Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others—in which a newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a search that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of Tehran in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the Angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Electrifying, funny, wholly original, and profound, Martyr! heralds the arrival of a blazing and essential new voice in contemporary fiction.

From the artist of the bestselling Faithless series...comes Eros/Psyche. La Rosa's female boarding school is paradise for young girls...but only if you follow the rules. Because, if you disobey them, you can end up expelled, or even worse, dead. Sara and Silje are two students learning the rules of the school, which includes classes by day...and the casting of curses and spells by night. A love develops between the two, which is tender, but threatens to break under the weight of the dark secret society within La Rosa. Acclaimed creator Maria Llovet (Faithless, Heartbeat, Loud) brings you a surreal, bewitching tale of love, magic, and tragedy in Eros/Psyche.

An ambitious intern at an elite art gallery is torn between two rival senior curators while uncovering a scandal that could shatter them all. Caroline Gallow is the newest curatorial intern at London’s illustrious Templeton Collection, a coveted post among the city’s cultural elite. But Caroline is hiding a secret: She didn’t earn her place through talent alone. It was secured through a secret relationship with the gallery’s much older chief curator, Edward Throckmorton. As Caroline navigates the hushed corridors of privilege and institutional politics, she catches the attention of Victor Wallace, an enigmatic senior curator whose intellect is matched only by his contempt for Edward, his former mentor turned bitter rival. Under Victor’s guidance, Caroline is drawn into the seductive underbelly of the art world, where beauty, ambition, and betrayal go hand in hand. When Caroline stumbles upon a long-buried document that threatens to dismantle Edward’s legacy and expose his darkest secrets, she must choose between loyalty and truth, setting off a chain of events that will ignite a scandal none of them can escape.

Perfect Victims is an urgent affirmation of the Palestinian condition of resistance and refusal―an ode to the steadfastness of a nation. Palestine is a microcosm of the on fire, stubborn, fragmented, dignified. While a settler colonial state continues to inflict devastating violence, fundamental truths are deliberately obscured—the perpetrators are coddled while the victims are blamed and placed on trial. Why must Palestinians prove their humanity? And what are the implications of such an infuriatingly impossible task? With fearless prose and lyrical precision, Mohammed El-Kurd refuses a life spent in cross-examination. Rather than asking the oppressed to perform a perfect victimhood, El-Kurd asks friends and foes alike to look Palestinians in the eye, forgoing both deference and condemnation. How we see Palestine reveals how we see each other; how we see everything else. Masterfully combining candid testimony, history, and reportage, Perfect Victims presents a powerfully simple dignity for the Palestinian.

A threatened mother and relentless detective collide in this mesmerizing novel from a rising voice in literary horror, perfect for fans of Gabino Iglesias, Carmen Maria Machado, Augustina Bazterrica, and Stephen Graham Jones. A mother’s love is the oldest curse Fortuna Miércoles has finally moved her family to a better neighborhood across the Rio Grande, desperate to outrun the curse that’s stalked her bloodline since her greatest grandmother crossed the desert with a cactus thorn splitting her throat. But burying a family’s violent legacy isn’t so easy. Twenty years ago, girls and women vanished into the Albuquerque night, their bones later unearthed on the mesa. The so-called Reaper was never caught. Now, beneath the dormant volcanoes called the Sleeping Sisters, the killings have begun again. Detective Jeanette Palacio has spent decades chasing the ghosts of her murdered cousins—alongside the memory of the other women she couldn’t avenge. When a new body turns up in Fortuna’s backyard, both women are pulled into a dangerous, ancient plot. Are the Sleeping Sisters awakening—or has someone in Fortuna’s family set a trap? Inspired by true events and shot through with a Chicana-Indigenous reimagining of the legend of the headless woman, The Sleeping Sisters is a fevered, feral hymn to motherhood and the monstrous bargains we make to protect those we love.

Rippling with humor, warmth, and style, Lost Lambs is a new vision of the charms and pitfalls of family dysfunction. The Flynn family is coming undone. Catherine and Bud's open marriage has reached its breaking point as their daughters spiral in their own chaotic Abigail, the eldest, is dating a man in his twenties nicknamed War Crime Wes; Louise, the middle child, maintains a secret correspondence with an online terrorist; the brilliant youngest, Harper, is being sent to wilderness reform camp due to her insistence that someone—or something—is monitoring the town’s citizens. Casting a shadow across their lives, and their small coastal town, is Paul Alabaster, a billionaire shipping magnate. Rumors of corruption circulate, but no one dares dig too deep. No one except Harper, whose obsession with a mysterious shipping container sends the family hurtling into a criminal conspiracy—one that may just bring them closer together. Irreverent and addictive, pinging between the voices of the Flynn family and those of the panorama of characters around them, Madeline Cash’s Lost Lambs is a debut novel of quick-witted observation and surprising tenderness. With Lost Lambs, Cash has crafted a family saga for the twenty-first century, all held together with crazy glue.

For the first time, The Australian Wars brings what for too long has been considered the historical past into connection with its reverberations in the present.It is estimated up to 100,000 people died in the frontier wars that raged across Australia for more than 150 years. This is equivalent to the combined total of all Australians killed in foreign battles to date. But there are few memorials marking these first, domestic wars.The Australian Wars was conceived by Rachel Perkins following her award-winning documentary series produced by Blackfella Films for SBS and edited along with Stephen Gapps, Mina Murray and Henry Reynolds. This is the first book to tell the story of the continental sweep of massacres, guerilla warfare, resistance and the contests of firearms and traditional Aboriginal weaponry as Indigenous nations resisted colonial occupation of their lands, territory by territory. At stake was the sovereignty of an entire country.Black and white writers tell the stories of these battles across three crucial time periods, and all the states and territories. It notes the lands that were unconquered, as well as the role of disease, weapons and tactics, and the story of women on the frontier.This history is still alive in those descendants who carry the stories of their ancestors. The Australian Wars brings what for too long has been considered the historical past into the present so that we might know the truth of the origins of this nation.'As it peels back the enduring veils of silence and denial about our shared past, The Australian Wars exposes a complex legacy of shame, pride, crime and valour. It offers us an opportunity to ask ourselves, in a spirit of humility and honesty, what it truly means to be an Australian patriot. The authors of this work have delivered a huge favour wrapped in a hard lesson.' TIM WINTON 'An inspiring, game-changing work of collective truth-telling about our shared history.' KATE GRENVILLE'This book provides the most comprehensive account available of the continental violence against Aboriginal people during the colonial settlement and some of its consequences today. Rachel Perkins and her fellow editors have done us all a great service in bringing this history together. Some opinions will be disputed and there will be debate about how these conflicts will be characterised and memorialised, but it is for all Australians, whether descended from the pioneer generations or not, to respond to this history by ensuring that every person in today's Australia is treated with equal respect and dignity, and provided with the opportunities that all people deserve' DAVID KEMP AC 'Together with the TV series The Australian Wars puts down a no more denial, no more cant. These wars happened and we cannot blink them away. The Australian frontier was a battlefield, and we should recognise this as we recognise those other battlefields in Turkey, France and New Guinea. We should remember the dead, honour the brave. It will give us a firmer basis for thinking clearly about who we are and what to do.' DON WATSON'There was a fight for this country and in many places an intense one where the colonials were held at bay. This book has the best of contemporary research. It will ensure that the original people of this nation are not denied the dignity of their resistance and the truth telling has the edge it should.' KIM BEAZLEY