Radiance is a decopunk pulp SF alt-history space opera mystery set in a Hollywood-and solar system-very different from our own, from Catherynne M. Valente, the phenomenal talent behind the New York Times bestselling The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making. Severin Unck's father is a famous director of Gothic romances in an alternate 1946 in which talking movies are still a daring innovation due to the patent-hoarding Edison family. Rebelling against her father's films of passion, intrigue, and spirits from beyond, Severin starts making documentaries, traveling through space and investigating the levitator cults of Neptune and the lawless saloons of Mars. For this is not our solar system, but one drawn from classic science fiction in which all the planets are inhabited and we travel through space on beautiful rockets. Severin is a realist in a fantastic universe. But her latest film, which investigates the disappearance of a diving colony on a watery Venus populated by island-sized alien creatures, will be her last. Though her crew limps home to earth and her story is preserved by the colony's last survivor, Severin will never return. Told using techniques from reality TV, classic film, gossip magazines, and meta-fictional narrative, Radiance is a solar system-spanning story of love, exploration, family, loss, quantum physics, and silent film.

A bold and searing investigation into the role of white women in the American slave economy Bridging women’s history, the history of the South, and African American history, this book makes a bold argument about the role of white women in American slavery. Historian Stephanie E. Jones-Rogers draws on a variety of sources to show that slave-owning women were sophisticated economic actors who directly engaged in and benefited from the South’s slave market. Because women typically inherited more slaves than land, enslaved people were often their primary source of wealth. Not only did white women often refuse to cede ownership of their slaves to their husbands, they employed management techniques that were as effective and brutal as those used by slave-owning men. White women actively participated in the slave market, profited from it, and used it for economic and social empowerment. By examining the economically entangled lives of enslaved people and slave-owning women, Jones-Rogers presents a narrative that forces us to rethink the economics and social conventions of slaveholding America.

The day that Lorrie “accidentally” cuts off her little toe, she discovers what it’s like to be able-bodied and not want that body. After Bartholomew loses his left arm to a Sunni sniper, he’s inspired to start a new kind of church―one where both amputation and sex are types of performance art. Trice, a prosthetics engineer, receives the assignment of a lifetime when he’s asked to rebuild his son’s crippled frame. Haunted by the memory of his dead wife, George must take the ultimate measure to excise her ghost. For good. From sexual fetish to the clinical diagnosis of Body Integrity Identity Disorder, Headcheese makes the first cut, peeling back the epidermis to peer inside the minds and hearts of 26 people navigating the topography of flesh. Jess Hagemann is an award-winning author and accomplished biographer. She lives in a quiet Austin neighborhood surrounded on three sides by cows. Headcheese is her first novel.