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1h

I Who Have Never Known Men
Jacqueline Harpman
‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground. Jacqueline Harpman was born in Etterbeek, Belgium, in 1929, and fled to Casablanca with her family during WWII. Informed by her background as a psychoanalyst and her youth in exile, I Who Have Never Known Men is a haunting, heartbreaking post-apocalyptic novel of female friendship and intimacy, and the lengths people will go to maintain their humanity in the face of devastation. Back in print for the first time since 1997, Harpman’s modern classic is an important addition to the growing canon of feminist speculative literature.


Titania commented...
1h
Thank god it’s over 😩 if it weren’t for the seasonal readalong I probably would’ve DNFed this multiple times over
Note to self: In the future, just immediately DNF books where the main character hits a vape, it’ll save you some time


Titania finished a book
1h

Death of the Author
Nnedi Okorafor
The future of storytelling is here. Life has thrown Zelu some curveballs over the years, but when she's suddenly dropped from her university job and her latest novel is rejected, all in the middle of her sister's wedding, her life is upended. Disabled, unemployed and from a nosy, high-achieving, judgmental family, she's not sure what comes next. In her hotel room that night, she takes the risk that will define her life - she decides to write a book VERY unlike her others. A science fiction drama about androids and AI after the extinction of humanity. And everything changes. What follows is a tale of love and loss, fame and infamy, of extraordinary events in one world, and another. And as Zelu's life evolves, the lines between fiction and reality begin to blur. Because sometimes a story really does have the power to reshape the world.


Titania finished a book
1h

Death of the Author
Nnedi Okorafor
The future of storytelling is here. Life has thrown Zelu some curveballs over the years, but when she's suddenly dropped from her university job and her latest novel is rejected, all in the middle of her sister's wedding, her life is upended. Disabled, unemployed and from a nosy, high-achieving, judgmental family, she's not sure what comes next. In her hotel room that night, she takes the risk that will define her life - she decides to write a book VERY unlike her others. A science fiction drama about androids and AI after the extinction of humanity. And everything changes. What follows is a tale of love and loss, fame and infamy, of extraordinary events in one world, and another. And as Zelu's life evolves, the lines between fiction and reality begin to blur. Because sometimes a story really does have the power to reshape the world.

Death of the Author
Nnedi Okorafor


Titania commented...
9h
Yeah I think the audiobook format made it better for me too! I don’t think I would’ve opted to finish it if I were reading a hard copy


I think there is a fine line between wholesome optimistic hopecore and bland after school special hyper-naivete, and this leaned closer to the latter for me. Spoiler alert: The moral is to always love and accept each other, no matter what. As Miranda Priestly would say, groundbreaking.
Clearly, there was a lot of positive intent here, and it worked for a lot of people. I feel nervous criticizing this book because emotionally earnest works like this tend to generate a lot of defensiveness in those who love it. So, if this is your comfort book and you feel emotionally attached to its legacy, I’ll ask you to avert your eyes and chalk it up to me being an overly cynical Grinch (which is true).
Following the eclectic motley crew aboard the Wayfarer, a charmingly hodgepodge ship making its way across the galaxy, this book promises to be a cozy sci-fi for the ages. It certainly delivers on that, if not on much else, through an almost sitcom-like episodic structure that focuses much more on character dynamics and relationships than on any external stakes or tension. There is definitely an appeal to this if, say, you’re in the mood to binge-watch Friends again after a hard day - this is probably a suitable alternative for that, and I did have fun just chilling with the characters for a while. But it’s just not what I come to books to experience. Even in cozy reads, I need a little tension, even if it’s just emotional tension, and this is clearly not trying to achieve anything but feel-good vibes in space.
The book is particularly focused on exploring how different species with very different bodies, habitats, cultures, and religions all manage to coexist together in close quarters, using the Wayfarer as the reader’s petri dish to observe typical interspecies dynamics and how they adapt to live in community with each other. These differences are often thinly veiled allegories for the differences we see in humanity (race, class, disability, etc.), and as such, felt awfully on the nose and borderline preachy. It also had the effect of making all these different species feel too human at the end of the day to make that point, which I do think is limiting in a sci-fi story. If this were a tv show or some other visual medium, I think it would at least have the benefit of all the aliens being visually very different, but in book form, they all sort of blend together in a vaguely humanoid lesson-of-the-day cast of characters.
What this book does really well is worldbuilding. Chambers does a great job of building a very large, lived-in sci-fi world teeming with an incredible number of alien species, and she does so with minimal info dumps, so that we learn details naturally through dialogue and internal monologue. The sheer amount and variety of alien bodies she is able to imagine is truly impressive (though I’d have to go against the grain and say I probably wouldn’t find the Aeluons hot, sorry!). The unique languages and cultures she invents for all these species, along with the ways they each adapt to living alongside each other, are all fleshed out and paint an interesting and unique futuristic world where so much of the galaxy has already overcome its differences to work together.
Unfortunately, that world is also effectively a utopia, which I found increasingly boring to read about as I got further into the story. As many other reviews point out, nothing really happens in this book. Nearly every “conflict,” if you can even call it that, is neatly resolved either in the same chapter or the next chapter, which adds to the cozy sci-fi vibes. The only exception is the mystery of Rosemary’s past, which does take several chapters to wrap up, but even that fizzles out to nothing, happening mostly offscreen, and suddenly everyone is back to holding hands and loving each other again. There are also no large-scale problems here. The Wayfarer crew takes on a bigger job to make more money, but do money problems ever pose an actual risk to their lifestyles? Nope, they always have enough money for all their repairs and even lavish home-cooked dinners. They are on a travel time crunch, but have a broken ship part. Does that cause problems? Nope, they can just hop by a nearby planet and grab a spare part there from the obviously friendly inhabitants. A bunch of space pirates steal a large portion of their resources. Does that hinder them at all? Nope, they conveniently always have enough to spare, and it’s never mentioned again. In a lot of ways, the entire galaxy starts feeling like a friendly small town where nothing bad can happen (until the very, very end), which started out as endearing to me but ended as dull and overly saccharine.
The interspecies crew aboard the Wayfarer is your textbook found family, which is always a welcome trope in my book. But we’re thrown into this ragtag crew with Rosemary after they’ve already sworn allegiance to each other, so there’s not a lot of interesting bonds left to form. They also don’t really face much conflict together, which is typically what binds found families together and makes their relationships textured and interesting. Their bonds don’t feel hard-won, and so they don’t feel earned. They’re just a group of sweet people that took a liking to each other and happily coexist as professionals and friends, which, as nice as that is, isn’t super compelling reading after a dozen or so chapters of the same kitchen table dynamics and hallway bickering.
The book also touches on a lot of classic sci-fi tropes like cloning, AI, cybernetic implants, other body mods, etc., but makes little effort to really explore or unpack them, preferring to prioritize the cozy vibes above all else. As such, the depictions of all of the above are referenced with zero nuance, which is to say they are framed as unequivocally positive by the characters. These are all philosophically and ethically fraught concepts, so it is frustrating to see them brought up only for the characters to shrug and accept them without any thought. The AI romantic storyline is especially tough to read in the current context, and was a major issue I had with the book, especially since it encompassed the emotional climax of the story. With our current societal struggles with AI, it was honestly uncomfortable to see an AI-human relationship be so celebrated and validated in this book, even knowing that the sci-fi conception of AI is different than what we have today. It’s hard to uncouple what’s on the page from the tech it is anchored to in the real world, and the writing did not explore the complexity of AI enough to justify glorifying this relationship. So, the ending fell flat for me, and I am not sold on the premise of the second book, which promises to explore the concept of AI in more detail.
All in all, this reads less like a space opera and more like a formulaic workplace sitcom about acceptance and friendship that just happens to be set in space. Personally, I've realized that I don’t come to books, especially in the sci-fi genre, for validation or warm fuzzies. I need some sprinkling of conflict so that the moments of coziness feel all the more special.


Titania is interested in reading...
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The highly anticipated new novel from the New York Times bestselling author of Other Birds hailed as “whimsical, wise, and delightfully mysterious.” (Real Simple)In a small North Carolina town, Wester House has stood in its richest neighborhood for decades, and the Wester women have held the town enthralled for generations. Some folks love them. Some folks fear them. But no one truly understands them. Why does a rainy season cause so much anxiety and dismay among them? Why do they know so much about those who live near and around them? Why is no one allowed inside the house and why does Willamena Wester want to bring her granddaughter, Bailey, back into the fold?To understand the Wester women, you would have to meet Willamena fifty years before, when a love-struck girl made a fateful choice that trapped her in this house forever. The Wester women have always balanced their need for control with their desire for love, and when that balance is off, disaster happens. At age eighteen, Bailey Wester left town amid scandal and heartbreak. But now the pull of family is drawing her back, and old ghosts are stirring to life. Can curses be broken? Do ghosts find rest? And what does it take to become the woman you were always meant to be?Sarah Addison Allen’s stunning prose will transport you to a place where enchantment is around every corner, and love finds a way of bringing us home.


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11h

Conflict Is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair
Sarah Schulman
From intimate relationships to global politics, Sarah Schulman observes a that inflated accusations of harm are used to avoid accountability. Illuminating the difference between Conflict and Abuse, Schulman directly addresses our contemporary culture of scapegoating. This deep, brave, and bold work reveals how punishment replaces personal and collective self-criticism, and shows why difference is so often used to justify cruelty and shunning. Rooting the problem of escalation in negative group relationships, Schulman illuminates the ways cliques, communities, families, and religious, racial, and national groups bond through the refusal to change their self-concept. She illustrates how Supremacy behavior and Traumatized behavior resemble each other, through a shared inability to tolerate difference. This important and sure to be controversial book illuminates such contemporary and historical issues of personal, racial, and geo-political difference as tools of escalation towards injustice, exclusion, and punishment, whether the objects of dehumanization are other individuals in our families or communities, people with HIV, African Americans, or Palestinians. Conflict Is Not Abuse is a searing rejection of the cultural phenomenon of blame, cruelty, and scapegoating, and how those in positions of power exacerbate and manipulate fear of the "other" to achieve their goals. Sarah Schulman is a novelist, nonfiction writer, playwright, screenwriter, journalist and AIDS historian, and the author of eighteen books. A Guggenheim and Fulbright Fellow, Sarah is a Distinguished Professor of the Humanities at the City University of New York, College of Staten Island. Her novels published by Arsenal include Rat Bohemia , Empathy , After Delores , and The Mere Future . She lives in New York.


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An astonishing novel about a young microbiologist investigating an unfathomable deep vent in the ocean floor, leading her on a journey that will encompass the full trajectory of the cosmos and the passage of a single human life. Leigh grew up in Rotterdam, drawn to the waterfront as an escape from her unhappy home life and volatile father. Enchanted by the undersea world of her childhood, she excels in marine biology, travelling the globe to study ancient organisms. When a trench is discovered in the Atlantic ocean, Leigh joins the exploration team, hoping to find evidence of the earth's first life forms – what she instead finds calls into question everything we know about our own beginnings. Her discovery leads Leigh to the Mojave desert and an ambitious new space agency. Drawn deeper into the agency's work, she learns that the Atlantic trench is only one of several related phenomena from across the world, each piece linking up to suggest a pattern beyond human understanding. Leigh knows that to continue working with the agency will mean leaving behind her declining mother and her younger sister, and faces an impossible choice: to remain with her family, or to embark on a journey across the breadth of the cosmos. Exploring the natural world with the wonder and reverence we usually reserve for the stars, In Ascension is a compassionate, deeply inquisitive epic that reaches outward to confront the greatest questions of existence, looks inward to illuminate the smallest details of the human heart, and shows how – no matter how far away we might be and how much we have lost hope – we will always attempt to return to the people and places we call home.


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1d

Ring Shout
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In America, demons wear white hoods. In 1915, The Birth of a Nation cast a spell across America, swelling the Klan's ranks and drinking deep from the darkest thoughts of white folk. All across the nation they ride, spreading fear and violence among the vulnerable. They plan to bring Hell to Earth. But even Ku Kluxes can die. Standing in their way is Maryse Boudreaux and her fellow resistance fighters, a foul-mouthed sharpshooter and a Harlem Hellfighter. Armed with blade, bullet, and bomb, they hunt their hunters and send the Klan's demons straight to Hell. But something awful's brewing in Macon, and the war on Hell is about to heat up. Can Maryse stop the Klan before it ends the world?

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