A bold and inventive novel about real romance in the virtual workplace—​bringing Castillo's trademark wit and sharp cultural criticism to an irresistible story about the possible future of love.Girlie Delmundo is the greatest content moderator in the world, and despite the setbacks of financial crises, climate catastrophe, and a global pandemic, she’s going she’s getting a promotion. Now thanks to her parent company Paragon’s purchase of Fairground—the world’s preeminent virtual reality content provider—she’s on the way to becoming an elite VR moderator, playing in the big leagues and, if her enthusiastic bosses are to be believed, moderating the next stage of human interaction. Despite the isolation that virtual reality requires from colleagues, friends, and family, the unbelievable perks of her new job mean she can solve a lot of her family's problems with money and mobility. She doesn't have to think about the childhood home they lost back in the Bay Area, or history at all—she can just pay any debts that come due. But when she meets William Cheung, Playground’s wry, reticent co-founder (now Chief Product Officer) and slowly unearths some of his secrets, and finds herself somehow falling in love, she’ll learn that history might be impossible to moderate and the future utterly impossible to control.

In bestselling author Lindy West’s most ambitious book yet, she takes readers along on an uproarious cross-country road trip as she unpacks her last few tumultuous years, rediscovers herself, and reinvents her marriage in the process. Through Shrill, the book and then the Hulu series, Lindy West became an inspiration. To this day she is stopped on the street and hailed as a beacon of empowerment by women who felt badly for not conforming to the categories deemed acceptable—thin, straight, compliant. But behind the scenes, Lindy never felt like she was the self-actualized woman fans made her out to be. When she found herself in the throes of a deep depression, with her marriage and sense of self-worth hanging in the balance, she knew she needed to make a change.   In ADULT BRACES, Lindy shares the story of her rock bottom, and of the solo cross-country road trip she took to claw her way out of it. With her trademark candor and sense of humor, she examines her post-Shrill emotional implosion, her shifting feelings about traditional marriage, and her search for her long-lost self. She also tracks the highs and lows of her journey, from eye-opening natural wonders and kitschy roadside attractions to lackluster excursions and campground epiphanies. The result is an engaging and laugh-out-loud narrative of becoming as Lindy transforms from a passenger into the active navigator of her own life.

In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain. For the last decade, as she’s spent countless hours in doctor’s waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham’s body has felt, as she puts it, “like towing a wrecked car across town at midnight.” It’s not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you—as a twenty-five-year-old—are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist’s office to discuss the latest internet disaster. But Dunham does it—even if it means interminable hospital stays, vomiting in the bathroom when she’s meant to be meeting Oprah, or terrifying those closest to her—because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again—if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame—from selling the pilot of Girls to the present—in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can’t protect you from pain—and begins to control your every move—being famous doesn’t stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can’t change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.