The life of a courtesan in Pompeii is glittering, yet precarious... Amara has escaped her life as a slave in the town's most notorious brothel, but now her existence depends on the affections of her patron: a man she might not know as well as she once thought. At night she dreams of the wolf den, still haunted by her past. Amara longs for the women she was forced to leave behind and worse, finds herself pursued by the man who once owned her. In order to be free, she will need to be as ruthless as he is. Amara knows her existence in Pompeii is subject to Venus, the goddess of love. Yet finding love may prove to be the most dangerous act of all. We return to Pompeii for the second instalment in Elodie Harper's Wolf Den Trilogy, set in the town's lupanar and reimagining the lives of women long overlooked.

Feminine rage, cancel culture, and suffocating societal pressure—a cutting and brazen thriller about two Asian American women on a quest for revenge after a public shaming pushes them to the limit, for fans of Yellowface and Counterfeit. When a conflict with a fellow passenger on the subway spirals into a humiliating breakdown, Shelley Hu’s life is over. The incident goes viral, costing Shelley her prestigious Manhattan law firm internship, her spot at Columbia Law, and her plan to build a better life for herself and her mother. Months later, Shelley is back in Kissimmee, Florida, working the night shift at a kitschy motel near Disney World—the very same job she held in high school. Shelley’s life is a black hole until, one night, the beautiful, enigmatic Sophia Moon checks in with her husband and young son. But Sophia’s appearance is far from random. It turns out that, once upon a time, Sophia suffered her own episode of public shaming. Since then, Sophia has rebuilt a new life, and she promises to help Shelley do the same. More importantly, Sophia vows to help Shelley enact revenge on the three people responsible for the worst day of her life with a precise set of plans. Shelley returns to New York with a new identity and plans that start off well. But when the situation soon spirals out of control, Shelley is forced to reckon with Sophia’s unspeakably dark side—though it may be too late.

Hera, immortal goddess and daughter of the ancient Titan Cronos, helped her brother Zeus to overthrow their tyrannical father so that they could rule the world. But, as they establish their reign on Mount Olympus, Hera suspects that Zeus might be just as ruthless and cruel as their father was, and she begins to question her role at his side. She was born to rule, but does that mean perpetuating a cycle of violence and cruelty that has existed since the dawn of time? Will assuming her power mean that Hera loses herself, or can she find a way to forge a better world? Traditionally portrayed as a jealous wife, a wicked stepmother, and a victim-blaming instrument of the patriarchy, Hera is ripe for a retelling that shows her as a powerful queen―ruthless when she needs to be, but also compassionate, strategic, and ambitious. With Hera, beloved and bestselling author Jennifer Saint delivers another epic and enthralling reimagining of a Greek heroine we only thought we knew.

The highly anticipated portrait of three generations of the Sackler family, by the prize-winning, bestselling author of Say Nothing. The Sackler name adorns the walls of many storied institutions: Harvard, the Metropolitan Museum of Art, Oxford, the Louvre. They are one of the richest families in the world, known for their lavish donations to the arts and sciences. The source of the family fortune was vague, however, until it emerged that the Sacklers were responsible for making and marketing OxyContin, a blockbuster painkiller that was a catalyst for the opioid crisis. Empire of Pain is a masterpiece of narrative reporting and writing, exhaustively documented and ferociously compelling.

Love Island meets The Hunger Games in this must-talk-about-it read, as bingeable as the best reality TV. Lily—a bored, beautiful twenty-something—wakes up on a remote desert compound, alongside nineteen other contestants competing on a massively popular reality show. To win, she must outlast her housemates to stay in the Compound the longest, while competing in challenges for luxury rewards like champagne and lipstick, plus communal necessities to outfit their new home, like food, appliances, and a front door. Cameras are catching all her angles, good and bad, but Lily has no desire to leave: why would she, when the world outside is falling apart? As the competition intensifies, intimacy between the players deepens, and it becomes increasingly difficult to distinguish between desire and desperation. When the unseen producers raise the stakes, forcing contestants into upsetting, even dangerous situations, the line between playing the game and surviving it begins to blur. If Lily makes it to the end, she’ll receive prizes beyond her wildest dreams—but what will she have to do to win? Addictive and prescient, The Compound is an explosive debut from a major new voice in fiction and will linger in your mind long after the game ends

First published in French as a serial in 1909, The Phantom of the Opera is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.