Feminine rage, cancel culture, and suffocating societal pressure—a cutting and brazen thriller about two Asian American women on a quest for revenge after a public shaming pushes them to the limit, for fans of Yellowface and Counterfeit. When a conflict with a fellow passenger on the subway spirals into a humiliating breakdown, Shelley Hu’s life is over. The incident goes viral, costing Shelley her prestigious Manhattan law firm internship, her spot at Columbia Law, and her plan to build a better life for herself and her mother. Months later, Shelley is back in Kissimmee, Florida, working the night shift at a kitschy motel near Disney World—the very same job she held in high school. Shelley’s life is a black hole until, one night, the beautiful, enigmatic Sophia Moon checks in with her husband and young son. But Sophia’s appearance is far from random. It turns out that, once upon a time, Sophia suffered her own episode of public shaming. Since then, Sophia has rebuilt a new life, and she promises to help Shelley do the same. More importantly, Sophia vows to help Shelley enact revenge on the three people responsible for the worst day of her life with a precise set of plans. Shelley returns to New York with a new identity and plans that start off well. But when the situation soon spirals out of control, Shelley is forced to reckon with Sophia’s unspeakably dark side—though it may be too late.

A vibrant debut and powerful meditation on family, motherhood, and the cost of holding on to your dreams, reminiscent of Ann Napolitano. It’s 1997, and snow is blanketing a New England beach. Two befuddled seven-year-olds watch as their mother’s body is tipped overboard a crumbling boat. A Viking funeral, followed by a raucous wake. A send-off fit for soap opera star Susan Bliss. Fifteen years earlier, Susan is a blazing, beautiful young woman, passionate about her art. It’s impossible not to fall in love with her, and so Alcott, a practical professor, does—hopelessly. And so begins the love story of Susan’s two-paneled life, an unconventional, jetlag-filled arrangement that takes her back and forth between her home in New England as a wife and mother to young twins, and the bright lights of soapy Los Angeles. In the present, Susan’s twins grow up in the shadow of her all-consuming absence. Sebastian, a sensitive artist, cleaves to her memory, fascinated with the artifacts of her starry past. Viola, resentful of her mother’s torn allegiances, distances herself from the memories of her. But when Viola runs into her mother’s old costar Orson Grey—now a renowned Hollywood star—she finds herself falling deeply in love with him and begins to put together the pieces of a mother she never really knew. Sharp, assured, and beautifully written, Family Drama is a story told in double-helix, with intertwined timelines that explore the different versions of ourselves we share with the world and with each other.

Cumboto de Diaz Sanchez Ramon. Círculo de Lectores, S.A. , 1972.

Our narrator’s days are numbered. Estranged from his family, living alone with only his cat Cabbage for company, he was unprepared for the doctor’s diagnosis that he has only months to live. But before he can set about tackling his bucket list, the Devil appears with a special offer: in exchange for making one thing in the world disappear, he can have one extra day of life. And so begins a very bizarre week . . . Because how do you decide what makes life worth living? How do you separate out what you can do without from what you hold dear? In dealing with the Devil our narrator will take himself – and his beloved cat – to the brink. Genki Kawamura's If Cats Disappeared from the World is a story of loss and reconciliation, of one man’s journey to discover what really matters in modern life. This beautiful tale is translated from the Japanese by Eric Selland, who also translated The Guest Cat by Takashi Hiraide. Fans of The Guest Cat and The Travelling Cat Chronicles will also surely love If Cats Disappeared from the World.

A novel of art, time travel, love, and plague that takes the reader from Vancouver Island in 1912 to a dark colony on the moon five hundred years later, unfurling a story of humanity across centuries and space. Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal--an experience that shocks him to his core. Two centuries later a famous writer named Olive Llewellyn is on a book tour. She's traveling all over Earth, but her home is the second moon colony, a place of white stone, spired towers, and artificial beauty. Within the text of Olive's best-selling pandemic novel lies a strange passage: a man plays his violin for change in the echoing corridor of an airship terminal as the trees of a forest rise around him. When Gaspery-Jacques Roberts, a detective in the black-skied Night City, is hired to investigate an anomaly in the North American wilderness, he uncovers a series of lives upended: The exiled son of an earl driven to madness, a writer trapped far from home as a pandemic ravages Earth, and a childhood friend from the Night City who, like Gaspery himself, has glimpsed the chance to do something extraordinary that will disrupt the timeline of the universe. A virtuoso performance that is as human and tender as it is intellectually playful, Sea of Tranquility is a novel of time travel and metaphysics that precisely captures the reality of our current moment.'