Alternate Cover Edition can be found here. Bob Johansson has just sold his software company and is looking forward to a life of leisure. There are places to go, books to read, and movies to watch. So it's a little unfair when he gets himself killed crossing the street. Bob wakes up a century later to find that corpsicles have been declared to be without rights, and he is now the property of the state. He has been uploaded into computer hardware and is slated to be the controlling AI in an interstellar probe looking for habitable planets. The stakes are high: no less than the first claim to entire worlds. If he declines the honor, he'll be switched off, and they'll try again with someone else. If he accepts, he becomes a prime target. There are at least three other countries trying to get their own probes launched first, and they play dirty. The safest place for Bob is in space, heading away from Earth at top speed. Or so he thinks. Because the universe is full of nasties, and trespassers make them mad - very mad.

One woman is called upon to rebuild the future of humankind after a nuclear war, in this revelatory post-apocalyptic tale from the award-winning author of Parable of the Sower. When Lilith lyapo wakes from a centuries-long sleep, she finds herself aboard the vast spaceship of the Oankali. She discovers that the Oankali—a seemingly benevolent alien race—intervened in the fate of the humanity hundreds of years ago, saving everyone who survived a nuclear war from a dying, ruined Earth and then putting them into a deep sleep. After learning all they could about Earth and its beings, the Oankali healed the planet, cured cancer, increased human strength, and they now want Lilith to lead her people back to Earth—but salvation comes at a price. Hopeful and thought-provoking, this post-apocalyptic narrative deftly explores gender and race through the eyes of characters struggling to adapt during a pivotal time of crisis and change.

A race for survival among the stars... Humanity's last survivors escaped earth's ruins to find a new home. But when they find it, can their desperation overcome its dangers? WHO WILL INHERIT THIS NEW EARTH? The last remnants of the human race left a dying Earth, desperate to find a new home among the stars. Following in the footsteps of their ancestors, they discover the greatest treasure of the past age—a world terraformed and prepared for human life. But all is not right in this new Eden. In the long years since the planet was abandoned, the work of its architects has borne disastrous fruit. The planet is not waiting for them, pristine and unoccupied. New masters have turned it from a refuge into mankind's worst nightmare. Now two civilizations are on a collision course, both testing the boundaries of what they will do to survive. As the fate of humanity hangs in the balance, who are the true heirs of this new Earth?

Seconds before the Earth is demolished to make way for a galactic freeway, Arthur Dent is plucked off the planet by his friend Ford Prefect, a researcher for the revised edition of The Hitchhiker's Guide to the Galaxy who, for the last fifteen years, has been posing as an out-of-work actor. Together this dynamic pair begin a journey through space aided by quotes from The Hitchhiker's Guide ("A towel is about the most massively useful thing an interstellar hitchhiker can have") and a galaxy-full of fellow travelers: Zaphod Beeblebrox--the two-headed, three-armed ex-hippie and totally out-to-lunch president of the galaxy; Trillian, Zaphod's girlfriend (formally Tricia McMillan), whom Arthur tried to pick up at a cocktail party once upon a time zone; Marvin, a paranoid, brilliant, and chronically depressed robot; Veet Voojagig, a former graduate student who is obsessed with the disappearance of all the ballpoint pens he bought over the years. Where are these pens? Why are we born? Why do we die? Why do we spend so much time between wearing digital watches? For all the answers stick your thumb to the stars. And don't forget to bring a towel!

In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child--neither powerful like her father nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power: the power of witchcraft, which can transform rivals into monsters and menace the gods themselves. Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts, and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus. But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from or with the mortals she has come to love.

An electric debut novel about the daughter of Afghan refugees and her year of nightclubs, bad romance, and self-discovery—a portrait of the artist as a young woman set in a Berlin that can't escape its history A girl can get in almost anywhere, even if she can’t get out. “A no-bullsh*t, must-read debut.”—Kaveh Akbar “Kaleidoscopic . . . full of style and soul.”—Raven Leilani “Radiant with longing and beauty.”—Sarah Thankham Matthews In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of personal and artistic freedom. But as Nila finds herself pulled further into Marlowe’s controlling orbit, ugly, barely submerged racial tensions begin to roil Germany—and Nila’s family and community. After a year of running from her future, Nila stops to ask herself the most important question: Who does she want to be? A story of love and family, raves and Kafka, staying up all night and surviving the mistakes of youth, Good Girl is the virtuosic debut novel by a celebrated young poet and, now, a major new voice in fiction.

Perhaps one reason not enough people kill billionaires is it’s actually quite tricky...An electrifying, ultra-contemporary heist, a wild and hilarious story that is also dangerously prescient.When her home is destroyed in wildfires, fourteen-year-old Australian outback genius Kayla Connolly decides to hunt down the culprits of climate billionaires.She teams up with Mr P, a giant ex-soldier from Tuvalu whose home is being flooded by rising sea levels. Together, they find ingenious ways to kill a property developer building on protected wetlands and a mining company CEO poisoning the earth with toxic chemicals. They also find an unexpected ally in Nancy, a wealthy elderly woman with a shocking past.The trio’s mission soon develops a life of its own, taking them first to California to crack billionaire tech bros and then to London for superrich oil executives, spawning a global movement along the way. In pursuit are the FBI and Detective Sergeant Kate Anderson of Scotland Yard, but Kate is having doubts about whether Kayla is even in the wrong. Will Kayla be able to stay ahead of the game and pull off one final, remarkable hit?Praise for Anders Lustgarten's writing'Bursting with energy... extraordinary' The Times'A fierce writer whose activism blends intellectual curiosity and idealism' Evening Standard'Brave and provocative' Guardian

From Pulitzer Prize–winning Washington Post reporters Carol Leonnig and Aaron C. Davis, a shocking investigation of unparalleled depth into the subversion of the Justice Department over the last decade, culminating in President Donald Trump upending this cornerstone of democracy and threatening America’s rule of law as we have long known it Throughout his first administration, Trump did more than any other president to politicize the nation’s top law enforcement agency, pressuring appointees to shield him, to target his enemies, and even to help him cling to power after his 2020 election defeat. The department, pressed into a defensive crouch, has never fully recovered. Injustice exposes not only the Trump administration’s efforts to undermine the department at every turn but also how delays in investigating Trump’s effort to overturn the will of voters under Attorney General Merrick Garland helped prevent the country from holding Trump accountable and enabled his return to power. With never-before-told accounts, Carol Leonnig and Aaron C. Davis take readers inside as prosecutors convulsed over Trump’s disdain for the rule of law, and FBI agents, the department’s storied investigators, at times retreated in fear. They take you to the rooms where Special Counsel Jack Smith’s team set off on an all-but-impossible race to investigate Trump for absconding with classified documents and waging an assault on democracy—and inside his prosecution’s heroic and fateful choices that ultimately backfired. With a plethora of sources deeply embedded in the ranks of three presidencies, Leonnig and Davis reveal the daily war secretly waged for the soul of the department, how it has been shredded by propaganda and partisanship, and how—if the United States hopes to live on with its same form of government—Trump’s war with the Justice Department will mark a turning point from which it will be hard to recover. Injustice is the jaw-dropping account of partisans and enablers undoing democracy, heroes still battling to preserve a nation governed by laws, and a call to action for those who believe in liberty and justice for all.

A hilarious fantasy adventure in which a young woman, who is stuck in a time loop, decides the best way to defend the kingdom from the Dark Lord is to become the Dark Lord herself. Davi has done this all before. She's tried to be the hero and take down the all-powerful Dark Lord. A hundred times she's rallied humanity and made the final charge. But the time loop always gets her in the end. Sometimes she's killed quickly. Sometimes it takes a while. But she's been defeated every time. This time? She's done being the hero and done being stuck in this endless time loop. If the Dark Lord always wins, then maybe that's who she needs to be. It's Davi's turn to play on the winning side.