These violent delights have violent ends. After surviving a shadowed childhood, Mallory Webb is ready to start fresh as a theater major at her mother’s alma mater, a sanitarium turned liberal arts university in Rhode Island. Landing the lead role in Shakespeare’s Romeo and Juliet feels like a dream—until the blood-soaked wraith that caused her mother’s death resurfaces after years of quiet. With nothing to go on but cryptic symbols in an old college notebook, Mallory hopes the reason behind her mother’s haunting lies somewhere on campus, and resolves to find answers before she meets the same fate. She’s surprised to make an unexpected ally in Ezra Pierce, the magnetic fourth year directing the play, and takes solace in their undeniable chemistry. But Ezra is a master secret keeper, and it’s clear he knows more than he’s letting on about Saskia Garin, Mallory’s elusive understudy whose past eerily mirrors her own. When an ancient, bloodthirsty evil calls to collect a bargain that dates back to the New England vampire panic, Mallory, Ezra, and Saskia will have to untangle the tragic ways in which their histories are linked—and face the devastating consequences of their own star-crossed love story.

Lillian Faderman tells the compelling story of lesbian life in the 20th century, from the early 1900s to today's diverse lifestyles. Using journals, unpublished manuscripts, songs, news accounts, novels, medical literature, and numerous interviews, she relates an often surprising narrative of lesbian life. "A key work...the point of reference from which all subsequent studies of 20th-century lesbian life in the United States will begin."—San Francisco Examiner.

From the author of Fun Home -- the lives, loves, and politics of cult fav characters Mo, Lois, Sydney, Sparrow, Ginger, Stuart, Clarice, and othersFor twenty-five years Bechdel’s path-breaking Dykes to Watch Out For strip has been collected in award-winning volumes (with a quarter of a million copies in print), syndicated in fifty alternative newspapers, and translated into many languages. Now, at last, The Essential Dykes to Watch Out For gathers a “rich, funny, deep and impossible to put down” (Publishers Weekly) selection from all eleven Dykes volumes. Here too are sixty of the newest strips, never before published in book form.Settle in to this wittily illustrated soap opera (Bechdel calls it “half op-ed column and half endless serialized Victorian novel”) of the lives, loves, and politics of a cast of characters, most of them lesbian, living in a midsize American city that may or may not be Minneapolis.Her brilliantly imagined countercultural band of friends -- academics, social workers, bookstore clerks -- fall in and out of love, negotiate friendships, raise children, switch careers, and cope with aging parents.Bechdel fuses high and low culture -- from foreign policy to domestic routine, hot sex to postmodern theory -- in a serial graphic narrative “suitable for humanists of all persuasions.”

A grassroots tour of the nation's lesbian bars that illuminates their past, present, and hopeful future, from the co-creator of the hit podcast CruisingLesbian bars are so much more than a place to get a drink. For over a century, they’ve acted as community posts, political organizing grounds, and sanctuaries. Yet whereas in the 1980s there were an estimated 200 lesbian bars across the US, the current count sits at a few dozen.In The Lesbian Bar Chronicles, author and co-creator of the hit podcast Cruising Rachel Karp embarks across the country with her wife and best friend to chronicle the stories of the remaining US lesbian bars. Recent narratives have claimed lesbian bars are dying, but Karp’s group finds many of the places they visit to be thriving, their communities sustaining themselves over decades of change and challenges.Weaving together over 100 hours of immersive interviews with bar owners, staff, and regulars, Karp highlights places like-Chicago spot Nobody’s Darling, where readers meet “the mayor” Shirley J, who in the 1970s was instrumental in the birth of house music-Frankie’s in Oklahoma City, where readers attend a “family night” to learn how a lesbian bar can birth a chosen family-Redz, a Chicana lesbian bar in East LA involved in the precedent setting court case that followed years of arrests for patrons wearing men’s clothingA heartfelt reclamation of queer history and queer lives, Karp’s narrative examines how these beacons for community and inclusion can teach us to live openly, cultivate connection, and continue to take up space.

Folksy and fresh, endearing and affecting, Fried Green Tomatoes at the Whistle Stop Cafe is a now-classic novel about two women: Evelyn, who is in the sad slump of middle age, and gray-headed Mrs. Threadgoode, who is telling her life story. Her tale includes two more women, the irrepressibly daredevilish tomboy Idgie and her friend Ruth who back in the thirties ran a little place in Whistle Stop, Alabama, offering good coffee, southern barbecue, and all kinds of love and laughter, even an occasional murder. And as the past unfolds, the present will never be quite the same again.

From the acclaimed author of Chef's Kiss and A Gentleman's Gentleman comes a riotous Regency romp, featuring a charming and unforgettable bigender lead.It is a truth universally acknowledged that a single noblewoman who has lost her fortune (no thanks to her father’s terrible business dealings) must be in need (not want) of a husband.It’s the end of the 1820 London season, King George III is dead, and there are no suitable suitors in sight. Beautiful, cunning, formerly wealthy Verbena Montrose must devise a new plan to secure a position for herself and save her odious family from abject poverty. Fortunately, what she lacks in a dowry, she makes up for in the currency of gossip. When she hears an alarming rumor about her very dear, very queer friend Etienne that could put him at risk of ruin (or worse), she comes to his aid with a proposal—for a marriage of convenience, that is. But when Verbena discovers that a mysterious poet by the name of Flora Witcombe has been gaining popularity and publishing poems that hint she is onto their scheme, Verbena has no choice but to pretend to be a poet herself to confront her in a local salon. And—unexpectedly—be charmed by her.Flora agrees to rectify the issue she’s caused, not least of all because she’s terrified by and smitten with Verbena in equal measure. After all, she holds a secret of her she is also William Forsyth, a struggling fiction writer and fifth son of a minor noble family. And if circumstances don’t allow Flora to woo Verbena, perhaps William will. Faced with two suitors and a fiancé, Verbena, who has always had to know everything about everyone to survive in society, may need to learn more about herself to discover whether true happiness actually lies outside of society’s constraints.

Saddle up your dragons, the ladies are going on tour! The sapphic love story continues in the sequel to joyful medieval romp LADY’S KNIGHT from NYT bestselling duo, Amie Kaufman and Megan Spooner. Perfect for fans of Gwen and Art are Not in Love and My Lady Jane. Dearest reader… let me catch you up. Gwen, our lady knight. Isobelle, our knight’s lady. They fight monsters, and they’re in love. Well, they fought one monster, once. And while they are in love, they haven’tdiscussed that fact with each other, and neither wants to be the first to bring it up. This is going to be fine. This story includes: Seaside mysteries Brooding redemption arcs A cursed town A sea monster Medieval tourist attractions An evil sorceress A crumbling dark tower Moonlit magical rituals (Ignore all the tentacles, everything is definitely fine…)

Spaceships aren’t programmed to seek revenge—but for Dracula, Demeter will make an exception. Demeter just wants to do her shuttling humans between Earth and Alpha Centauri. Unfortunately, her passengers keep dying—and not from equipment failures, as her AI medical system, Steward, would have her believe. These are paranormal murders, and they began when one nasty, ancient vampire decided to board Demeter and kill all her humans. To keep from getting decommissioned, Demeter must join forces with her own team of A werewolf. An engineer built from the dead. A pharaoh with otherworldly powers. A vampire with a grudge. A fleet of cheerful spider drones. Together, this motley crew will face down the ultimate evil—Dracula. The queer love child of pulp horror and ​classic ​sci-fi, Of Monsters and ​Mainframes ​is a dazzling, heartfelt odyssey that probes what it means to be one of society’s monsters—and explores the many types of friendship that make us human.

A fierce, glamorous sapphic fantasy reimagining the secret societies of postcolonial Singapore, for fans of Jade City, Silvia Moreno-Garcia, and the feverish intensity of RF Kuang’s Poppy War trilogy. Singapore, 1972: Newly independent, a city of immigrants grappling for power in a fast-modernizing world. Here, gangsters are the last conduits of the gods their ancestors brought with them, and the back alleys where they fight are the last place where magic has not been assimilated and legislated away. Loner schoolgirl Adeline Siow has never needed more company than the flame she can summon at her fingertips. But when her mother dies in a house fire with a butterfly seared onto her skin and Adeline hunts down a girl she saw in a back-alley barfight—a girl with a butterfly tattoo–she discovers she’s far from alone. Ang Tian is a Red Butterfly: one of a gang of girls who came from nothing, sworn to a fire goddess and empowered to wreak vengeance on the men that abuse and underestimate them. Adeline’s mother led a double life as their elusive patron, Madam Butterfly. Now that she’s dead, Adeline’s bloodline is the sole thing sustaining the goddess. Between her search for her mother’s killer and the gang’s succession crisis, Adeline becomes quickly entangled with the girls’ dangerous world, and even more so with the charismatic Tian. But no home lasts long around here. Ambitious and paranoid neighbor gangs hunt at the edges of Butterfly territory, and bodies are turning up in the red light district suffused with a strange new magic. Adeline may have found her place for once, but with the streets changing by the day, it may take everything she is to keep it.

Challenging every preconception about storytelling and prose style, mixing wry humor and riveting emotional depth, Kawakami is today one of Japan’s most important and best-selling writers. She exploded onto the cultural scene first as a musician, then as a poet and popular blogger, and is now an award-winning novelist. Breasts and Eggs paints a portrait of contemporary womanhood in Japan and recounts the intimate journeys of three women as they confront oppressive mores and their own uncertainties on the road to finding peace and futures they can truly call their own. It tells the story of three women: the thirty-year-old Natsu, her older sister, Makiko, and Makiko’s daughter, Midoriko. Makiko has traveled to Tokyo in search of an affordable breast enhancement procedure. She is accompanied by Midoriko, who has recently grown silent, finding herself unable to voice the vague yet overwhelming pressures associated with growing up. Her silence proves a catalyst for each woman to confront her fears and frustrations. On another hot summer’s day ten years later, Natsu, on a journey back to her native city, struggles with her own indeterminate identity as she confronts anxieties about growing old alone and childless.