When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber gloves, nerves of steel and a strong stomach. This'll be the third boyfriend Ayoola's dispatched in, quote, self-defence and the third mess that her lethal little sibling has left Korede to clear away. She should probably go to the police for the good of the menfolk of Nigeria, but she loves her sister and, as they say, family always comes first. Until, that is, Ayoola starts dating the doctor where Korede works as a nurse. Korede's long been in love with him, and isn't prepared to see him wind up with a knife in his back: but to save one would mean sacrificing the other... My Sister, the Serial Killer is a blackly comic novel about how blood is thicker - and more difficult to get out of the carpet - than water...

When an infected bolt of cloth carries plague from London to an isolated village, a housemaid named Anna Frith emerges as an unlikely heroine and healer. Through Anna's eyes we follow the story of the fateful year of 1666, as she and her fellow villagers confront the spread of disease and superstition. As death reaches into every household and villagers turn from prayers to murderous witch-hunting, Anna must find the strength to confront the disintegration of her community and the lure of illicit love. As she struggles to survive and grow, a year of catastrophe becomes instead annus mirabilis, a "year of wonders." Inspired by the true story of Eyam, a village in the rugged hill country of England, Year of Wonders is a richly detailed evocation of a singular moment in history.

A punk revival of Medea as a Mexican anti-angel of birth and death, from the International Booker Prize–nominated author of Reservoir Bitches In Northern Mexico, Paulina, Perla, Antonia, Reina, and Jordan are striving to survive the barrio—hustling on the edge of a cartel-run economy, nursing the wounds made normal in a world that eats its own. Hovering over their trials is a spirit with gothic flair, dressed in black and crowned with braids: Medea, a mythic mother of the Chihuahuan desert, ancient as the Aztecs but never too old to be petty. From aiding a trophy girlfriend’s abortion, to accompanying a mother in her search for her lost child in the desert, to embracing those taken too soon in the narco’s brutal proxy wars, Medea fights for justice for her chosen mortals—her divine wrath the only power that could rival the corrupt, violent web spun by the cartel, the government, and the military. Dahlia de la Cerda’s magnetic prose draws readers right into the heart of that web—and links all our fates to the missions of Medea, equal parts midwife and gravedigger, a femme fatale god in a femicidal world.

Zoe Hana Mikuta delivers a bloody and unrelenting fantasy about young witches dangling on the edge of love and obsession, of magic and madness, of life and death (and death and death and death). . . Just like her mother and her mother’s mother, 18-year-old Vanity Adams is destined to lead a lavish life under the patronship of the Museum, someday taking her place as its premiere necromantic Spectacle and the centerpiece of their weekly soirees thrown for the City’s elite. But until that day, Vanity (and the other young witches of the Museum) is isolated from the outside world and purged of her magic—magic being particularly unstable for teenagers and often leading to antisocial conduct, mood swings, bloodlust, delusions, and, most concerning, a habitual, violent obsession with one another. To all of this, Vanity thinks: Well, whatever. Better than being confined to the Sanatorium with the less fortunate witches, imprisoned in a chemically induced coma as her blood is harvested to make World, the City’s favorite designer drug. At least she’ll be dead someday, there’s always that. And at least the Museum has Arrogance, Vanity’s twin sister, who just might remember how to do magic, and who just might be where our story begins. . . .

The deeper you go, the darker you fall. Phoebe “Phibs” Ray is never more at home than when she’s underwater. On a dive six months ago, she and her four closest friends discovered a handful of ancient gold coins, rocketing them into social media fame. Now, their final summer together after high school, they’re taking one last trip to a distant Australian island to do what they love most – scuba dive. While diving a local reef, Phibs discovers a spectacular underwater sea cave, rumored to be a lost cave with a buried treasure. But when Phibs and her best friend Gabe surface from the cave, they notice that they're undergoing strange changes. Oozing gashes that don’t heal. Haunting whispers in their heads... Something has latched onto them, lurking beneath their skin, transforming them from the inside out. When treasure hunters arrive, desperate to find the location of the cave and hold Phibs’ group for ransom, she’ll do anything to keep her friends safe. In the process she learns that, of all the dreadful creatures of the sea, she might be the most terrifying of them all.

An antimeme is an idea with self-censoring properties; an idea which, by its intrinsic nature, discourages or prevents people from spreading it.Antimemes are real. Think of any piece of information which you wouldn't share with anybody, like passwords, taboos and dirty secrets. Or any piece of information which would be difficult to share even if you complex equations, very boring passages of text, large blocks of random numbers, and dreams... But anomalous antimemes are another matter entirely. How do you contain something you can't record or remember? How do you fight a war against an enemy with effortless, perfect camouflage, when you can never even know that you're at war? Welcome to the Antimemetics Division. No, this is not your first day.This ebook is an official release by me, qntm from the SCP Foundation wiki! PM me if you require confirmation. This ebook collects all of my Antimemetics Division SCP-055, SCP-2256 and the complete serials There Is No Antimemetics Division and Five Five Five Five Five.

One book. Two readers. A world of mystery, menace, and desire. A young woman picks up a book left behind by a stranger. Inside it are his margin notes, which reveal a reader entranced by the story and by its mysterious author. She responds with notes of her own, leaving the book for the stranger, and so begins an unlikely conversation that plunges them both into the unknown. THE BOOK: Ship of Theseus, the final novel by a prolific but enigmatic writer named V. M. Straka, in which a man with no past is shanghaied onto a strange ship with a monstrous crew and launched onto a disorienting and perilous journey. THE WRITER: Straka, the incendiary and secretive subject of one of the world’s greatest mysteries, a revolutionary about whom the world knows nothing apart from the words he wrote and the rumours that swirl around him. THE READERS: Jennifer and Eric, a college senior and a disgraced grad student, both facing crucial decisions about who they are, who they might become, and how much they’re willing to trust another person with their passions, hurts, and fears. S., conceived by filmmaker J. J. Abrams and written by award-winning novelist Doug Dorst, is the chronicle of two readers finding each other in the margins of a book and enmeshing themselves in a deadly struggle between forces they don’t understand. It is also Abrams and Dorst’s love letter to the written word.

Samuel Fleming, an aging priest, is tormented by doubts on the case of Joan Flower and her daughters Margaret and Philippa, whom he helped condemn to death as witches in 1618. Were they guilty? Was justice done? Did he do all he could to save their souls? The spirit of Joan Flower appears to him and tells him that she has been rejected by both Heaven and Hell and is condemned to wander the earth. She unfolds a story of horror, telling how she and her daughters became witches, participated in orgies at the witches' sabbath with the Devil himself, cast spells to kill and torment their enemies, and eventually faced trial and execution. As Samuel listens, he tries desperately to find some way to save the witch's soul. And the stakes are for as the witch tells her horrifying tale, Samuel realizes that hers is not the only soul in jeopardy, and if he fails, he may be joining her in Hell! Hilda Lewis (1896-1974), a prolific author of historical fiction, ranked The Witch and the Priest (1956), based on the real-life case of the Witches of Belvoir, as her own favourite among her many novels. In creating this masterpiece of historical fiction, Lewis conducted extensive research on the case and on early works of witchcraft and demonology, resulting in a novel that is both compulsively readable and historically accurate. This new edition is the first in more than 40 years and includes an introduction by bestselling historian and novelist Alison Weir, and the original jacket art by Evelyn Gibbs.

An ugly girl who was short and dumpy, had one leg a bit shorter than the other, and her eyebrows met in the middle wanted to marry. Who will marry her while all the people made fun of her? Then, she married the wicker husband. What happened when she married him? What was the people's reaction?

For over a hundred years, Emaira’s family has despised Daylight Saving Time.Raised on stories of how DST steals precious hours and destroys lives, she’s inherited a deep-seated hatred for the clocks that disrupt her life twice a year. But she had no idea just how personal that vendetta would become. After too much wine, too little sleep, and the frustration of adjusting to the time change, Em does what any reasonable person would do—she screams into the void, demanding to speak to whoever’s responsible for this bi-annual madness. Turns out, the universe is listening. The embodiment of Daylight Saving Time itself shows up at her door, holding an engagement ring crafted from the very fabric of time. In an unexpected twist, she finds herself betrothed to the very entity her family has cursed for generations. But it’s not all clocks and calendars. Em quickly learns that time, like any partner, has its own quirks. Between passionate encounters, awkward marriage counseling sessions, and trying to work through their differences, Emaira must figure out how to break off this engagement without deleting the oceans from every plane of existence. In this steamy, star-crossed romance, Em will face the ultimate dilemma—surrendering to a timeless love with the holiday she was born to hate. Will Daylight Saving Time truly save her, or is she doomed to be stuck in forever with one force she’s spent her life trying to escape?

The galaxy has seen great empires rise and fall. Planets have shattered and been remade. Amongst the ruins of alien civilizations, building our own from the rubble, humanity still thrives. And there are vast fortunes to be made, if you know where to find them. Captain Rackamore and his crew do. It's their business to find the tiny, enigmatic worlds which have been hidden away, booby-trapped, surrounded by layers of protection—and to crack them open for the ancient relics and barely-remembered technologies inside. But while they ply their risky trade with integrity, not everyone is so scrupulous. Adrana and Fura Ness are the newest members of Rackamore's crew, signed on to save their family from bankruptcy. Only Rackamore has enemies, and there might be more waiting for them in space than adventure and fortune: the fabled and feared Bosa Sennen in particular. Revenger is a science fiction adventure story set in the rubble of our solar system in the dark, distant future—a tale of space pirates, buried treasure, and phantom weapons, of unspeakable hazards and single-minded heroism and of vengeance...

Revenge me. For I am murdered . . . Odette and her best friend, Cecilia, grow up between two grand homes, one in Hampstead and one in Suffolk, the ancient and imposing Herne House. Odette’s mother, Lydia, is almost parasitic in her neediness, but despite her, Odette and Cecilia come of age together—free to roam, to learn, and to love. When Lydia inexplicably sickens and dies, a dark veil falls. Odette’s father retreats to his study, while her aunt—the cold and cruel Claudine—increasingly takes charge of the household. Lost in grief and spiraling into madness, Odette disappears into the shadows, leaving Cecilia alone and with her affections tested. As Claudine is announced as Odette’s new stepmother, the girls reckon with this final betrayal, and a sinister presence awakens. To her horror, Odette realizes that her mother never truly left. She now haunts the manor, ready to drag long- held secrets into the light and exact revenge against those who thought her dead and gone. A visceral tale of grief and madness, Rottenheart exhumes the heart of Hamlet to tell a fearless queer love story laced with an unforgettable haunting, asking whether we can truly outrun our suffering, or if we are forever indebted to the vengeful dead.

A spirited, deeply researched exploration of why capitalism is bad for women and how, when done right, socialism leads to economic independence, better labor conditions, better work-life balance and, yes, even better sex. In a witty, irreverent op-ed piece that went viral, Kristen Ghodsee argued that women had better sex under socialism. The response was tremendous — clearly she articulated something many women had sensed for the problem is with capitalism, not with us. Ghodsee, an acclaimed ethnographer and professor of Russian and East European Studies, spent years researching what happened to women in countries that transitioned from state socialism to capitalism. She argues here that unregulated capitalism disproportionately harms women, and that we should learn from the past. By rejecting the bad and salvaging the good, we can adapt some socialist ideas to the 21st century and improve our lives. She tackles all aspects of a woman's life - work, parenting, sex and relationships, citizenship, and leadership. In a chapter called " Like Men, But Cheaper," she talks about women in the workplace, discussing everything from the wage gap to harassment and discrimination. In "What To Expect When You're Expecting Exploitation," she addresses motherhood and how "having it all" is impossible under capitalism. Women are standing up for themselves like never before, from the increase in the number of women running for office to the women's march to the long-overdue public outcry against sexual harassment. Interest in socialism is also on the rise -- whether it's the popularity of Bernie Sanders or the skyrocketing membership numbers of the Democratic Socialists of America. It's become increasingly clear to women that capitalism isn't working for us, and Ghodsee is the informed, lively guide who can show us the way forward.