The Office meets Six Feet Under meets About a Boy in this coming-of-middle-age tale about having a second chance to write your life’s story. Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living. As Bud awaits his fate at work, his life hangs in the balance. Given another shot by his boss and encouraged by his best friend, Tim, a worldly and wise former art dealer, Bud starts to attend the wakes and funerals of strangers to learn how to live. Thurber Prize-winner and NYTimes bestselling author John Kenney tells a funny, touching story about life and death, about the search for meaning, about finding and never letting go of the preciousness of life.

A young woman's radicalization sparks a widespread movement and media frenzy in this explosive novel of youthful passion, political awakening and first love, by an extraordinary new talent. “A lush, cinematic and propulsive novel filled with sex, violence, glamor and a true revolutionary spirit. It’s a towering literary achievement.” (Adam Johnson, Pulitzer Prize winner) Corsica, 1993. As a sun-drenched Mediterranean summer heads into full swing, beautiful and brash seventeen-year-old Severine Guimard is counting down the days until graduation, dreaming of stardom while smoking cigarettes and seducing boys in her class to pass the time. The pampered French-American daughter of a politician, Severine knows she’s destined for bigger things. That is, until one night, Severine is snatched off her bike by a militant trio fighting for Corsican independence and held for a large ransom. When the men fumble negotiating her release, the four become unlikely housemates deep in the island’s remote interior. Eager to gain the upper hand, Severine sets out to charm her captors, and soon, the handsome, intellectual leader, Bruno, the gentle university student, Tittu, and even the gruff, unflappable Petru grow to enjoy the company of their headstrong hostage. As Severine is exposed to the group’s political philosophy, the ideas of Marx and Fanon begin to take root. With her flair for the spotlight and newfound beliefs, Severine becomes the face of a radical movement for a global TV audience. What follows is a summer of passion and terror, careening toward an inevitable, explosive conclusion, as Severine steps into the biggest role of her life. The Bombshell is an electric novel filled with seduction and fervor as it explores the wonders and perils of youthful idealism, the combustibility of celebrity, and the sublime force of young love.

From an outstanding new voice in cozy fantasy comes Greenteeth, a  tale of fae, folklore, and found family, narrated by a charismatic lake-dwelling monster with a voice unlike any other, perfect for fans of T. Kingfisher. Beneath the still surface of a lake lurks a monster with needle sharp teeth. Hungry and ready to pounce. Jenny Greenteeth has never spoken to a human before, but when a witch is thrown into her lake, something makes Jenny decide she's worth saving. Temperance doesn't know why her village has suddenly turned against her, only that it has something to do with the malevolent new pastor. Though they have nothing in common, these two must band together on a magical quest to defeat the evil that threatens Jenny's lake and Temperance's family, as well as the very soul of Britain.

A lyrical debut novel from a musician and artist renowned for her sharp sexual and political imagery Jo is in a strange new country for university, and having a more peculiar time than most. A house with no walls, a roommate with no boundaries, and a home that seems ever more alive. Jo’s sensitivity, and all her senses, become increasingly heightened and fraught, as the lines between bodies and plants, and dreaming and wakefulness, blur and mesh. This debut novel from critically acclaimed artist and musician Jenny Hval, presents a heady and hyper-sensual portrayal of sexual awakening and queer desire. A complex, poetic and strange novel about bodies, sexuality and the female gender.

“Violent, smart, gruesome and wildly original, this novel pulls readers into a horrific world of murder and cannibalism while also critiquing misogyny, exploring Asian fetishization and stereotypes, sharing what it’s like to navigate two cultures and telling a touching story of a family in turmoil.” —New York Times Book Review Crying in H-Mart meets My Sister, the Serial Killer in this feminist psychological horror about the making of a female serial killer from a Korean-American perspective. Ji-won’s life tumbles into disarray in the wake of her appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying… yet enticing. In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. George has already overstayed his welcome in her family’s claustrophobic apartment. He brags about his puffed-up consulting job, ogles Asian waitresses while dining out, and acts condescending toward Ji-won and her sister as if he deserves all of Umma’s fawning adoration. No, George doesn’t deserve anything from her family. Ji-won will make sure of that. For no matter how many victims accumulate around her campus or how many people she must deceive and manipulate, Ji-won’s hunger and her rage deserve to be sated. A brilliantly inventive, subversive novel about a young woman unraveling, Monika Kim’s The Eyes Are the Best Part is a story of a family falling apart and trying to find their way back to each other, marking a bold new voice in horror that will leave readers mesmerized and craving more.

The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm—that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict. Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon. There, she tells Thomas, she will fulfill her mission to confront the evil that has devastated the earth, and to restore to this betrayed, murderous knight the nobility and hope of salvation he long abandoned. As hell unleashes its wrath, and as the true nature of the girl is revealed, Thomas will find himself on a macabre battleground of angels and demons, saints, and the risen dead, and in the midst of a desperate struggle for nothing less than the soul of man.

A hitmaking songwriter and a bitter musician share a startling and inexplicable connection that they’ll do anything to shake, in the next sparkling, magical book from Ashley Poston. Joni Lark is living the dream. She’s one of the most coveted songwriters in LA…and she can’t seem to write. There’s an emptiness inside her, and nothing seems to fill it. When she returns to her hometown of Vienna Shores, North Carolina, she hopes that the sand, the surf, and the concerts at The Revelry, her family’s music venue, will spark her inspiration. But when she gets there, nothing is how she left it. Her best friend is avoiding her, her mother’s memories are fading fast, and The Revelry is closing. How can she think about writing her next song when everything is changing without her? Until she hears it. A melody in her head, lyric-less and half-formed, and an alluring and addictive voice to go with it—belonging, apparently, to a wry musician with hangups of his own. Surely, he’s a figment of her overworked imagination. But then the very real man attached to the voice shows up in Vienna Shores. He’s aggravating and gruff on the outside—nothing like the sweet, funny voice in Joni’s head—and he has a plan: They’ll finish the song haunting them both, break their connection, and hope they don’t risk their hearts in the process. Because that song stuck in their heads? Maybe it’s there for a reason.