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loveislikebread commented on a post
Im struggling to finish book as it seems so slow. Should I push forward and read it or stop?? Is it worth it?
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loveislikebread commented on a post from the Pagebound Club forum
What’s everyone’s philosophies about DNFing? I have to admit it’s something I’ve found really difficult. Even if I’m not interested at all in the book and find it a slog or I’m just not connecting to the material, I feel this immense guilt about not ever picking it up again. I’d rather not read at all than not finish. The one time I’ve DNFed a book with almost no intention of ever picking it up again was Passage by Connie Willis, and it still took me half the book to tell myself I’d made enough of an effort to justify stopping.
loveislikebread commented on a post from the Pagebound Club forum
I saw something today and I’m really curious what other readers think.
Someone commented on an author’s personal Instagram post to say they weren’t a fan of the new book. The author replied with “if you don’t have anything nice to say, don’t say anything at all.” The person who posted the screenshot felt icky about the author’s response.
Personally, I didn’t think the author was out of line. I don’t really see the point of going onto an author’s own page just to drop a negative comment. That isn’t a review, it’s just putting criticism directly in front of the author for no real reason. Review platforms exist for a reason.
I also saw someone comment back to me about this ‘but sometimes authors don’t read reviews and won’t see it’ and I just always felt reviews are for other readers? I don’t know. And also how is ‘I didn ’t like this book’ helpful in any way and why does it need to be seen?
That’s just me. What do you all think? Is it fine to leave negative opinions on an author’s page, or should that stuff stay on review sites instead?
Curious to hear everyone’s take.
loveislikebread commented on a post from the Pagebound Club forum
I recently saw someone say they can’t imagine the setting within the book and they read like they are “watching a movie” which got me intrigued. Personally for me when I read, I might get “flashes” of imagery but I think I’m more focused on interactions and actions! So it’s a bit like I imagine the two characters but the background is blank? I often also don’t really have the full image of the characters so it’s just two mannequin like figures. If there are paragraphs of description about the environment I may take a moment to kind of piece it together but afterwards it’s more of the feeling and atmosphere and doesn’t stick around as an image.
How do you experience stories and does it take effort if you “watch it like a movie?” Do you have a soundtrack playing in the background or is it just environmental noises? Do you even imagine how the character voices sound like? How much detail is there?
loveislikebread commented on a post from the Pagebound Club forum
I’ve been wanting to switch from brand new books to secondhand books, can anyone give me brief information I should be careful about when looking for one? And do you guys prefer secondhand books??
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loveislikebread is interested in reading...

To Those Who Have Confused You to Be a Person: Words as Violence and Stories of Women's Resistance Online
Alia Dastagir
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Post from the Breasts and Eggs forum
loveislikebread finished reading and wrote a review...
Despite its promising label as a"post-apocalyptic fairy tale," this graphic novella fell short of my expectations.
The narrative felt unsubtle and forced, while the artwork and panel layouts failed to create any real emotional connection to the characters' struggles. It clearly aspired to be a profound meditation on value and meaning, but unfortunately, that ambition was never realised for me.
loveislikebread is interested in reading...

Graveyard Shift
M.L. Rio
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These Violent Delights
Micah Nemerever
loveislikebread commented on loveislikebread's update
loveislikebread started reading...

The Strength of the Few (Hierarchy, #2)
James Islington
loveislikebread started reading...

The Strength of the Few (Hierarchy, #2)
James Islington