From the National Book Award–longlisted author of The Need comes an extraordinary novel about a wife and mother who—after losing her job to AI—undergoes a procedure that renders her undetectable to surveillance…but at what cost? In a city addled by climate change and populated by intelligent robots called “hums,” May loses her job to artificial intelligence. In a desperate bid to resolve her family’s debt and secure their future for another few months, she becomes a guinea pig in an experiment that alters her face so it cannot be recognized by surveillance. Seeking some reprieve from her recent hardships and from her family’s addiction to their devices, she splurges on passes that allow them three nights’ respite inside the Botanical Garden: a rare green refuge where forests, streams, and animals flourish. But her insistence that her son, daughter, and husband leave their devices at home proves far more fraught than she anticipated, and the lush beauty of the Botanical Garden is not the balm she hoped it would be. When her children come under threat, May is forced to put her trust in a hum of uncertain motives as she works to restore the life of her family. Written in taut, urgent prose, Hum is a work of speculative fiction that unflinchingly explores marriage, motherhood, and selfhood in a world compromised by global warming and dizzying technological advancement, a world of both dystopian and utopian possibilities. As New York Times bestselling author Jeff VanderMeer says, “Helen Phillips, in typical bravura fashion, has found a way to make visible uncomfortable truths about our present by interrogating the near-future.”

"Compulsory Heterosexuality and Lesbian Existence" is a 1980 essay by Adrienne Rich, which was also published in her 1986 book Blood, Bread, and Poetry: Selected Prose 1979-1985 as a part of the radical feminism movement of the late '60s, '70s, and '80s. "Compulsory Heterosexuality and Lesbian Existence" is a text that is constructed to think about and inspire change about lesbian visibility, structures of lesbian sexuality, and the role of literary criticism in relationship to lesbianism. Adrienne Rich argues that heterosexuality is not "natural" or intrinsic in human instincts, but an institution imposed upon many cultures and societies that render women in a subordinate situation. It was written to challenge the erasure of lesbian existence from a large amount of scholarly feminist literature. It was not written to widen divisions but to encourage heterosexual feminists to examine heterosexuality as a political institution which disempowers women and to change it.

Lights. Camera. Sabotage. Rochelle “The Shell” Coleman is laser focused on only three things: becoming valedictorian, getting into Wharton, and, of course, taking down her annoyingly charismatic nemesis and only academic competition, Amira Rodriguez. However, despite her stellar grades, Rochelle’s college application is missing that extra special something: a job. When Rochelle gets an opportunity to work at Horizon Cinemas, the beloved Black-owned movie theater, she begrudgingly jumps at the chance to boost her chances of getting into her dream school. There’s only one problem: Amira works there . . . and is also her boss. Rochelle feels that being around Amira is its own kind of horror movie, but as the two begin working closely together, Rochelle starts to see Amira in a new light, one that may have her beginning to actually . . . like her? But Horizon’s in trouble, and when mysterious things begin happening that make Horizon’s chances of staying open slim, it’s up to the employees to solve the mystery before it’s too late. But will love also find its way into the spotlight?

Call Me By Your Name meets Elena Ferrante in this debut coming-of-age novel about a young girl who spends summers working at her family’s timeworn Italian agriturismo, the tragedy that rends her life into “before” and “after,” and her romance with an American girl, which has unexpected consequencesTo ten-year-old Leo, life is a collection. She spends her mornings tidying the rooms of her Nonna Tina’s timeworn Italian agriturismo, carefully accumulating the curious bits of left-behind detritus from guests—a pearl earring, a lock of hair. Her nights are suffused with gathering the stories that flow from her father’s lips—liquor-spun tales of Odysseus and the Trojans in secret battle. But when an accident rips the gentle membrane of Leo’s childhood, she is left vulnerable to the pains and pleasures of growing up. Years later, in a sultry summer not unlike the many that came before, the agriturismo is the only thing that remains the same. Nonna Tina has grown older, Leo’s brother Max is intractable and mercurial, and the curiosity Leo so loved to feed as a child has turned into something more confusing. When she meets Dolores, an American girl made brilliant by Leo’s perception of her, she can’t help but gather all the experiences first love promises, while shedding parts of the past she no longer fits into. Embroidering the atmospheric yearning of Call Me By Your Name with the precise, elevated prose of Elena Ferrante, Sofia Montrone’s jaw-dropping debut revels in the exuberant highs and awkward lows of girlhood and captures the universal experiences of trying to hold on to what is elusive, to deny what cannot be faced, and to say what cannot be said.

New rulers meddle with the whims of the old gods in a lush and twisty short story of devotion, intrigue, and murder by the New York Times bestselling author of the Emily Wilde series. At a remote mountain temple, an inquisitor arrives to question a priestess about a pair of murders. The keeper of the sacred garden, its bees, and its ever-changing hedge maze does have her secrets. But what will protecting them cost her as she uncovers layers of conspiracy on both sides? Heather Fawcett’s A Labyrinth of Honeybees is part of the Magic & Mystery collection, puzzle-box mysteries from top fantasy authors. They can be read or listened to in one enchanting sitting.