A compelling, propulsive YA graphic novel mystery from acclaimed Eisner Award–winning author of Laura Dean Keeps Breaking Up With Me, Mariko Tamaki, and Eisner-nominated illustrator Nicole Goux At Wilberton Academy, few students are more revered than the members of the elite Wilberton Theatrical Society—a.k.a. the WTS—and no one represents that exclusive club better than Elizabeth Woodward. Breathtakingly beautiful, beloved by all, and a talented thespian, it’s no surprise she’s starring as Juliet in the WTS’s performance of Shakespeare’s classic tragedy. But when she’s found dead the morning after opening night, the whole school is thrown into chaos. Transfer student Abby Kita was one of the last people to see Elizabeth alive, and when local authorities deem the it-girl’s death a suicide, Abby’s not convinced. She’s sure there’s more to Wilburton and the WTS than meets the eye. As she gets tangled in prep school intrigues, Abby quickly realizes that Elizabeth was keeping secrets. Was one of those secrets worth killing for? Told in comics, letters, diary entries, and news articles, This Place Kills Me is a page-turning whodunnit from award-winning writer Mariko Tamaki and acclaimed illustrator Nicole Goux that will have readers on the edge of their seats and begging for an encore.

Follow the Plants is an expanded invitation to follow plants through histories, growing seasons, metabolic cycles, literature, art, bodies, archives, and collective ritual. Bringing together artworks, dialogues, roundtables, essays, and scores, the publication offers both examples of and prompts for collective research, tracing the multiple worlds through which plants circulate and generate meaning. Putting stories, knowledge systems, and critical methodologies into correspondence, Follow the Plants is grounded in a dynamic field of inquiry in which creative practices emerge through situated relations with the territories, ecologies, and imaginaries that plants inhabit and animate. Attentive to plants as agents, interlocutors and companions in world making, the book explores how following plants can reorient aesthetic, political, and epistemic questions, cultivating new ways of attending to collectivity, interdependence and plant-human relations in artistic research.

From New York Times bestselling author Sarah Wilson comes a deeply moving, wise guide to finding joy and meaning in a world that seems to be falling apartIt’s hard to escape the feeling that something is deeply wrong . . . that life has become precariously off-balance. We are hit hourly with headlines about catastrophic wildfires, unprecedented flooding, record heat waves, collapsing democracies, AI and nuclear threat, rising economic inequality, widespread unrest, and more. In I Eat the Stars, Sarah Wilson argues we are undergoing what every complex civilization before us has—systemic collapse.So how do we continue to live as sensitive humans amidst such a tumultuous shift? What does life look like when the systems we rely on deteriorate? Should we be having kids? How do we make financial decisions? Should we be prepping? And, most importantly, how do we avoid succumbing to doom and despair?In I Eat the Stars, Sarah Wilson delves into these pressing questions. Drawing on many years of research and wisdom gained from more than 200 conversations with philosophers, poets, game theorists, and spiritual leaders, Wilson takes readers on an intimate journey as she lays out a path for living fully, meaningfully, and beautifully through these troubled times. Our predicament, she argues, is ultimately an urgent call to us all to relish what is valuable to us—to eat the stars—and to return to our humanity once again.I Eat the Stars empowers readers to move beyond panic, doom, and despair. With her warm, incisively intelligent, wise, and down-to-earth voice, Wilson creates a space for readers to confront their fears and anxieties about an uncertain future, guiding them toward one rooted in truth, hope, justice, creativity, community, and to step up as “warriors” and meet the moment.We are in what we were warned about for decades. But from a crisis comes stunning possibility.