It calls itself Murderbot, but only when no one can hear. It worries about the fragile human crew who've grown to trust it, but only where no one can see. It tells itself that they're only a professional obligation, but when they're captured and an old friend from the past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

HAMMAJANG | adjective. Definition: In a disorderly or chaotic state; messed up. Chiefly in predicative use, esp. in all hammajang. Etymology: A borrowing from Hawaiian Pidgin. Source: Oxford English Dictionary. Edie is done with crime. Eight years behind bars changes a person - costs them too much time with too many of the people who need them most. And it's all Angel's fault. She sold Edie out in what should have been the greatest moment of their lives. Instead, Edie was shipped off to the icy prison planet spinning far below the soaring skybridges and neon catacombs of Kepler space station - of home - to spend the best part of a decade alone. But then a chance for early parole appears out of nowhere and Edie steps into the pallid sunlight to find none other than Angel waiting - and she has an offer. One last job. One last deal. One last target. The trillionaire tech god they failed to bring down last time. There's just one thing Edie needs to do - trust Angel again - which also happens to be the last thing Edie wants to do. What could possibly go all hammajang about this plan? Ocean's 8 meets Blade Runner in this trail-blazing debut science fiction novel and swashbuckling love letter to Hawai'i about being forced to find a new home and striving to build a better one - unmissable for fans of Gideon the Ninth by Tamsyn Muir and Six of Crows by Leigh Bardugo.

'Urgent, profound and compassionate’ ROBERT MACFARLANE'Truly original ... Reading it is a balm' AFUA HIRSCH'Fascinating and thought provoking' CAL FLYNA lyrical, deeply researched and original work of narrative non-fiction by University of Cambridge environmental justice, AI and bioacoustics researcher and educator Joycelyn Longdon.Natural Connection illuminates the wondrous awe of the natural world and reveals how marginalised communities and ancient wisdom help us create a sustainable mindset and future for generations to come.When considering environmental action, many of us view ourselves through the binary of activist or observer. Here, Longdon shows there are many paths to drive positive change, and embracing rage, imagination, innovation, theory, healing and care as outlooks can fuel the wider movement. Rooted in Longdon’s cutting-edge research and featuring contributions from key voices such as Robert Macfarlane, Miranda Lowe, Katherine May and Rebecca Solnit, this is an invitation to approach environmental action as a shared goal rather than an individual burden.This book celebrate the histories and extraordinary acts of ordinary people who have paved the way for today’s environmental change, such as the Chipko women of India – the original ‘tree huggers’, who pioneered direct action in their communities to combat deforestation – and Nigeria’s Ogoni 9, who fought the threat of fossil fuel extraction in the Delta region. Bringing together inspiring stories from marginalised people from the US to the UK, Brazil to Iran, Ghana to Ethiopia, this book roots us in our intrinsic connection with nature and celebrates the power of community.‘A wonderful book’ KATHERINE MAY'Rigorously researched, justice-centred and transformative' MIKAELA LOACH

This is the renowned play which was developed with Kikuyu actors at the Kamiriithu Cultural Centre at Limuru. It proved so powerful, especially in its use of song, that it was banned and was probably one of the factors leading to Ngugi's detention without trial. The original Gikuyu edition went to three printings in the first three months of publication.

It calls itself Murderbot, but only when no one can hear. It worries about the fragile human crew who've grown to trust it, but only where no one can see. It tells itself that they're only a professional obligation, but when they're captured and an old friend from the past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

After touring the rural areas of Panga, Sibling Dex (a Tea Monk of some renown) and Mosscap (a robot sent on a quest to determine what humanity really needs) turn their attention to the villages and cities of the little moon they call home. They hope to find the answers they seek, while making new friends, learning new concepts, and experiencing the entropic nature of the universe. Becky Chambers's new series continues to ask: in a world where people have what they want, does having more even matter? They're going to need to ask it a lot.

Jean-Paul Sartre, the great French existentialist, displays his mastery of drama in NO EXIT, an unforgettable portrayal of hell. The play is a depiction of the afterlife in which three deceased characters are punished by being locked into a room together for all eternity. It is the source of Sartre's especially famous and often misinterpreted quotation "L'enfer, c'est les autres" or "Hell is other people", a reference to Sartre's ideas about the Look and the perpetual ontological struggle of being caused to see oneself as an object in the world of another consciousness.