For readers of The Cloisters and Counterfeit, Natalie Lemle’s debut novel offers an insider’s view into the world of stolen artifacts and the hidden networks that link museums to organized crime, when a woman is forced to remember the summer she spent on an archaeological dig in Italy, as everyone she knew then may now be in danger. Successful trusts and estates attorney Lena Connolly is asked by a colleague to assist on a case: the Italian government claims an artifact was looted and sold to a museum illegally and is seeking repatriation. The object in question is a cup made of dichroic glass, which would have been rare even in Ancient Rome, let alone thousands of years later. Lena has done everything she can to put the study abroad summer she spent on an archaeological dig in the Italian Alps behind her. Her dreams of being an archaeologist shattered when her mentor Cyrille disappeared and her enigmatic boyfriend Giamma went dark, but with this new case, the past comes roaring back. Told in alternating timelines, Artifacts follows young Lena as she falls in love with both archaeology and Giamma on the streets of Torino while her adult self pieces together what truly happened on the dig, now a fully restored Roman villa with World Heritage status. The dichroic cup, Lena discovers, may have been taken from the very site she helped unearth. Powerful and exuberant, Natalie Lemle’s Artifacts brings readers behind the museum glass and asks questions about cultural heritage and the historical preservation of our shared sense of humanity.

In her first books, Behaving as if the God in ALl Life Mattered, Machaelle Small Wright "If we allowed all the knowledge from our soul level to fully flow and be totally accessible to our concious self . . . before we disciplined ourselves on how to respond to such as flow on the physcial level, we would shatter. Blindly expressing limitless through limitation would be more pressure than our body could bear." In Behaving, Machaelle scratched the surface on a whole new reality. Now, in Dancing, she opens the door and invites us in. Out to discredit the "ozzie and Harriet" School of Spirituality, Machaelle gives us extensive groundwork, supported by an actual account of her own expansion experience. She tells of her introduction to the White Brotherhood--that evolved group of souls who assist humans in their evolutionary development--in a story told through journal entries for those early years of her nature work. Reading Dancing, you feel like a bird on Machaelle's shoulder . . . watching the expansion unfold.