From New York Times bestselling author Rachel Gillig comes a sensational romantasy, a gothic, mist-cloaked tale of a young prophetess forced on an impossible quest with the one knight whose future is beyond her sight. Sybil Delling has spent nine years dreaming of having no dreams at all. Like the other foundling girls who traded a decade of service for a home in the great cathedral, Sybil is a Diviner. In her dreams she receives visions from six unearthly figures known as Omens. From them, she can predict terrible things before they occur, and lords and common folk alike travel across the kingdom of Traum’s windswept moors to learn their futures by her dreams. Just as she and her sister Diviners near the end of their service, a mysterious knight arrives at the cathedral. Rude, heretical, and devilishly handsome, the knight Rodrick has no respect for Sybil’s visions. But when Sybil’s fellow Diviners begin to vanish one by one, she has no choice but to seek his help in finding them. For the world outside the cathedral’s cloister is wrought with peril. Only the gods have the answers she is seeking, and as much as she’d rather avoid Rodrick’s dark eyes and sharp tongue, only a heretic can defeat a god.

Laura Ingalls Wilder is beginning life with her new husband, Almanzo, in their own little house. Laura is a young pioneer wife now, and must work hard with Almanzo, farming the land around their home on the South Dakota prairie. Soon their baby daughter, Rose, is born, and the young family must face the hardships and triumphs encountered by so many American pioneers. And so Laura Ingalls Wilder's adventure as a little pioneer girl ends, and her new life as a pioneer wife and mother begins. The nine Little House books have been cherished by generations of readers as both a unique glimpse into America's frontier past and a heartwarming, unforgettable story.

Laura Ingalls Wilder is beginning life with her new husband, Almanzo, in their own little house. Laura is a young pioneer wife now, and must work hard with Almanzo, farming the land around their home on the South Dakota prairie. Soon their baby daughter, Rose, is born, and the young family must face the hardships and triumphs encountered by so many American pioneers. And so Laura Ingalls Wilder's adventure as a little pioneer girl ends, and her new life as a pioneer wife and mother begins. The nine Little House books have been cherished by generations of readers as both a unique glimpse into America's frontier past and a heartwarming, unforgettable story.

A bold and incisive manifesto on the ways sexism is used to exploit women in a capitalistic system through the personal lens of dating and influencer culture from a prominent journalist and cultural critic in the Netherlands.Young women find themselves constantly pulled between opposing forces. The age-old divide between focusing on a successful career or building a family is now compounded by the pressure to resist unhealthy beauty standards and the influencer algorithm, but to start Botox before it’s too late. Within capitalism, the inequality between men and women is shamelessly exploited. Women are still seen as “natural” caregivers, even when they are the primary breadwinners in their household. They are expected to balance these roles all while navigating a world that continuously emphasizes wellness and self-care while women lose bodily autonomy, equality in partnerships, and the chances for meaningful, authentic connections. Through her own experiences, Doortje Smithuijsen explores how seemingly innocent phenomena such as Trad Wives and spin classes are part of a system that continues to marginalize women. Capitalism is Sexism is not simply about finding body positivity in the age of Ozempic, but how these forces are here to captivate your attention, your earnings, and your labor. With her razor-sharp insights, she shows how difficult it is for women to make free choices within this system.

A bold and incisive manifesto on the ways sexism is used to exploit women in a capitalistic system through the personal lens of dating and influencer culture from a prominent journalist and cultural critic in the Netherlands.Young women find themselves constantly pulled between opposing forces. The age-old divide between focusing on a successful career or building a family is now compounded by the pressure to resist unhealthy beauty standards and the influencer algorithm, but to start Botox before it’s too late. Within capitalism, the inequality between men and women is shamelessly exploited. Women are still seen as “natural” caregivers, even when they are the primary breadwinners in their household. They are expected to balance these roles all while navigating a world that continuously emphasizes wellness and self-care while women lose bodily autonomy, equality in partnerships, and the chances for meaningful, authentic connections. Through her own experiences, Doortje Smithuijsen explores how seemingly innocent phenomena such as Trad Wives and spin classes are part of a system that continues to marginalize women. Capitalism is Sexism is not simply about finding body positivity in the age of Ozempic, but how these forces are here to captivate your attention, your earnings, and your labor. With her razor-sharp insights, she shows how difficult it is for women to make free choices within this system.

Fifteen-year-old Laura lives apart from her family for the first time, teaching school in a claim shanty twelve miles from home. She is very homesick, but keeps at it so that she can help pay for her sister Mary's tuition at the college for the blind. During school vacations Laura has fun with her singing lessons, going on sleigh rides, and best of all, helping Almanzo Wilder drive his new buggy. Friendship soon turns to love for Laura and Almanzo in the romantic conclusion of this Little House book. Correlates to the Common Core State Standards in English Language Arts

Fifteen-year-old Laura lives apart from her family for the first time, teaching school in a claim shanty twelve miles from home. She is very homesick, but keeps at it so that she can help pay for her sister Mary's tuition at the college for the blind. During school vacations Laura has fun with her singing lessons, going on sleigh rides, and best of all, helping Almanzo Wilder drive his new buggy. Friendship soon turns to love for Laura and Almanzo in the romantic conclusion of this Little House book. Correlates to the Common Core State Standards in English Language Arts