Many years ago, in the kingdom of Fenwood Reach, there was a powerful Windwitch who wove the seasons, keeping the land bountiful and the people happy. But then a dark magic drove her from the realm, and the world fell into chaos. Brida is content in her small village of Oak Hollow. There, she’s plenty occupied trying to convince her fickle magic to actually do what it’s meant to in her work as a hedgewitch’s apprentice—until she accidentally catches the attention of the wicked queen. On the run from the queen’s huntsman and her all-seeing Crow spies, Brida discovers the truth about her family, her magic, and who she is destined to be—and that she may hold the power to defeating the wicked queen and setting the kingdom right again.

Set against the backdrop of World War II, Anna, Edmund, and William are evacuated from London to live in the countryside, bouncing from home to home in search of a permanent family. It is 1940 and Anna, 9, Edmund, 11, and William, 12, have just lost their grandmother. Unfortunately, she left no provision for their guardianship in her will. Her solicitor comes up with a preposterous plan: he will arrange for the children to join a group of schoolchildren who are being evacuated to a village in the country, where they will live with families for the duration of the war. He also hopes that whoever takes the children on might end up willing to adopt them and become their new family--providing, of course, that the children can agree on the choice. Moving from one family to another, the children suffer the cruel trickery of foster brothers, the cold realities of outdoor toilets, and the hollowness of empty tummies. They seek comfort in the village lending library, whose kind librarian, Nora Muller, seems an excellent candidate--except that she has a German husband whose whereabouts are currently unknown. Nevertheless, Nora's cottage is a place of bedtime stories and fireplaces, of vegetable gardens and hot, milky tea. Most important, it's a place where someone thinks they all three hung the moon. Which is really all you need in a mom, if you think about it. Fans of The War That Saved My Life and other World War II fiction will find an instant classic in A Place to Hang the Moon.

A fresh perspective, an outdoor exploration, a new adventure about to begin: How to Be A Wildflower is the book to celebrate these and other wide-open occasions. Encouraging self-discovery through encounters with nature, beloved artist Katie Daisy brings her beautiful paintings and lettering to this collection of things to do and make, quotes, meditations, natural history, and more. • Maintains wonder and inspiration with a collection of peaceful pages filled with things such as a prompt to hike by the light of the moon, a recipe to make rhubarb pie, and a place to press flowers• Features stunning and whimsical illustrations to fill you with serene and calming thoughts that inspire a closer relationship with the world around you• Katie Daisy is an artist whose work captures the essence of living with nature and How to Be a Wildflower is a glowing example of that"For pure whimsy, you just can't beat How to Be a Wildflower: A Field Guide by Katie Daisy. The Bend, Oregon, artist brings her beautiful paintings and lettering to this delightful book, a collection of nature-inspired quotations, meditations, lore, and even a recipe for fresh strawberry-rhubarb pie." —Traditional HomeFor every wild and free spirit—and those who aspire to bemdash;this is a field guide to living life to the fullest.• Every page inside the charming two-piece case invites readers to wonder, gather, savor, and ponder the natural world around them.• Makes a great coffee table book and a starter to interesting and motivational conversations.

Discover the world that awakens after dark and embrace the magic of the moon in this field guide by New York Times bestselling author and illustrator Katie Daisy.  Following her beloved How to Be a Wildflower series, Katie Daisy is here to guide you through the mystery and magic of the night. How to Be a Moonflower is a journey from dusk to dawn, full of quotes, poems, meditations, and stunning watercolor illustrations. From nocturnal animals, such as luna moths, wolves, and owls, to night-blooming flowers that thrive under the moon, the nighttime offers much to explore, observe, and reflect on. This book will help you make the most of those mystical, after-dark hours and observe the hidden wonders that come to life after twilight. Complete with field guides to different nocturnal flora and fauna, and charts that map out the cosmos, Katie Daisy's lush illustrations and insightful words capture the beauty that comes to life in the darkness of the night. BELOVED Known for her lush, painterly illustrations and love of the natural world, New York Times bestselling author and artist Katie Daisy has a loyal following on Instagram, where she frequently posts her charming artwork. BESTSELLING Beginning with How to Be a Wildflower , Katie Daisy’s books, tarot-inspired oracle decks, journals, planners, and more have sold hundreds of thousands of copies, and are beloved by nature-lovers of all kinds. DELUXE Featuring a tactile cover with silver metallic ink on the spine and back panel, How to Be a Moonflower is a beautiful gift for anyone interested in nature, witchcraft, or forming a more mindful connection to the natural world. Perfect

Were it simply a collection of fascinating, previously unpublished folktales, Speak, Bird, Speak Again: Palestinian Arab Folktales would merit praise and attention because of its cultural rather than political approach to Palestinian studies. But it is much more than this. Over the course of several years they collected tales in the regions of the Galilee, Gaza, and the West Bank, determining which were the most widely known and appreciated and selecting the ones that best represented the Palestinian Arab folk narrative tradition. Great care has been taken with the translations to maintain the original flavor, humor, and cultural nuances of tales that are at once earthy and whimsical. The authors have also provided footnotes, an international typology, a comprehensive motif index, and a thorough analytic guide to parallel tales in the larger Arab tradition in folk narrative.

Perfectly normal couple Sam and Maggie live in a perfectly normal neighborhood, with their perfectly normal dog Winston. All the houses look the same. The people sound and look the same. On the outside, everything is fine. But is it? Winston, their sweet dog, has been dead for some time now, and Sam and Maggie begin to struggle to keep up the facade of their idyllic suburban life.The mystery continues as the couple, despite being as “fine” as they can be, reckon with heavy surveillance by outside cameras, and question their every decision. While both emotionally repressed and eerily disconnected, Sam and Maggie are one wrong move away from something much more sinister.Their neighbor, Charlie, catches on to this strange and manipulative force and attempts to escape from the watchful eyes of those in power, starting Sam and Maggie on a path of resistance. But rebels are heavily punished in this society, and deemed “red-status” — swiftly erased from memory. What happens when everything isn’t fine?This volume collects episodes 1–16 of the WEBTOON comic Everything Is Fine.

A mind-bending, razor-sharp look at motherhood and mental health that follows a young Indigenous woman who discovers the picture-perfect life she always hoped for may have horrifying consequencesOn the surface, Alice is exactly where she thinks she should She’s just given birth to a beautiful baby girl, Dawn; her charming husband, Steve—a white academic whose area of study is conveniently her own Mohawk culture—is nothing but supportive; and they’ve moved into a new home in a posh Toronto neighborhood. But Alice could not feel like more of an impostor. She isn’t connecting with her daughter, a struggle made even more difficult by the recent loss of her own mother, and every waking moment is spent hiding her despair from Steve and their ever-watchful neighbors, among whom she’s the sole Indigenous resident. Even when she does have a minute to herself, her perpetual self-doubt hinders the one vestige of her old She has her goal of writing a modern retelling of the Haudenosaunee creation story.Then strange things start to happen. She finds herself losing bits of time and hearing voices she can’t explain, all while her neighbors’ passive-aggressive behavior begins to morph into something far more threatening. Though Steve assures her this is all in her head, Alice cannot fight the feeling that something is very, very wrong and that in her creation story lies the key to her and Dawn’s survival. She just has to finish it before it’s too late.

This book challenges the prevailing philosophical reduction of social justice to distributive justice. It critically analyzes basic concepts underlying most theories of justice, including impartiality, formal equality, and the unitary moral subjectivity. Starting from claims of excluded groups about decision making, cultural expression, and division of labor, Iris Young defines concepts of domination and oppression to cover issues eluding the distributive model. Democratic theorists, according to Young do not adequately address the problem of an inclusive participatory framework. By assuming a homogeneous public, they fail to consider institutional arrangements for including people not culturally identified with white European male norms of reason and respectability. Young urges that normative theory and public policy should undermine group-based oppression by affirming rather than suppressing social group difference. Basing her vision of the good society on the differentiated, culturally plural network of contemporary urban life, she argues for a principle of group representation in democratic publics and for group-differentiated policies. "This is an innovative work, an important contribution to feminist theory and political thought, and one of the most impressive statements of the relationship between postmodernist critiques of universalism and concrete thinking.... Iris Young makes the most convincing case I know of for the emancipatory implications of postmodernism." --Seyla Benhabib, State University of New York at Stony Brook

Orphan Seren Rhys is on her way to a new life at the remote country mansion of Plas-y Fran when she is given a package by a stranger late at night in an empty train station. The package contains a crotchety, mechanical talking crow, which Seren reluctantly brings to her new home. But when she gets there, the happy Christmas she had hoped for turns out to be an illusion--the young son of the house, Tomos, has been missing for almost a year, rumored to have been taken by the fairies. With the Crow's reluctant help and a little winter magic, Seren sets off on a perilous journey to bring Tomos home.