Chromophobia - a fear of corruption or contamination through colour - has lurked within Western culture since ancient times. This is apparent in the many attempts to purge colour from art, literature and architecture, either by making it the property of some "foreign" body - the oriental, the feminine, the infantile the vulgar or the pathological - or by relegating it to the realm of the superficial, the inessential or the cosmetic, which in many cases amounts to the same thing. In Chromophobia, David Batchelor analyzes the history of, and motivations behind, chromophobia, from its beginnings through examples of nineteenth-century literature, twentieth-century architecture and film, to Pop art, minimalism and the art and architecture of the present day. Batchelor suggests how colour fits, or fails to fit, into the cultural imagination of the West, exploring such diverse themes as Melville's "great white whale," Le Corbusier's "journey to the East," Huxley's experiments with mescaline. Dorothy's travels in the Land of Oz and the implication of modern artists' experiments with industrial paints and materials.

A short primer unravelling the Israel–Palestine conflict from the nineteenth century to todayThe devastation of 7 October 2023 and the horrors that followed astounded the world. But the Israel–Palestine conflict didn’t start on 7 October. It didn’t start in 1967 either, when Israel occupied the West Bank, or in 1948 when the state of Israel was declared. It started in 1882, when the first Zionist settlers arrived in what was then Ottoman Palestine. Ilan Pappe untangles the history of two peoples, now sharing one land. Going back to the founding fathers of Zionism, Pappe expertly takes us through the twists and turns of international policy towards Israel–Palestine, Palestinian resistance to occupation, and the changes taking place in Israel itself. This is an indispensable guide to understanding the present conflict, and how we might yet still find a way out of it.

To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the sole ambition of bringing his "art" to new heights. Tortured by his own perverse desires, and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his "art" to limits even Compton hadn't previously imagined. Together, Compton and Byrne set their sights on an exquisite young Vietnamese-American runaway, Tran, whom they deem to be the perfect victim. Swiftly moving from the grimy streets of London's Piccadilly Circus to the decadence of the New Orleans French Quarter, and punctuated by rants from radio talk show host Lush Rimbaud, a.k.a. Luke Ransom, Tran's ex-lover, who is dying of AIDS and who intends to wreak ultimate havoc before leaving this world, Exquisite Corpse unfolds into a labyrinth of murder and love. Ultimately all four characters converge on a singular bloody night after which their lives will be irrevocably changed — or terminated. Poppy Z. Brite dissects the landscape of torture and invites us into the mind of a killer. Exquisite Corpse confirms Brite as a writer who defies categorization. It is a novel for those who dare trespass where the sacred and profane become one.

Set largely on the pages of a website where gay male escorts are reviewed by their clients, and told through the postings, emails, and conversations of several dozen unreliable narrators, The Sluts chronicles the evolution of one young escort's date with a satisfied client into a metafiction of pornography, lies, half-truths, and myth. Explicit, shocking, comical, and displaying the author's signature flair for blending structural complexity with direct, stylish, accessible language, The Sluts is Cooper's most transgressive novel since Frisk, and one of his most innovative works of fiction to date.

Sparks fly between two women pitted against each other in this delectable new romantic comedy by Taleen Voskuni, author of Sorry, Bro . Twenty-seven-year-old Nazeli “Ellie” Gregorian enjoys the prestige of her tech marketing job but is sick of the condescending Patagonia-clad tech bros, her micromanaging boss, and her ex-boyfriend, who she’s forced to work with every day. When Ellie’s lovingly overbearing parents ask her to attend PakCon—a food packaging conference in Chicago—to help promote their company and vie to win an ad slot in the Superbowl (no big deal), she’s eager for a brief change and a delicious distraction. At the conference, she meets witty, devil-may-care Vanya Simonian. Ellie can’t believe how easy it is to talk to Vanya and how much they have in common—both Armenian! From the Bay Area! Whose families are into food! Their meet-cute is cut short, however, when Ellie’s parents recognize Vanya as the daughter of the owners of their greatest rival, whose mission (according to Ellie’s mother) is to whitewash and package Armenian food for the American health-food crowd.   Sworn as enemies, Ellie and Vanya must compete against each other under their suspicious parents' scrutiny, all while their feelings for each other heat to sizzling temps.

Hailed as one of the world's supreme masterpieces on the subject of death and dying, The Death of Ivan Ilyich is the story of a worldly careerist, a high court judge who has never given the inevitability of his dying so much as a passing thought. But one day, death announces itself to him, and to his shocked surprise, he is brought face to face with his own mortality. How, Tolstoy asks, does an unreflective man confront his one and only moment of truth? This short novel was an artistic culmination of a profound spiritual crisis in Tolstoy's life, a nine-year period following the publication of Anna Karenina during which he wrote not a word of fiction. A thoroughly absorbing, and, at times, terrifying glimpse into the abyss of death, it is also a strong testament to the possibility of finding spiritual salvation.

From the New York Times bestselling author of The Atlas Six, Girl Dinner is a darkly-fun novel about power, lust, and eating your fill, as wealthy moms and sorority girls practice a sinister new wellness trend . . .Good girls deserve a treat.Every member of The House, the most exclusive sorority on campus, and all its alumni, are beautiful, high-achieving, and universally respected.After a freshman year she would rather forget, sophomore Nina Kaur knows being one of the chosen few accepted into The House is the first step in her path to the brightest possible future. Once she's taken into their fold, the House will surely ease her fears of failure and protect her from those who see a young woman on her own as easy prey. Meanwhile, adjunct professor Dr. Sloane Hartley is struggling to return to work after accepting a demotion to support her partner's new position at the cutthroat University. After 18 months at home with her newborn daughter, Sloane's clothes don’t fit right, her girl-dad husband isn’t as present as he thinks he is, and even the few hours a day she's apart from her child fill her psyche with paralyzing ennui. When invited to be The House’s academic liaison, Sloane enviously drinks in the way the alumnae seem to have it all, achieving a level of collective perfection that Sloane so desperately craves.As Nina and Sloane each get drawn deeper into the arcane rituals of the sisterhood, they learn that living well comes with bloody costs. And when they are finally invited to the table, they will have to decide just how much they can stomach in the name of solidarity and power.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.