stories, mud and laughter. There's a Department of Public Works that gives haircuts and counts insects, a policeman addicted to Puccini, a philosophizing crow, beer and berries. An expedition is mounted, a crime committed, and there's an unbelievably huge picnic on the football field. Babies are born. A car is cut in half with a saw. A river confesses what it's thinking. . . It's the tale of a town, written in a distinct and lyrical voice, and readers will close the book more than a little sad to leave the village of Neawanaka, on the wet coast of Oregon, beneath the hills that used to boast the biggest trees in the history of the world.

In Feminist, Queer, Crip Alison Kafer imagines a different future for disability and disabled bodies. Challenging the ways in which ideas about the future and time have been deployed in the service of compulsory able-bodiedness and able-mindedness, Kafer rejects the idea of disability as a pre-determined limit. She juxtaposes theories, movements, and identities such as environmental justice, reproductive justice, cyborg theory, transgender politics, and disability that are typically discussed in isolation and envisions new possibilities for crip futures and feminist/queer/crip alliances. This bold book goes against the grain of normalization and promotes a political framework for a more just world.

NATIONAL BESTSELLER "Inspiring. . . . insights that are scientific, intimate and surprising. . . . a call to action for those who still care."― The Washington Post Inspired by forests, trees, leaves, roots, and seeds, The Language of A Rewilding of Literature and Landscape invites readers to discover an unexpected and imaginative language to better read and write the natural world around us and reclaim our relationship with it. In this gorgeously illustrated and deeply thoughtful collection, Katie Holten gifts readers her tree alphabet and uses it to masterfully translate and illuminate beloved lost and new, original writing in praise of the natural world. With an introduction from Ross Gay, and featuring writings from over fifty contributors including Ursula K. Le Guin, Ada Limón, Robert Macfarlane, Zadie Smith, Radiohead, Aimee Nezhukumatathil, James Gleick, Elizabeth Kolbert, Plato, and Robin Wall Kimmerer, Holten illustrates each selection with an abiding love and reverence for the magic of trees. She guides readers on a journey from creation myths and cave paintings to the death of a 3,500-year-old cypress tree, from Tree Clocks in Mongolia and forest fragments in the Amazon to the language of fossil poetry, unearthing a new way to see the natural beauty all around us and an urgent reminder of what could happen if we allow it to slip away. The Language of Trees considers our relationship with literature and landscape, resulting in an astonishing fusion of storytelling and art and a deeply beautiful celebration of trees through the ages.

In Feminist, Queer, Crip Alison Kafer imagines a different future for disability and disabled bodies. Challenging the ways in which ideas about the future and time have been deployed in the service of compulsory able-bodiedness and able-mindedness, Kafer rejects the idea of disability as a pre-determined limit. She juxtaposes theories, movements, and identities such as environmental justice, reproductive justice, cyborg theory, transgender politics, and disability that are typically discussed in isolation and envisions new possibilities for crip futures and feminist/queer/crip alliances. This bold book goes against the grain of normalization and promotes a political framework for a more just world.

The Talamasca, documenters of paranormal activity, is on the hunt for the newly born Lasher. Mayfair women are dying from hemorrhages and a strange genetic anomaly has been found in Rowan and Michael. Lasher, born from Rowan, is another species altogether and now in the corporeal body, represents an incalculable threat to the Mayfairs. Rowan and Lasher travel together to Houston and she becomes pregnant with another creature like him, a Taltos. Lasher seeks to reproduce his race in other women, but they cannot withstand it. Rowan escapes and becomes comatose as her fully-grown Taltos daughter is born. The Mayfairs declare all-out war on Lasher and try to nurse Rowan back to health. Michael remains entwined in the Mayfair family and learns how he comes by his strange powers. Michael's ghostly visiting from a long-dead Mayfair reveals the importance of destroying Lasher. In the investigation, Lasher's origins are revealed, the new Taltos Emaleth returns, and the climax of death and life engulfs the family.

A revelatory new history of post-colonial African independence movements shows how they were systematically undermined by one nation: the US. This is the untold story of how, over a few vital years, African Independence was strangled at birth. In 1958 in Accra, Ghana, the Hands Off Africa conference brought together the leading figures of African independence in a public show of political strength and purpose. It was inspired by the example of Ghana itself which, under the charismatic leadership of Kwame Nkrumah, had just thrown off the British colonial yoke - the first African nation to do so. It was moment heady with promise for independence movements across Africa, and for all those who believed colonialism was a moral aberration. Among the supporters of African independence were some of the leading figures of the American Civil Rights movement. Malcolm X was in Accra and Martin Luther King used Nkrumah's speech as the basis for his own "Free At Last" speech, so clear were the parallels between their own struggle for political equality in the US with that of the African nations. W. E. B. Du Bois moved to Ghana, inspired by the future of independent Africa. Yet among the many official messages of support received by the conference the United States was conspicuously quiet, despite its historic and public opposition to colonialism. Vice President Nixon did attend the celebrations in Ghana and asked a group of black people, "How does it feel to be free?"They answered: "We wouldn't know. We're from Alabama". The conference was also attended by a slew of strange societies, many of which were fronts, and behind them was the CIA. The CIA was in favor of the end of the British Empire but a pan-African independence movement, one susceptible to Soviet entreaties, looked like a security threat. Through original research and unparalleled insight, Susan Williams reveals how the CIA's baleful influence was felt from South Africa to the Congo as the agency prepared to move in as Africa's colonizers moved out.

Marie Antoinette's dramatic life-story continues to arouse mixed emotions. To many people, she is still 'la reine méchante', whose extravagance and frivolity helped to bring down the French monarchy; her indifference to popular suffering epitomised by the (apocryphal) words: 'let them eat cake'. Others are equally passionate in her defence: to them, she is a victim of misogyny. Antonia Fraser examines her influence over the king, Louis XVI, the accusations and sexual slurs made against her, her patronage of the arts which enhanced French cultural life, her imprisonment, the death threats made against her, rumours of lesbian affairs, her trial (during which her young son was forced to testify to sexual abuse by his mother) and her eventual execution by guillotine in 1793.