Languidsnail commented on uncookedbeez's review of Just Like Home
Languidsnail commented on ennuibee's update
ennuibee finished a book

Drive Your Plow Over the Bones of the Dead
Olga Tokarczuk
Languidsnail commented on a post from the Pagebound Club forum
I was just talking to my brother-in-law, and he told me he wrote a book. I was happy for him! That's an amazing accomplishment, and he's written books before so I knew it was something he enjoyed doing.
That is...until he told me that while his ideas were all his, he used AI to "pad out the chapters". His rationalization was that he would disclose that he used it, and that so many Amazon best-sellers are all AI-generated, and he was using it as an aide. While I think that him disclosing is the right thing, I wanted to address with him how AI use is criticized in literature today. He can still publish it, but he should understand that there is a specific type of criticism he would receive without even reading his book.
So, I would like a little input from people who are also in this bookish world. How IS AI viewed in literature?
Languidsnail commented on crybabybea's review of The Glass Castle
Ugh. It's like poverty porn but worse, because it tries to flip the messaging around into an inspirational, triumphant story.
The Glass Castle relies almost entirely upon the idea of meritocracy and overcoming hardship. It's a certified pull yourself up by your bootstraps classic. Which is to say, it's ultimately flat, lacking nuance, and risks perpetuating bullshit mythology that keeps oppressive systems in place, trapping millions of people in a cycle of poverty and trauma.
Walls's childhood is certainly an interesting story. Her writing leans on a detached, almost clinical voice that attempts to blend together childhood naivete and the retrospective understanding of adulthood. Keeping her present-day emotion out of it is an intentional choice, so the reader can come to their own conclusion about her upbringing, her family, and the juxtaposition of her life as an adult.
While Walls's narration style initially does a lot to demystify the reality of childhood abuse and neglect - the way love and harm and joy and violence blend together to create a hazy recollection of fragmented memory - it became a crutch that flattened Walls's introspection. The episodic structure commits to accumulation without escalation. Walls's analytical lens never develops, which creates a monotonous retelling of trauma without revelation. More incidents, no new understanding. More haziness, no reflection.
The story of the Walls family is unique because their unhoused lifestyle seems to be mostly a choice. Their choices are never interrogated by Jeannette herself, so the book is left with the mythology that poverty is a choice. Which of course plays into the idea that unhoused people choose to be unhoused, and therefore choose to "take advantage" of the system.
There is a major elephant in the room with this story, a complexity that is hard to pick apart without making people uncomfortable. Privilege. There is privilege in the parents of the Walls family being able to choose to be unhoused, to live in poverty and break the law and escape the police, and there is privilege in Jeannette's ability to overcome.
It's possible to hold space for Walls's difficult childhood, in which she faced severe neglect and trauma, and the fact that she worked hard to overcome it, while also acknowledging that hard work isn't the only deciding factor for escaping and overcoming that trauma.
Without acknowledging the latter, The Glass Castle perpetuates the idea that those who don't succeed like Jeannette, such as her younger sister Maureen, or those that don't benefit from the privilege of being white, just didn't work hard enough or want it enough. That there's nothing wrong with the system, we need only to judge the individuals inside it.
Languidsnail is interested in reading...

The Manicurist's Daughter
Susan Lieu
Languidsnail commented on Languidsnail's update
Languidsnail made progress on...
Languidsnail made progress on...
Post from the You Made a Fool of Death with Your Beauty forum
Languidsnail is interested in reading...

When We Lost Our Heads
Heather O'Neill
Languidsnail commented on a post from the Founder Announcements forum
Hi everyone, we're excited to share the 4 selections for the Spring Readalong, running March - May! We announce Readalong titles a month in advance to give everyone time to place library holds; head to the Seasonal Readalong page to see the Spring badge and the full selections (on the app: click Seasonal Readalong from the More menu. On desktop: click the purple "View Spring Picks" button underneath the "Winter 2026 Readalong" header).
Razorblade Tears by S.A. Cosby: A mystery/thriller by the iconic S.A. Cosby, this story follows a Black and white father seeking vengeance for their two sons who were married and murdered in cold blood.
A Master of Djinn by P. Djèlí Clark: A steampunk fantasy set in Cairo in 1912, we follow Agent Fatma as she investigates a murder in a secret brotherhood and an ancient magic unleashing danger on the city.
When We Lost Our Heads by Heather O'Neill: A sapphic literary fiction set in 19th century Montreal, this is a coming of age tale following Marie and Sadie as they navigate their intense & passionate relationship through Montreal's high society (and brothels)
Goddess of the River by Vaishnavi Patel: From the author of Kaikeyi, this is a reimagining of the story of Hindu goddess Ganga who is cursed to become mortal until she fulfills the terms of her curse.
Excited to read with everyone in the coming months!
Happy reading, Jennifer & Lucy
Languidsnail made progress on...
Post from the You Made a Fool of Death with Your Beauty forum
Languidsnail made progress on...
Languidsnail joined a quest
Literary Fiction Starter Pack Vol II 🖼️⭐️📔
💎 // 503 joined
Not Joined

For those ready to dive deeper into the genre, these books offer a range of authors and topics. Brand new to this genre? Check out Volume I for the most popular texts.
Languidsnail wrote a review...
Gailey delves into how abuse lingers, how guilt can be inherited, and how you can feel trapped by family even as an adult.
The story feels claustrophobic, like the house and Vera’s memories are closing in at the same time.
The complicated dynamic between mother and daughter is one that's all too relatable for many out there, the way it's portrayed is so real: full of resentment, obligation, guilt, and the uncomfortable, complex sort of love you can’t fully cut off even when you probably should.
That said, it did take me a bit to get into. The first few chapters were slow and I wasn’t totally hooked right away. And while I loved the atmosphere and themes, the ending felt a little lackluster to me compared to how strong the buildup was.
Languidsnail finished a book

Just Like Home
Sarah Gailey
Languidsnail is interested in reading...

Reader, Come Home: The Reading Brain in a Digital World
Maryanne Wolf
Languidsnail commented on a post
Languidsnail commented on a post from the Pagebound Club forum
hi! i just downloaded this app and would love to find some friends !! i enjoy romance and thrillers the most!! Getting into fantasy and dark academia 🫶