Taking radical action is nurtured by quilting. Quilts are tender, fierce, and reliable. They are provocative and reparative. Quilts hold people and stories. As they conform to the unique shape of a body beneath their cascading surface, they affirm the vitality of love and safety. Throughout history, communities have turned to the collective intimacies of quilting in moments of need. This zine tells those stories. Written by Jess Bailey. Edited by Laura Moseley. Illustrations by Saffa Khan. With additional artwork by Kristyna Baczynski, Maisy Summer, & Alicia Rodriguez.

A wondrous debut from an extraordinary new voice in nonfiction, Why Fish Don’t Exist is a dark and astonishing tale of love, chaos, scientific obsession, and—possibly—even murder. David Starr Jordan was a taxonomist, a man possessed with bringing order to the natural world. In time, he would be credited with discovering nearly a fifth of the fish known to humans in his day. But the more of the hidden blueprint of life he uncovered, the harder the universe seemed to try to thwart him. His specimen collections were demolished by lightning, by fire, and eventually by the 1906 San Francisco earthquake—which sent more than a thousand of his discoveries, housed in fragile glass jars, plummeting to the floor. In an instant, his life’s work was shattered. Many might have given up, given in to despair. But Jordan? He surveyed the wreckage at his feet, found the first fish he recognized, and confidently began to rebuild his collection. And this time, he introduced one clever innovation that he believed would at last protect his work against the chaos of the world. When NPR reporter Lulu Miller first heard this anecdote in passing, she took Jordan for a fool—a cautionary tale in hubris, or denial. But as her own life slowly unraveled, she began to wonder about him. Perhaps instead he was a model for how to go on when all seemed lost. What she would unearth about his life would transform her understanding of history, morality, and the world beneath her feet. Part biography, part memoir, part scientific adventure, Why Fish Don’t Exist reads like a fable about how to persevere in a world where chaos will always prevail.

The enlivening follow-up to the award-winning sensation The Annual Migration of Clouds Traveling alone through the climate-crisis-ravaged wilds of Alberta’s Rocky Mountains, 19-year-old Reid Graham battles the elements and her lifelong chronic illness to reach the utopia of Howse University. But life in one of the storied “domes” ― the last remnants of pre-collapse society ― isn’t what she expected. Reid tries to excel in her classes and make connections with other students, but still grapples with guilt over what happened just before she left her community. And as she learns more about life at Howse, she begins to realize she can’t stand idly by as the people of the dome purposely withhold needed resources from the rest of humanity. When the worst of news comes from back home, Reid must make a choice between herself, her family, and the broken new world. In this powerful follow-up to her award-winning novella The Annual Migration of Clouds , Premee Mohamed is at the top of her game as she explores the conflicts and complexities of this post-apocalyptic society and asks whether humanity is doomed to forever recreate its worst mistakes.

Matilda Boseley’s adult ADHD diagnosis was a massive, earth-shattering event. She was given a prescription but had no idea what ADHD meant for her identity, her relationships or her future.Twelve months of confusion later, journalist Matilda embarked on an epic voyage to figure out what’s really happening in the stormy seas of the ADHD brain and write the guide she wished she’d had.The Year I Met My Brain is the ultimate travel companion for navigating and enjoying life as an ADHD adult, - what adult ADHD symptoms look like- why so many ADHDers (especially females) are missed as kids - how the disorder impacts our relationships, careers and self-esteem- why we unfairly treat ourselves like failures – and how to find self-forgiveness and healing- practical tips for social and organisational wins- and, most importantly, how to make our lives work to fit our brains rather than trying to force our brains to fit our lives.Uplifting, empowering, deeply researched and sparkling with 'a-ha' moments, The Year I Met My Brain is an invaluable resource for ADHDers and those who love them.

We are living in a world that is sick. Both literally sick, with 60 percent of adults in the US living with a chronic illness and rising rates of autoimmune diseases in particular, including long COVID, and figuratively sick, facing ever increasing rates of burnout, anxiety, and disconnection. As a writer, activist, and theology student, Lyndsey Medford was used to critiquing unsustainable medical, environmental, economic, and social systems from a theoretical perspective. But when her autoimmune disorder roared out of remission, she discovered that her own body's systems lived at the very real vortex of all those systems' dysfunction. Learning to cooperate with her body would require her to change every aspect of her life--and in the process, to seek a radical reimagining of the world, from a place where sickness is an individual affliction to an interdependent ecosystem where sustainability is a community way of life. In this beautiful and inspiring book, Medford draws on her experiences with a rare autoimmune disease to illuminate the broader lessons we need to learn, in order to heal what ails us individually and communally. Whether our burnout stems from illness, systemic racism, poverty, or simply sin's separation, we're all in need of hope, and we are called to heal together. My Body and Other Crumbling Empires points out the beauty and ubiquity of our limitations; the importance of accessibility, broadly construed; the interconnected nature of individual and public health; and the badly needed wisdom we have gained from living with our particular bodies.

Alone In Space compiles award-winning cartoonist Tillie Walden’s short comics into a stunning and comprehensive collection of the early work which shot her to fame on both sides of the Atlantic. We start with Tillie’s first published comic The End of Summer, in which Lars battles illness in a secluded castle at the start of an endless winter with a giant cat to keep him company amid mounting family tensions. Also featured are I Love This Part - Tillie’s bittersweet breakout story of small-town teen romance, and A City Inside - a study of growth and adulthood through a surreal and poetic recounting of one woman’s life. Also included are never-before collected early sketches, prints, webcomics, and short stories from magazines, such as What It’s Like To Be Gay In An All-Girls Middle School. If Tillie Walden is the future of comics, then the future starts here.