The future of storytelling is here. Life has thrown Zelu some curveballs over the years, but when she's suddenly dropped from her university job and her latest novel is rejected, all in the middle of her sister's wedding, her life is upended. Disabled, unemployed and from a nosy, high-achieving, judgmental family, she's not sure what comes next. In her hotel room that night, she takes the risk that will define her life - she decides to write a book VERY unlike her others. A science fiction drama about androids and AI after the extinction of humanity. And everything changes. What follows is a tale of love and loss, fame and infamy, of extraordinary events in one world, and another. And as Zelu's life evolves, the lines between fiction and reality begin to blur. Because sometimes a story really does have the power to reshape the world.

There will be blood. Ace of Spades meets House of Hollow in this villain origin story. Laure Mesny is a perfectionist with an axe to grind. Despite being constantly overlooked in the elite and cutthroat world of the Parisian ballet, she will do anything to prove that a Black girl can take center stage. To level the playing field, Laure ventures deep into the depths of the Catacombs and strikes a deal with a pulsating river of blood. The primordial power Laure gains promises influence and adoration, everything she’s dreamed of and worked toward. With retribution on her mind, she surpasses her bitter and privileged peers, leaving broken bodies behind her on her climb to stardom. But even as undeniable as she is, Laure is not the only monster around. And her vicious desires make her a perfect target for slaughter. As she descends into madness and the mystifying underworld beneath her, she is faced with the ultimate choice: continue to break herself for scraps of validation or succumb to the darkness that wants her exactly as she is—monstrous heart and all. That is, if the god-killer doesn’t catch her first. From debut author Jamison Shea comes I Feed Her to the Beast and the Beast Is Me, a slow-burn horror that lifts a veil on the institutions that profit on exclusion and the toll of giving everything to a world that will never love you back.

Serpent & Dove meets Arcane in this dystopian romance debut that follows a cunning memory merchant who deals a little extra happiness on the side and the handsome rookie officer on her tail! In 2460, eighteen-year-old Liv Newman dreams of a future beyond her lower-class life in the Metro. As a Proxy, she uses the neurochip in her brain to sell memories to wealthy clients. Maybe a few illegally, but money equals freedom. So when a customer offers her a ludicrous sum to go on an assignment in no-man’s-land, Liv accepts. Now she just has to survive. Rookie Forceman Adrian Rao believes in order over all. After discovering that a renegade Proxy’s shady dealings are messing with citizens’ brain chemistry, he vows to extinguish the threat. But when he tracks Liv down, there’s one problem: her memories are gone. Can Adrian bring himself to condemn her for crimes she doesn’t remember? As Liv and Adrian navigate the world beyond the Metro and their growing feelings for one another, they grapple with who they are, who they could be, and whether another way of living is possible.

A classic in the making: a mesmerizing novel about marriage and ambition, sexuality and secrecy, and the true costs of building an empire. At the turn of the 20th century, Vivian Lesperance is determined to flee her origins in Utica, New York, and avoid repeating her parents' dull, limited life. When she meets Oscar Schmidt, a middle manager at a soap company, Vivian finds a partner she can guide to build the life she wants-not least because, more interested in men himself, Oscar will leave Vivian to tend to her own romances with women. But Vivian's plans require capital, so the two pair up with Squire Clancey, scion of an old American fortune. Together they found Clancey & Schmidt, a preeminent manufacturer of soap, perfume, and candles. When Oscar and Squire fall in love, the trio form a new kind of partnership. Vivian reaches the pinnacle of her power building Clancey & Schmidt into an empire of personal care products while operating behind the image of both men. But exposure threatens, and all three partners are made aware of how much they have to lose. For readers of Hernan Diaz's Trust and Colm Tóibín's The Magician, with echoes of Gustave Flaubert and E.M. Forster, Mutual Interest is a beguiling story of queer romance, empire, and power.

A family confronts a past that is both keeping them together and preventing them from breaking free. Meet the Valiat family. In Iran they were somebodies. In America they’re nobodies. First there is Elizabeth, the regal matriarch with the famously large nose who stayed in Tehran during the revolution. Her daughters, Shirin and Seema, left for America in 1979. She lives in a shabby apartment, paranoid and alone—except when she is visited by Niaz, her Islamic-law–breaking granddaughter who takes her debauchery with a side of purpose yet somehow manages to survive. The other granddaughter, Bita, is a self-righteous but lost law student spending her days in New York City eating pancakes and quietly giving away her belongings. When an annual vacation in Aspen goes wildly awry and Shirin ends up being bailed out of jail by Bita, the family’s brittle status quo cracks open. Shirin embarks upon a grand but half-baked quest to restore the family name—but what does that even mean in a country where the Valiats never mattered? Will they ever realize that life is more than just an old story?

The first love of a teenage girl is a powerful thing, particularly when the object of that desire is her best friend, also a girl. It's the kind of power that could implode a family, a friendship, a life. On a quiet summer night in Newcastle, 1972, a choice must be to act upon these desires, or suppress them? To live an openly queer life, or to try desperately not to?Over the following three decades, these two lives almost intersect in pivotal moments, the distance between them at times drawing so thin they nearly collide. Against the backdrop of an era including Australia's first Mardi Gras and the AIDS pandemic, we see these two lives ebb and flow, with joy and grief and loss and desire, until at last they come together in the most beautiful and surprising of fashions.A Language of Limbs is about love and how it's policed, friendship and how it transcends, and hilarity in the face of heartbreak - the jokes you tell as you're dying and the ways laughing at a funeral softens the edges of our grief. An unashamed celebration of queer life in all its vibrancy and colour, this story finds the humanity in all of us, and demands we claim our futures for ourselves.

Tade Thompson's Rosewater is the start of an award-winning, cutting edge trilogy set in Nigeria, by one of science fiction's most engaging new voices. Rosewater is a town on the edge. A community formed around the edges of a mysterious alien biodome, its residents comprise the hopeful, the hungry and the helpless—people eager for a glimpse inside the dome or a taste of its rumored healing powers. Kaaro is a government agent with a criminal past. He has seen inside the biodome, and doesn't care to again—but when something begins killing off others like himself, Kaaro must defy his masters to search for an answer, facing his dark history and coming to a realization about a horrifying future.

New York Times bestselling author Tiffany D. Jackson delivers another stunning, ripped-from-the-headlines thriller, following a freshman girl whose college life is turned upside down when her roommate’s ex-convict brother moves into their dorm and starts controlling their every move. Out from under her overprotective parents, Jordyn is ready to kill it in prelaw at a prestigious, historically Black university in Washington DC. When her new roommate’s brother is released from prison, the last thing Jordyn expects is to come home and find the ex-convict on their dorm room sofa. But Devonte needs a place to stay while he gets back on his feet—and how could she say no to one of her new best friends? Devonte is older, as charming as he is intelligent, pushing every student he meets to make better choices about their young lives. But Jordyn senses something sinister beneath his friendly advice and growing group of followers. When one of Jordyn’s roommates goes missing, she must enlist the help of the university’s lone white student to uncover the mystery—or become trapped at the center of a web of lies more tangled than she can imagine.  

One of Zola's most famous realist novels, Therese Raquin is a clinically observed, sinister tale of adultery and murder among the lower classes in nineteenth-century Parisian society. Set in the claustrophobic atmosphere of a dingy haberdasher's shop in the passage du Pont-Neuf in Paris, this powerful novel tells how the heroine and her lover, Laurent, kill her husband, Camille, but are subsequently haunted by visions of the dead man, and prevented from enjoying the fruits of their crime. Zola's shocking tale dispassionately dissects the motivations of his characters--mere "human beasts", who kill in order to satisfy their lust--and stands as a key manifesto of the French Naturalist movement, of which the author was the founding father. Published in 1867, this is Zola's most important work before the Rougon-Macquart series and introduces many of the themes that can be traced through the later novel cycle.

Librarian's note: See alternate cover edition of ISBN 0571225381 here. In the summer of 1956, Stevens, a long-serving butler at Darlington Hall, decides to take a motoring trip through the West Country. The six-day excursion becomes a journey into the past of Stevens and England, a past that takes in fascism, two world wars, and an unrealised love between the butler and his housekeeper.

Ο Ιγνάθιο του Τολέδου, έμπορος απόκρυφων βιβλίων και ιερών λειψάνων, αναλαμβάνει για λογαριασμό ενός Βενετσιάνου αριστοκράτη να ανακαλύψει τα ίχνη του Uter Ventorum (Ο ασκός των ανέμων), ενός εξαιρετικά σπάνιου βιβλίου που κρύβει το υπέρτατο μυστικό των αρχαίων μάγων. Κι ενώ τριγύρω του τα τελετουργικά εγκλήματα διαδέχονται το ένα τ' άλλο, ο Ιγνάθιο θα περιπλανηθεί στη μεσαιωνική Ιταλία, Γαλλία και Ισπανία, προσπαθώντας να λύσει τους περίπλοκους γρίφους που προστατεύουν το μυθικό χειρόγραφο. Για να καταφέρει όμως να βρει τη λύση του αινίγματος πριν τον προφτάσουν οι εκτελεστές της Σάντα Βέμε, ενός μυστικού δικαστηρίου που έχει απλώσει τα δίχτυα του παντού, θα πρέπει πρώτα να έρθει αντιμέτωπος με το δικό του, καλά κρυμμένο μυστικό. Αλλιώς κινδυνεύει να χάσει ό,τι αγαπάει περισσότερο στον κόσμο...

Margot is on the quest to uncover and reassemble an ancient—and cursed—vase, with the help of a boy who went missing in 1932, because it's the only way to put back together her broken heart in this stand-alone adventure rom-com, perfect for fans of What the River Knows and The Lost City. The mythical Vase of Venus Aurelia hasn’t been seen since 1932, but Margot Rhodes is determined to change that. Drawn by the vase’s supposed magical properties, Margot embarks on her school’s archaeological trip to Pompeii. Sure, it’s her first time holding a shovel, but she’s got something no one else does: lost teenage explorer Van Keane’s journal. Poring over the poetic entries that serve as a map to the vase’s missing shards, Margot finds herself falling in love with the boy who wrote it a century ago. She’s shocked when her search leads her to a statue that looks exactly like Van, and then the statue comes to life. Catapulted into the present, Van is nothing like the wordsmith Margot imagined. He’s all sharp edges, intent on retrieving the relic for all the wrong reasons. But it takes two to survive Venus’s death-defying challenges, and, together, Margot and Van must excavate the treasure—and their buried pasts—before their story ends in ruins. With a blend of humor, magic, and love, Rachel Moore crafts another stand-alone adventure rom-com full of double- and triple-crosses, hilarious shenanigans, and frustration-fueled banter, where the best treasure is true love.

Chromophobia - a fear of corruption or contamination through colour - has lurked within Western culture since ancient times. This is apparent in the many attempts to purge colour from art, literature and architecture, either by making it the property of some "foreign" body - the oriental, the feminine, the infantile the vulgar or the pathological - or by relegating it to the realm of the superficial, the inessential or the cosmetic, which in many cases amounts to the same thing. In Chromophobia, David Batchelor analyzes the history of, and motivations behind, chromophobia, from its beginnings through examples of nineteenth-century literature, twentieth-century architecture and film, to Pop art, minimalism and the art and architecture of the present day. Batchelor suggests how colour fits, or fails to fit, into the cultural imagination of the West, exploring such diverse themes as Melville's "great white whale," Le Corbusier's "journey to the East," Huxley's experiments with mescaline. Dorothy's travels in the Land of Oz and the implication of modern artists' experiments with industrial paints and materials.

A short primer unravelling the Israel–Palestine conflict from the nineteenth century to todayThe devastation of 7 October 2023 and the horrors that followed astounded the world. But the Israel–Palestine conflict didn’t start on 7 October. It didn’t start in 1967 either, when Israel occupied the West Bank, or in 1948 when the state of Israel was declared. It started in 1882, when the first Zionist settlers arrived in what was then Ottoman Palestine. Ilan Pappe untangles the history of two peoples, now sharing one land. Going back to the founding fathers of Zionism, Pappe expertly takes us through the twists and turns of international policy towards Israel–Palestine, Palestinian resistance to occupation, and the changes taking place in Israel itself. This is an indispensable guide to understanding the present conflict, and how we might yet still find a way out of it.