Following the "propulsive and mesmerizing" (New York Times Book Review) Things We Lost in the Fire comes a new collection of singularly unsettling stories, by an Argentine author who has earned comparisons to Shirley Jackson and Jorge Luis Borges. Mariana Enriquez has been critically lauded for her unconventional and sociopolitical stories of the macabre: populated by unruly teenagers, crooked witches, homeless ghosts, and hungry women, they walk the uneasy line between urban realism and horror. The stories in her next collection are as terrifying as they are socially conscious, and press into being the unspoken -- fetish, illness, the female body, the darkness of human history -- with unsettling urgency. A woman is sexually obsessed with the human heart; a lost, rotting baby crawls out of a backyard and into a bedroom; a pair of teenage girls can't let go of their idol; an entire neighborhood is cursed to death by a question of morality they fail to answer correctly. Written against the backdrop of contemporary Argentina, and with resounding tenderness towards those in pain, in fear, and in limbo, this new collection from one of Argentina's most exciting writers finds Enriquez at her most sophisticated, and most chilling.

In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies. A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes. Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction. The husband stitch -- Inventory -- Mothers -- Especially heinous -- Real women have bodies -- Eight bites -- The resident -- Difficult at parties

Forty years later, The Changeling is no less haunting and no less visionary than the day it was published, but it has only become clearer that Joy Williams is a virtuosic stylist and a singular thinker—a genius in every sense of the word.             When we first meet Pearl—young in years but advanced in her drinking—she’s on the lam, sitting at a hotel bar in Florida, throwing back gin and tonics with her infant son cradled in the crook of her arm. But her escape is brief, and the relief she feels at having fled her abusive husband, and the Northeastern island his family calls home, doesn’t last for long. Soon she’s being shepherded back. The island, for Pearl, is a place of madness and pain, and her round-the-clock drinking spurs on the former even if it dulls the latter. And through this lens—Pearl’s fragile consciousness—readers encounter the horror and triumph of both childhood and motherhood in a new light.             With language that flits between exuberance and elegy, the plainspoken and the poetic, Joy Williams has blended, as Rick Moody writes, “the arresting improbabilities of magic realism, with the surrealism of the folkloric revival . . . and with the modernist foreboding of Under the Volcano,” and created something entirely original and entirely consuming. 

A professor in pandemic isolation rescues books from the flooded and collapsing McPherson Library. A man plants fireweed on the hillside of his depopulated Vancouver Island suburb. An aspiring luthier poaches the last ancient Sitka spruce to make a violin for a child prodigy. Campbell’s astonishing vision pulls the echoing effects of small acts and intimate moments through this multi-generational and interconnected story of how a West coast community survives the ravages of climate change. A novella expansion of the Sturgeon Award winning short story “An Important Failure.”

Rakesfall is a groundbreaking, standalone science fiction epic about two souls bound together from here until the ends of time, from the author of The Saint of Bright Doors Some stories take more than one lifetime to tell. There are wrongs that echo through the ages, friendships that outpace the claws of death, loves that leave their mark on civilization, and promises that nothing can break. This is one such story. Annelid and Leveret met after the war, but before the peace. They found each other in a torn-up nation, peering through propaganda to grasp a deeper truth. And in a demon-haunted wood, another act of violence linked them and propelled their souls on a journey throughout the ages. No world can hold them, no life can bind them, and they'll never leave each other behind. But their journey will not be easy. In every lifetime, oppressors narrow the walls of possibility, shaping reality to fit their own needs. And behind the walls of history, the witches of the red web swear that every throne will fall. Tracing two souls through endless lifetimes, Rakesfall is a virtuosic exploration of what stories can be. As Annelid and Leveret reincarnate ever deeper into the future, they will chase the edge of human possibility, in a dark science fiction epic unlike anything you've read before.

He was sent to kill a pest. Instead, he found a monster. Enter the decadent, deadly city of Tiliard, a metropolis carved into the stump of an ancient tree. In its canopy, the pampered elite warp minds with toxic perfume; in its roots, gangs of exterminators hunt a colossal worm with an appetite for beauty. In this complex, chaotic city, Guy Moulène has a simple goal: keep his sister out of debt. For her sake, he'll take on any job, no matter how vile. As an exterminator, Guy hunts the uncanny creatures that crawl up from the river. These vermin are all strange, and often dangerous. His latest quarry is different: a centipede the size of a dragon with a deadly venom and a ravenous taste for artwork. As it digests Tiliard from the sewers to the opera houses, its toxin reshapes the future of the city. No sane person would hunt it, if they had the choice. Guy doesn't have a choice.

Myung and Laleh are keepers of the whale of babel. They roam within its cosmic chambers, speak folktales of themselves, and pray to an enigmatic figure they know only as 'Great Wisa'. To Laleh, this is everything. For Myung, it is not enough. When Myung flees the whale, she stumbles into a new universe where shapeshifting islands and ancient maps hold sway. There, she sets off on an adventure that is both tragic and transformative, for her and Laleh. For at the heart of her quest lies a mystery that has confounded scholars for centuries: the truth about the mad sisters of Esi. Fables, dreams and myths come together in this masterful work of fantasy by acclaimed author Tashan Mehta, sweeping across three landscapes, and featuring a museum of collective memory and a festival of madness. At its core, it asks: In the devastating chaos of this world, where all is in flux and the truth ever-changing, what will you choose to hold on to?

Days before his release from prison, Shadow's wife, Laura, dies in a mysterious car crash. Numbly, he makes his way back home. On the plane, he encounters the enigmatic Mr Wednesday, who claims to be a refugee from a distant war, a former god and the king of America. Together they embark on a profoundly strange journey across the heart of the USA, whilst all around them a storm of preternatural and epic proportions threatens to break. Scary, gripping and deeply unsettling, American Gods takes a long, hard look into the soul of America. You'll be surprised by what - and who - it finds there...

Oryx and Crake is at once an unforgettable love story and a compelling vision of the future. Snowman, known as Jimmy before mankind was overwhelmed by a plague, is struggling to survive in a world where he may be the last human, and mourning the loss of his best friend, Crake, and the beautiful and elusive Oryx whom they both loved. In search of answers, Snowman embarks on a journey–with the help of the green-eyed Children of Crake–through the lush wilderness that was so recently a great city, until powerful corporations took mankind on an uncontrolled genetic engineering ride. Margaret Atwood projects us into a near future that is both all too familiar and beyond our imagining.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

From the celebrated author of the New York Times bestseller Behold the Dreamers, comes a sweeping, wrenching story about the collision of a small African village and an America oil company. "We should have known the end was near." So begins Imbolo Mbue’s powerful second novel, How Beautiful We Were. Set in the fictional African village of Kosawa, it tells the story of a people living in fear amidst environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of clean-up and financial reparations to the villagers are made—and ignored. The country’s government, led by a brazen dictator, exists to serve its own interest. Left with few choices, the people of Kosawa decide to fight back. Their struggle would last for decades and come at a steep price. Told through the perspective of a generation of children and the family of a girl named Thula who grows up to become a revolutionary, How Beautiful We Were is a masterful exploration of what happens when the reckless drive for profit, coupled with the ghost of colonialism, comes up against one community’s determination to hold onto its ancestral land and a young woman’s willingness to sacrifice everything for the sake of her people’s freedom. "The unforgettable story of a community on the wrong end of Western greed, How Beautiful We Were will enthrall you, appall you, and show you what is possible when a few people stand up and say this is not right. A masterful novel by a spellbinding writer engaged with the most urgent questions of our day.”—David Ebershoff, bestselling author of The Danish Girl

They told her to go to Hell.She’ll go on her own terms.Lily is less than thrilled about her arrival to the Afterlife, but what awaits her is more fantastical than she ever could have imagined. Deities wait in line at the coffee shop. Fae flit between realms. Souls find ways to make death a beginning.As Lily explores everything the Afterlife has to offer, she finds herself drawn to a place most people would rather avoid at all Hell.What she discovers there subverts everything she’s ever learned, and Lily realizes the demons working at the gate to guide souls need help—badly. Armed with years of customer service experience and pent-up sarcasm, Lily carves out a place for herself among the demons, confronting, sassing, and aiding the spectrum of humanity to redefine justice and redemption.A chance meeting with Bel, a demon general with a distractingly sexy voice, sparks an immediate and deeply healing friendship. However, the undeniable heat between them simmers, and it’s only a matter of time before it combusts.Meanwhile, something stirs beyond the boundaries of their world, threatening to destroy everything they’ve ever known and everything that could be… unless they fight like Hell to stop it.