A vital, fearless memoir in the vein of Between the World and Me that explores what it means to be a Palestinian in this moment, the effects of the genocide on Palestinian art and imagination, and that to even claim a belonging to the land from a country thousands of miles away is an act of subversion.Imagination is a more powerful force than hope. Acclaimed author Saeed Teebi was at work on his first novel when the attacks on Gaza began in late 2023. The violence and cruelty of the attacks, accompanied by the assent and silence of international governments, stunned many across the globe, like Teebi, into a new state of permanent horror. What does it mean to be of the Palestinian diaspora in such a moment? What does it mean to be of a people who have sustained such a large-scale assault not only on their homeland, but their entire identity? What is the role of art, of language—of imagination—in asserting one’s identity, when that very assertion is read as an act of subversion? In this incisive work, Teebi explores, with searing, razor-sharp prose, the effects of genocide on the bodies, minds, and imaginations—of Palestinians especially, and humanity in general. This is at once a memoir of one family’s displacement, a scathing indictment of global complicity in the face of brutality, and a profound rumination on art and imagination as a means of defiance. It is an astonishing work of resistance by a major intellect, and it is both urgent and timeless.

In Annah, Infinite, the dominant narratives surrounding Paul Gauguin’s famous painting Annah la Javanaise (1893-94) are turned upside down. In questioning the ‘facts’ surrounding Annah’s life, Annah, Infinite draws attention to how historical narratives, shaped by colonial powers, have distorted Annah’s story. It critiques the systems of ablenormativity, racism, and sexism embedded in art institutions, and the way these structures mask the violent colonial legacies still haunting museum walls. The work doesn’t just deconstruct mythologies; it brings to light the material realities of Annah’s portrait as both a commodity in the global market and a stark contradiction of the tropes surrounding disabled Southeast Asian girls in the so-called ‘developing world.’ It is an exploration of colonial ableism and a profound look at the long histories of resistance led by disabled people. Interspersed with the author’s own poetry, fiction, and visual art on the painting’s subject, this is a book of emotional heft. It asks us all to acknowledge the possibility of pain in every single portrait, as well as the possibility of escape.

A propulsive, electrifying and enraging retelling of the life of Greek goddess Hekate, child of war turned all-powerful goddess of witchcraft and necromancy, by internationally bestselling poet Nikita Gill. Born into a world on fire, Godling Hekate has never known safety. After her parents are on the losing side of the war between the ruling Titans and new Olympian Gods, Hekate is taken by her mother Asteria to the Underworld, where Styx and Hades agree to raise her. Meanwhile, Asteria is pursued across the world by Zeus and Poseidon and, to escape their clutches, transforms herself into an island in a stormy sea. Orphaned and alone, Hekate grows up amongst the horrors and beauties of the Underworld, desperate to find her divine purpose and a sense of belonging in the land of the dead.  When Hekate finally uncovers her powers and ascends to Goddess status, she realises that even the most powerful Olympians are terrified of her. But when immortal war breaks out again, threatening to destroy everything from Mount Olympus to the Underworld itself, the Goddess of witchcraft and necromancy is the only one who can bring the deadly conflict to an end. . .  ADVANCE PRAISE FOR HEKATE ‘In Hekate, we are plunged into a vivid and imaginatively wrought divine world that is monstrous, magical and beautiful through the perspective of a bewildered child of war who grows up to understand and embrace her power. It's a timely and achingly resonant reflection on conflict, fear and the unbreakable bonds of family conveyed in exquisite, evocative poetry.’ – Jennifer Saint, author of Ariadne   ‘In a wholly original, incandescent take on the myth of Hekate, Nikita Gill captures the beauty, brutality and otherworldly strangeness of the ancient world like no other writer. This beautifully imagined tale of a Refugee Goddess's. . . quest to find her destiny among a kingdom of outcasts is both deeply moving and absolutely captivating. . . This poem is pure magic.’  – Elodie Harper, bestselling author of The Wolf Den trilogy  

After her mother dies in an accident, sixteen-year-old Bree Matthews wants nothing to do with her family memories or childhood home. A residential program for bright high schoolers at UNC–Chapel Hill seems like the perfect escape—until Bree witnesses a magical attack her very first night on campus. A flying demon feeding on human energies. A secret society of so called “Legendborn” students that hunt the creatures down. And a mysterious teenage mage who calls himself a “Merlin” and who attempts—and fails—to wipe Bree’s memory of everything she saw. The mage’s failure unlocks Bree’s own unique magic and a buried memory with a hidden connection: the night her mother died, another Merlin was at the hospital. Now that Bree knows there’s more to her mother’s death than what’s on the police report, she’ll do whatever it takes to find out the truth, even if that means infiltrating the Legendborn as one of their initiates. She recruits Nick, a self-exiled Legendborn with his own grudge against the group, and their reluctant partnership pulls them deeper into the society’s secrets—and closer to each other. But when the Legendborn reveal themselves as the descendants of King Arthur’s knights and explain that a magical war is coming, Bree has to decide how far she’ll go for the truth and whether she should use her magic to take the society down—or join the fight.

In this riveting historical thriller that’s loosely inspired by true life events, The Count of Monte Cristo meets Bridgerton as revenge, romance, and twisted secrets take center stage in Victorian England’s royal court when Sally, a kidnapped African princess and goddaughter to Queen Victoria, plots her way to take down the monarchy that stole her from her homeland. A young lady can take only so many injuries before humiliation and insult forge a vow of revenge . . . The year is 1862, and murderous desires are simmering in England. Nineteen-year-old Sarah Bonetta Forbes (Sally), once a princess of the Egbado Clan, desires one thing above all else: revenge against the British Crown and its system of colonial “humanitarianism,” which stole her dignity and transformed her into royal property. From military men to political leaders, she’s vowed to ruin all who’ve had a hand in her afflictions. The top of her list? Her godmother, Britain’s mighty monarch, Queen Victoria herself. Taking down the Crown means entering into a twisted game of court politics and manipulating the Queen’s inner circle—even if that means aligning with a dangerous yet alluring crime lord in London’s underworld and exploiting the affections of Queen Victoria’s own son, Prince Albert, as a means to an end. But when Queen Victoria begins to suspect Sally’s true intentions, she plays the only card in Victorian society that could possibly cage Sally once again: marriage. Because if there’s one thing Sally desires more than revenge, it’s her freedom. With time running out and her wedding day looming, Sally’s vengeful game of cat and mouse turns deadly as she’s faced with the striking revelation that that the price for vengeance isn’t just paid in blood. It means sacrificing your heart. Loosely inspired by the true story of Sarah Forbes Bonetta, Queen Victoria’s African goddaughter, The Queen’s Spade is a lush and riveting historical thriller perfect for fans of A Dowry of Blood and Grave Mercy.