Something terrible has happened. In a mysterious apartment filled with ghosts, our unnamed narrator attempts to explain this to her child - how do I talk about this? she wonders. The truth must become something beautiful. We must begin with a fairy tale. And so she begins to construct a beautiful fairy tale for her child - one that begins with a strange baby boy whose nails grow too fast and whose skin smells of soil. As he grows from a boy into a man, a plague seems to follow him everywhere. Tragedy strikes in cycles - and wife after wife, death after death, plague after plague, every woman he touches becomes a ghost. These ghosts call out desperately to our narrator as she tries to explain, in the very real world, exactly what has happened to her. And they all agree on one thing, an inescapable truth about this man, this powerful lord who has loved them and led them each to ruin: If you leave, you die. But if you die, you stay.A debut novel as emotionally poignant as it is fiercely smart, Sour Cherry is an arresting debut examining toxic masculinity through its chorus of women - deconstructing the idea of what makes someone a monster.

Everybody knows that Cherry's husband, Tom, is in Hollywood making a movie... Almost nobody knows that he isn't coming home. Tom is the creator of Thursday--a semi-autobiographical webcomic, turned bestselling graphic novel, turned international phenomenon. Semi-autobiographical. That means there's a character in this movie based on Cherry... "Baby." Wide-hipped, heavy-chested, double-chinned Baby. Cherry never wanted this. No fat girl wants to see herself caricatured on the page--let alone on the big screen. But there's no getting away from it. Baby looks so much like Cherry that strangers recognize her at the grocery store. While her soon-to-be ex-husband is in Los Angeles getting rich and famous and being the Internet's latest boyfriend, Cherry is stuck in Omaha taking care of the dog he always wanted and the house they were going to raise a family in...and wondering who she's supposed to be without him. Cherry had promised to love Tom through thick and thin. She'd meant it. One night, Cherry decides to leave all her problems, including Tom's overgrown puppy, at home. She ventures out to see her favorite band play her favorite album...and someone recognizes her from across the room. Russ Sutton knew Cherry when she was a young art student with a fondness for pin-up dresses and patent leather heels. Before Tom. Russ knows Cherry. He likes Cherry. And best of all...he's never heard of Thursday.

This is a story of girl meets printer. A customer service assistant spends her long workdays printing letters. Her one friend is the printer and, in the dark confines of her office, she begins to open up to him, talking about her fears, her past, her hopes and dreams. To her, it seems like a beautiful friendship is blossoming. To her boss, it seems like she's losing her mind. Diagnosed with burnout and placed on leave, she faces severance and - worse - separation from her beloved printer. But she's not about to give up on her only friend without a fight. And, it turns out, neither is he...

“Don’t Call Me Home is about madness and love. Alexandra tells the best stories about her extraordinary childhood as she travels the world with her mother Viva. Wit and wisdom wrapped and bound with love.” --Debbie Harry “Alexandra Auder’s Don’t Call Me Home is thrumming with life, in all its absurdity, vividness, and gunk. I literally laughed and cried, and cheered hard throughout for our intrepid narrator, who has gifted us an incomparable tale.”--Maggie Nelson author of The Argonauts and On Freedom A moving and wickedly funny memoir about one woman’s life as the daughter of a Warhol superstar and the intimate bonds of mother-daughter relationships Alexandra Auder’s life began at the Chelsea Hotel—New York City’s infamous bohemian hangout—when her mother, Viva, a longtime resident of the hotel and one of Andy Warhol’s superstars, went into labor in the lobby. These first moments of Alexandra’s life, documented by her filmmaker father, Michel Auder, portended the whirlwind childhood and teen years that she would go on to have. At the center of it all is a glamorous, larger-than-life woman with mercurial moods, who brings Alexandra with her on the road from gig to gig, splitting time between a home in Connecticut and Alexandra’s father’s loft in 1980s Tribeca, then moving back again to the Chelsea Hotel and spending summers with Viva’s upper-middle-class, conservative, hyperpatriarchal family of origin. In Don’t Call Me Home , Alexandra meditates on the seedy glory of being raised by two counterculture icons, from walking a pet goat around Chelsea and joining the Squat Theatre company to coparenting her younger sister, Gaby, with her mother and partying in East Village nightclubs. Flitting between this world and her present-day life as a yoga instructor, actress, mother, wife, and much-loved Instagram provocateur, Alexandra weaves a stunning, moving, and hilarious portrait of a family and what it means to move away from being your mother’s daughter into being a person of your own.

Any love story aficionado will say that the key to a successful couple is intense desire for one another—but what if the characters in question are an asexual woman with a passion for Boys Love stories and a gay man whose heart forever belongs to his oblivious childhood friend? Although romance will never be in the cards for newlyweds Yuriko and Gakurouta, the bond blossoming between them promises to be a wonderful relationship—the likes of which neither has ever experienced before…

The long-awaited new novel from the author of global sensation Tender Is the Flesh: a thrilling work of literary horror about a woman cloistered in a secretive, violent religious order, while outside the world has fallen into chaos. From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe. But when a stranger makes her way past the convent walls, joining the ranks of the unworthy, she forces the narrator to consider her long-buried past—and what she may be overlooking about the Enlightened. As the two women grow closer, the narrator is increasingly haunted by questions about her own past, the environmental future, and her present life inside the convent. How did she get to the Sacred Sisterhood? Why can’t she remember her life before? And what really happens when a woman is chosen as one of the Enlightened? A searing, dystopian tale about climate crisis, ideological extremism, and the tidal pull of our most violent, exploitative instincts, this is another unforgettable novel from a master of feminist horror.

A lyrical, evocative horror about vampires from the Philippines . . . and a hunter on their tail. A brother and sister fight to protect their secrets, their community, and most of all, each other, in this evocative novel from the New York Times bestselling author of Patron Saints of Nothing. As Filipino vampires known as manananggal, Lily and her brother Caleb understand the value of a secret. After all, to hide is to survive. To lie is to live. They’d never harm another person—but people only believe their worst fears around creatures of myth. So the siblings stay quiet. They follow their community’s rules. Until a monster hunter turns up and kills a fellow manananggal, anyway. Until Caleb is marked as the hunter’s next prey. Suddenly, he and Lily realize there’s always been more at stake than the lives of their people. Because when doing everything "right" is still a death sentence, what can they take as truth? As the hunter nears, the siblings must decide if they’ll be driven from the only home they’ve ever known . . . or fight to protect a community that may already be lost.

Myung and Laleh are keepers of the whale of babel. They roam within its cosmic chambers, speak folktales of themselves, and pray to an enigmatic figure they know only as 'Great Wisa'. To Laleh, this is everything. For Myung, it is not enough. When Myung flees the whale, she stumbles into a new universe where shapeshifting islands and ancient maps hold sway. There, she sets off on an adventure that is both tragic and transformative, for her and Laleh. For at the heart of her quest lies a mystery that has confounded scholars for centuries: the truth about the mad sisters of Esi. Fables, dreams and myths come together in this masterful work of fantasy by acclaimed author Tashan Mehta, sweeping across three landscapes, and featuring a museum of collective memory and a festival of madness. At its core, it asks: In the devastating chaos of this world, where all is in flux and the truth ever-changing, what will you choose to hold on to?

Welcome to the hidden, squirming world of parasites—some of the most misunderstood creatures with whom we share the Earth (and our bodies)."Astonishing, eye-opening, and inspiring." —Chloe Dalton, author of Raising HareThere is the tapeworm, which can grow 120 feet in length within the gut of a whale; the tsetse fly, a notorious vector of disease that can pierce the skin even of crocodiles with its needle-like mouth; and the most universal symbol of parasitic the leech. Long villainized as, well, parasitic, these creatures are actually a vital part of every ecosystem—and Dr. Dino Martins, an award-winning entomologist and biologist from Kenya, has made it his life’s mission to demystify these beguiling beings.Hidden Creatures is a journey around the world ten times over—from Martins’ home in the wilds of East Africa, to the rainforests of the Amazon, to cities and backyards across the globe—and along the way, we encounter the brilliant and eccentric experts who join Martins on his adventures to investigate not only parasites but their hosts, from hyraxes and hippos to, of course, humans. Immersive, driven by an utterly infectious curiosity, and sure to transform every reader’s understanding of these organisms, Hidden Creatures has the magnetic force of a David Attenborough documentary and introduces a monumental, charismatic new voice in science writing.

Come meet The Liar, The Secret Keeper, The Crybaby, and the rest. Nine children travel with their families to their Grandfather's vacation property, where strange things begin to happen: eyes blink from the bottom up, mushrooms ooze blood, people's faces don't hang right anymore-except they do, once you look more closely. Transformations warp the children's sense of time and place, the very land itself seeming to encroach upon them. As The Liar watches the children succumb one by one to an unknown fate, she must make sense of absent stars in the night sky, vials of amber liquid that taste of milk, a funny little rope tied in knots. She's faced with a choice: join or resist, only the choice is not so simple. Set in The Grandfather's Lake House as he continues to extend his property lines and told in the eerie we of the children, Root Rot explores predatory family dynamics, the boundaries of bodies and home, and how individuals choose to participate in or push back against structures that would harm them.

Powerfully persuasive and thought-provoking, Ending the Pursuit asks us to reimagine sexuality, romance and gender without the borders imposed by society. How did asexual identity form? What is aromanticism? How does agender identity function? Researcher and writer Michael Paramo explores these misunderstood experiences, from the complex challenge of coming out to navigating the western lens of attraction. Expertly mapping their history, Paramo traces the emergence of vital online communities to the origins of the Victorian binaries that still restrict us today. With a groundbreaking blend of memoir and poetry, online articles and discussions, Ending the Pursuit is a much-needed addition to the cultural conversation. It encourages us to end the search for ‘normalcy’ and gives voice to an often-misunderstood community. 'Important . . . Paramo refuses to take for granted the normalized ideas we are fed around how relationships should work and what they should look like' Dr. Ela Przybyło, Illinois State University