Bridgerton meets Pacific Rim in this sapphic fantasy romance where a feisty noblewoman must team up with a disgraced mecha fighter to win her own hand and save her family from fortune hunters. In an alternate Regency England where marriage to eligible noblewomen is decided by deadly mecha dueling tournaments, half-Chamorro bluestocking Lady Wilhelmina Applewhite will choose her own destiny, thank you very much. But when her father’s sudden death leaves Willa as his sole heir, her hand in marriage becomes the upcoming Season’s grand prize. Determined to seize her fate—and protect her little sisters’ freedom—Willa shocks the ton by hiring a Bloodsworn fighter to compete for her own hand in the deadly gladiatorial duels of the Season. Except the only one mad enough to even consider fighting for Willa is rakish Thomasin Drake, the first and last woman to have ever fought in a Season . . . until her final duel ended in defeat and disgrace. But if Willa isn’t careful, she might lose her most valuable possession—her heart—to Thomasin before the Season duels are over. And in a world where marriage is a matter of life and death, falling in love is the last thing she can afford.

A work-from-home comedy where WFH meets WTF. Told entirely through clever and captivating Slack messages, this irresistible, relatable satire of both virtual work and contemporary life is The Office for a new world. Gerald, a mid-level employee of a New York–based public relations firm has been uploaded into the company’s internal Slack channels—at least his consciousness has. His colleagues assume it’s an elaborate gag to exploit the new work-from home policy, but now that Gerald’s productivity is through the roof, his bosses are only too happy to let him work from . . . wherever he says he is. Faced with the looming abyss of a disembodied life online, Gerald enlists his co-worker Pradeep to help him escape, and to find out what happened to his body. But the longer Gerald stays in the void, the more alluring and absurd his reality becomes. Meanwhile, Gerald’s colleagues have PR catastrophes of their own to handle in the real world. Their biggest client, a high-end dog food company, is in the midst of recalling a bad batch of food that’s allegedly poisoning Pomeranians nationwide. And their CEO suspects someone is sabotaging his office furniture. And if Gerald gets to work from home all the time, why can’t everyone? Is true love possible between two people, when one is just a line of text in an app? And what in the hell does the :dusty-stick: emoji mean? In a time when office paranoia and politics have followed us home, Calvin Kasulke is here to capture the surprising, absurd, and fully-relatable factors attacking our collective sanity…and give us hope that we can still find a human connection.

Love and hunger are not the same. Six years ago, on a remote Scottish island, a mysterious woman saved Sister Madeleine Laurent from drowning. Now, after leaving her convent, Madeleine crosses the ocean again to find the rescuer who changed her life. Instead, her search is disrupted by Hæra North, a brazen, provocative local who stirs Madeleine’s repressed desires—and keeps a secret out of legend. Hæra has one dream: to become the first female Stormhorse, a powerful leader in her clan of fearsome ocean horse spirits. To do so, she must capture, drown, and eat a worthy human. When she first saw Madeleine, she knew she’d found the one. So why did Hæra save her instead?   Now Madeleine’s back. All Hæra has to do is remain in human form, earn her woman’s trust, then devour her. But Madeleine is awakening another kind of appetite… The Woman from the Waves is an epic sapphic romantasy about the power of unleashed desire, the courage it takes to change, and a love so vast it spans the sea, earth, and sky.

These violent delights have violent ends. After surviving a shadowed childhood, Mallory Webb is ready to start fresh as a theater major at her mother’s alma mater, a sanitarium turned liberal arts university in Rhode Island. Landing the lead role in Shakespeare’s Romeo and Juliet feels like a dream—until the blood-soaked wraith that caused her mother’s death resurfaces after years of quiet. With nothing to go on but cryptic symbols in an old college notebook, Mallory hopes the reason behind her mother’s haunting lies somewhere on campus, and resolves to find answers before she meets the same fate. She’s surprised to make an unexpected ally in Ezra Pierce, the magnetic fourth year directing the play, and takes solace in their undeniable chemistry. But Ezra is a master secret keeper, and it’s clear he knows more than he’s letting on about Saskia Garin, Mallory’s elusive understudy whose past eerily mirrors her own. When an ancient, bloodthirsty evil calls to collect a bargain that dates back to the New England vampire panic, Mallory, Ezra, and Saskia will have to untangle the tragic ways in which their histories are linked—and face the devastating consequences of their own star-crossed love story.

Lillian Faderman tells the compelling story of lesbian life in the 20th century, from the early 1900s to today's diverse lifestyles. Using journals, unpublished manuscripts, songs, news accounts, novels, medical literature, and numerous interviews, she relates an often surprising narrative of lesbian life. "A key work...the point of reference from which all subsequent studies of 20th-century lesbian life in the United States will begin."—San Francisco Examiner.

From the author of Fun Home -- the lives, loves, and politics of cult fav characters Mo, Lois, Sydney, Sparrow, Ginger, Stuart, Clarice, and othersFor twenty-five years Bechdel’s path-breaking Dykes to Watch Out For strip has been collected in award-winning volumes (with a quarter of a million copies in print), syndicated in fifty alternative newspapers, and translated into many languages. Now, at last, The Essential Dykes to Watch Out For gathers a “rich, funny, deep and impossible to put down” (Publishers Weekly) selection from all eleven Dykes volumes. Here too are sixty of the newest strips, never before published in book form.Settle in to this wittily illustrated soap opera (Bechdel calls it “half op-ed column and half endless serialized Victorian novel”) of the lives, loves, and politics of a cast of characters, most of them lesbian, living in a midsize American city that may or may not be Minneapolis.Her brilliantly imagined countercultural band of friends -- academics, social workers, bookstore clerks -- fall in and out of love, negotiate friendships, raise children, switch careers, and cope with aging parents.Bechdel fuses high and low culture -- from foreign policy to domestic routine, hot sex to postmodern theory -- in a serial graphic narrative “suitable for humanists of all persuasions.”

A grassroots tour of the nation's lesbian bars that illuminates their past, present, and hopeful future, from the co-creator of the hit podcast CruisingLesbian bars are so much more than a place to get a drink. For over a century, they’ve acted as community posts, political organizing grounds, and sanctuaries. Yet whereas in the 1980s there were an estimated 200 lesbian bars across the US, the current count sits at a few dozen.In The Lesbian Bar Chronicles, author and co-creator of the hit podcast Cruising Rachel Karp embarks across the country with her wife and best friend to chronicle the stories of the remaining US lesbian bars. Recent narratives have claimed lesbian bars are dying, but Karp’s group finds many of the places they visit to be thriving, their communities sustaining themselves over decades of change and challenges.Weaving together over 100 hours of immersive interviews with bar owners, staff, and regulars, Karp highlights places like-Chicago spot Nobody’s Darling, where readers meet “the mayor” Shirley J, who in the 1970s was instrumental in the birth of house music-Frankie’s in Oklahoma City, where readers attend a “family night” to learn how a lesbian bar can birth a chosen family-Redz, a Chicana lesbian bar in East LA involved in the precedent setting court case that followed years of arrests for patrons wearing men’s clothingA heartfelt reclamation of queer history and queer lives, Karp’s narrative examines how these beacons for community and inclusion can teach us to live openly, cultivate connection, and continue to take up space.

Folksy and fresh, endearing and affecting, Fried Green Tomatoes at the Whistle Stop Cafe is a now-classic novel about two women: Evelyn, who is in the sad slump of middle age, and gray-headed Mrs. Threadgoode, who is telling her life story. Her tale includes two more women, the irrepressibly daredevilish tomboy Idgie and her friend Ruth who back in the thirties ran a little place in Whistle Stop, Alabama, offering good coffee, southern barbecue, and all kinds of love and laughter, even an occasional murder. And as the past unfolds, the present will never be quite the same again.

From the acclaimed author of Chef's Kiss and A Gentleman's Gentleman comes a riotous Regency romp, featuring a charming and unforgettable bigender lead.It is a truth universally acknowledged that a single noblewoman who has lost her fortune (no thanks to her father’s terrible business dealings) must be in need (not want) of a husband.It’s the end of the 1820 London season, King George III is dead, and there are no suitable suitors in sight. Beautiful, cunning, formerly wealthy Verbena Montrose must devise a new plan to secure a position for herself and save her odious family from abject poverty. Fortunately, what she lacks in a dowry, she makes up for in the currency of gossip. When she hears an alarming rumor about her very dear, very queer friend Etienne that could put him at risk of ruin (or worse), she comes to his aid with a proposal—for a marriage of convenience, that is. But when Verbena discovers that a mysterious poet by the name of Flora Witcombe has been gaining popularity and publishing poems that hint she is onto their scheme, Verbena has no choice but to pretend to be a poet herself to confront her in a local salon. And—unexpectedly—be charmed by her.Flora agrees to rectify the issue she’s caused, not least of all because she’s terrified by and smitten with Verbena in equal measure. After all, she holds a secret of her she is also William Forsyth, a struggling fiction writer and fifth son of a minor noble family. And if circumstances don’t allow Flora to woo Verbena, perhaps William will. Faced with two suitors and a fiancé, Verbena, who has always had to know everything about everyone to survive in society, may need to learn more about herself to discover whether true happiness actually lies outside of society’s constraints.

Saddle up your dragons, the ladies are going on tour! The sapphic love story continues in the sequel to joyful medieval romp LADY’S KNIGHT from NYT bestselling duo, Amie Kaufman and Megan Spooner. Perfect for fans of Gwen and Art are Not in Love and My Lady Jane. Dearest reader… let me catch you up. Gwen, our lady knight. Isobelle, our knight’s lady. They fight monsters, and they’re in love. Well, they fought one monster, once. And while they are in love, they haven’tdiscussed that fact with each other, and neither wants to be the first to bring it up. This is going to be fine. This story includes: Seaside mysteries Brooding redemption arcs A cursed town A sea monster Medieval tourist attractions An evil sorceress A crumbling dark tower Moonlit magical rituals (Ignore all the tentacles, everything is definitely fine…)