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karigan

27. she/her. I work to afford my reading habit đŸ§šđŸ»đŸŠ„đŸ°đŸ‰

41683 points

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Games & Trials
Pagebound Royalty
Welcome to the Circus
Early User
Gothic Literature
Top Contributor
My Taste
If We Were Villains
The Tortoise's Tale: A Novel
Sunrise on the Reaping (The Hunger Games, #0.5)
I Who Have Never Known Men
Wuthering Heights
Reading...
Black Cake
33%
Mad Sisters of Esi
67%

karigan commented on a post

19h
  • Wuthering Heights
    Greatest love story of all time?!
    spoilers

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    20h
  • Mockingjay (The Hunger Games, #3)
    Katniss as an unreliable narrator
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    21
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  • karigan commented on a post

    23h
  • Black Cake
    Thoughts from 40%

    Honestly, this might be a DNF for me. I try to read widely, and especially read contemporary fiction, but a lot of this feels drafty. It doesn’t feel thought out. It feels like the author has the full story and we only are getting a whisper of it. The writing doesn’t feel developed. The characters feel like they’re almost fully formed, like the author thinks she’s conveying a fully formed character but it’s just not translating that way. I’m 40% in and I really could care less about this story.

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  • Black Cake
    Thoughts from 36% (page 138)
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  • Let This Radicalize You: Organizing and the Revolution of Reciprocal Care (Abolitionist Papers)
    Thoughts from 57%

    "People who are understandably impatient for large scale change often want to believe that there’s a shortcut. That one group, movement, or demographic is the truth and the way, and that merely cheering on that contingent will spur a revolution. This places undue pressure on whatever group or demographic is being fetishized as a savior troop."

    Such an incredibly important message that needs to be shared. Yes we should absolutely be following the lead of those who are being harmed the most, but not looking to them as the One Voice of Truth. Marginalized voices must be amplified but we must also ensure that we are working just as hard, if not harder, to bring about change. We cannot demand solutions from the people we are trying to help, nor can we place them on a pedestal only to later demonize them when they make inevitably make a mistake.

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  • karigan commented on a post from the Pagebound Club forum

    1d
  • Winter Event Badge

    I finished the last book of the four needed for the challenge and for some reason I’m not getting my badge. Does anyone know why?

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  • Is it ok to not have watched the movie?

    I was just wondering if its ok to check off a book if we only read the book but didn't see the movie, or do we have to have done both the qualify for checking it off the quest list? (alas there are a few that I never watched the movie for, and some I never read the book, so Im adding the book to my to read list.)

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  • karigan commented on greenbeantay's update

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    karigan commented on margie's update

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    karigan commented on MaddiHunt's update

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    karigan commented on a post

    1d
  • Black Cake
    Thoughts from 26% (page 99)
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    1d
  • Alchemy of Secrets
    karigan
    Edited
    Thoughts from 9% (end ch3)

    I’m loving the switch between second and third person POV. It’s making for such an intriguing story, especially since Holland’s chapters seem to be one of Professor Kim’s myths told in Folklore 517. We’re both being told the story and a part of it at the same time.

    Also, as someone who works in banking, if I have to read “safety deposit box” one more time I may put my eyeballs in a blender.

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  • karigan made progress on...

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    Mad Sisters of Esi

    Mad Sisters of Esi

    Tashan Mehta

    67%
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    karigan made progress on...

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    Black Cake

    Black Cake

    Charmaine Wilkerson

    33%
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    karigan commented on daydreamday's update

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    Top Contributor

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    karigan commented on Alanna's update

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    karigan entered a giveaway...

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    Simon Books giveaway

    Family Drama

    Family Drama

    Rebecca Fallon

    A vibrant debut and powerful meditation on family, motherhood, and the cost of holding on to your dreams, reminiscent of Ann Napolitano. It’s 1997, and snow is blanketing a New England beach. Two befuddled seven-year-olds watch as their mother’s body is tipped overboard a crumbling boat. A Viking funeral, followed by a raucous wake. A send-off fit for soap opera star Susan Bliss. Fifteen years earlier, Susan is a blazing, beautiful young woman, passionate about her art. It’s impossible not to fall in love with her, and so Alcott, a practical professor, does—hopelessly. And so begins the love story of Susan’s two-paneled life, an unconventional, jetlag-filled arrangement that takes her back and forth between her home in New England as a wife and mother to young twins, and the bright lights of soapy Los Angeles. In the present, Susan’s twins grow up in the shadow of her all-consuming absence. Sebastian, a sensitive artist, cleaves to her memory, fascinated with the artifacts of her starry past. Viola, resentful of her mother’s torn allegiances, distances herself from the memories of her. But when Viola runs into her mother’s old costar Orson Grey—now a renowned Hollywood star—she finds herself falling deeply in love with him and begins to put together the pieces of a mother she never really knew. Sharp, assured, and beautifully written, Family Drama is a story told in double-helix, with intertwined timelines that explore the different versions of ourselves we share with the world and with each other.

    print ‱ 25 copies ‱ US only