Two students from Brookwood High School mysteriously go missing on the same night. The first is Peter Moon, a heartless pescatarian who bashes students from Brookwood on his blog, turning everyone against him. The second is the adored Kat Pike, an audacious girl desperate to boost her adrenaline. Three days pass. No leads. Indifferent to the disappearances, sixteen-year-old Jackie Mendoza remains immersed in her virtual world of video games and online friends. When a menacing app by the name of Capsule downloads itself onto Jackie's phone, she enters a game interlaced with reality. A game threatening to erase Peter and Kat forever. Only Jackie can save them now—but Capsule is the most ruthless game she's ever played. Mel Torrefranca delivers a heart-wrenching thriller about unlikely friendships, bittersweet memories, and a never-ending search for answers best left forgotten.

The future of storytelling is here. Life has thrown Zelu some curveballs over the years, but when she's suddenly dropped from her university job and her latest novel is rejected, all in the middle of her sister's wedding, her life is upended. Disabled, unemployed and from a nosy, high-achieving, judgmental family, she's not sure what comes next. In her hotel room that night, she takes the risk that will define her life - she decides to write a book VERY unlike her others. A science fiction drama about androids and AI after the extinction of humanity. And everything changes. What follows is a tale of love and loss, fame and infamy, of extraordinary events in one world, and another. And as Zelu's life evolves, the lines between fiction and reality begin to blur. Because sometimes a story really does have the power to reshape the world.

From the award-winning author of Our Wives Under the Sea, a speculative reimagining of King Lear, centering three sisters navigating queer love and loss in a drowning world It’s been raining for a long time now, so long that the land has reshaped itself and arcane rituals and religions are creeping back into practice. Sisters Isla, Irene, and Agnes have not spoken in some time when their father dies. An architect as cruel as he was revered, his death offers an opportunity for the sisters to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until their fragile bond is shattered by a revelation in his will. More estranged than ever, the sisters’ lives spin out of control: Irene’s relationship is straining at the seams; Isla’s ex-wife keeps calling; and cynical Agnes is falling in love for the first time. But something even more sinister might be unfolding, something related to their mother’s long-ago disappearance and the strangers who have always seemed unusually interested in the sisters’ lives. Soon, it becomes clear that the sisters have been chosen for a very particular purpose, one with shattering implications for their family and their imperiled world.

The Undertow of Evelyn Graymore is a modern-day siren romantasy with bite. Evelyn Graymore is dead—murdered by one of Seattle’s most powerful men. Dumped into the waters of Washington’s Puget Sound, lost to the undertow of corruption, but instead of sinking into the abyss, Evie is reborn as a siren. She makes a bargain with Layne Murrows, an enigmatic man made of shadows who seemed to rise from darkness itself. With nothing left to lose, Evie takes the offer of cursed power for the chance at revenge on Preston Willows, the man who murdered her. Armed with a deadly glamour, a voice that bends will, and the power to control water itself—Evie isn’t just a monster of the deep now, she’s a weapon. But everything comes with a cost, and the bargain’s rules are ironclad. She must feed on the darkness that festers in men’s hearts or die. The catch? She can never fall in love, or the curse will slowly chip away at her lover’s mind and body, inevitably drowning them from the inside out. A small price to pay and not much of a concern for Evie—until she meets Ethan Ward, a paralegal who works right alongside Preston. Now, Evie must decide between the mortal who makes her feel like a human again, stoking the embers of forbidden love, and the enticing monster who created her. If you like these things, you'll love this book: The Invisible Life of Addie LaRue meets Jennifer's Body in a dark, visceral, and twisty fantasy romance centered on sirens, ocean shadow daddies, and secrets that live deep below the waters of Washington's Puget Sound. Perfect for fans of: Enemies-to-lovers Love Triangle Female Rage Siren & Mermaid Mythology Forced Proximity Urban Fantasy Romance Cursed Bargains Forbidden love

A bittersweet story of love between two women, nested in an artful exploration of language, history, and power May 1938. The young novelist Aoyama Chizuko has sailed from her home in Nagasaki, Japan, and arrived in Taiwan. She’s been invited there by the Japanese government ruling the island, though she has no interest in their official banquets or imperialist agenda. Instead, Chizuko longs to experience real island life and to taste as much of its authentic cuisine as her famously monstrous appetite can bear. Soon a Taiwanese woman―who is younger even than she is, and who shares the characters of her name―is hired as her interpreter and makes her dreams come true. The charming, erudite, meticulous Chizuru arranges Chizuko’s travels all over the Land of the South and also proves to be an exceptional cook. Over scenic train rides and braised pork rice, lively banter and winter melon tea, Chizuko grows infatuated with her companion and intent on drawing her closer. But something causes Chizuru to keep her distance. It’s only after a heartbreaking separation that Chizuko begins to grasp what the “something” is. Disguised as a translation of a rediscovered text by a Japanese writer, this novel was a sensation on its first publication in Mandarin Chinese in 2020 and won Taiwan’s highest literary honor, the Golden Tripod Award. Taiwan Travelogue unburies lost colonial histories and deftly reveals how power dynamics inflect our most intimate relationships.

A country’s history is like a jigsaw puzzle. The bigger picture of how a country and its people came to be can be pieced together through multiple narratives, perspectives, and stories. In Silk, Silver, Spices, Slaves, Lio Mangubat reaches back into the depths of colonial archives and brings to life long-lost stories that would otherwise have been footnotes in Philippine history.Featuring 13 essays inspired by his podcast series The Colonial Dept., Mangubat spins tales of galleons, triads, fickle spirits, long-lost maps, and the secret history of otters. In these pages, learn about how the entire country became mad for baseball; how Mexican fighter pilots flew dangerous missions over the Philippines during World War II; or how American occupiers fell victim to a mysterious illness called “Philippinitis".Beyond revisiting days gone by, Mangubat also connects the threads of each story to the wider tapestry of world history — and how these can unspool even up to our current time. A masterful storyteller and podcaster, he proves that the past can loom larger than the present.

In whatever season The gumamela will grow and Bloom throughout the land The long years shall not fade The redness of its petals Nor efface the lushness of its leaves the gumamela is still red I am delighted and honored to write this foreword to Joven Obrero's The Gumamela Is Still Red, the sequel to her Warriors, Poets and Friends. These two books of poetry reflect the revolutionary struggle of the people for national and social liberation in Mindanao and the outstanding participation of the author, especially in educational and cultural work. I appreciate Obrero's use of the gumamela as the metaphor for the revolutionary struggle of the people. It is a plant with large vibrant red flowers that grows abundantly on the mountains, hills and plains of the Philippines. This key metaphor indicates the keen poetic imagination of the author who grasps what is meaningful and beautiful …. The current book of poems of Obrero deserves to be read by all Filipino patriots and revolutionaries and by all foreign friends in solidarity with them. She is an excellent poet with the noblest sense of revolutionary vision and mission. Her poems are finely crafted to express in concrete terms and natural imagery the heroism, hard struggle, sacrifices and aspirations of the communist cadres, Red fighters and the masses. --Jose Ma. Sison

A lyrical, evocative horror about vampires from the Philippines . . . and a hunter on their tail. A brother and sister fight to protect their secrets, their community, and most of all, each other, in this evocative novel from the New York Times bestselling author of Patron Saints of Nothing. As Filipino vampires known as manananggal, Lily and her brother Caleb understand the value of a secret. After all, to hide is to survive. To lie is to live. They’d never harm another person—but people only believe their worst fears around creatures of myth. So the siblings stay quiet. They follow their community’s rules. Until a monster hunter turns up and kills a fellow manananggal, anyway. Until Caleb is marked as the hunter’s next prey. Suddenly, he and Lily realize there’s always been more at stake than the lives of their people. Because when doing everything "right" is still a death sentence, what can they take as truth? As the hunter nears, the siblings must decide if they’ll be driven from the only home they’ve ever known . . . or fight to protect a community that may already be lost.

A fearless, powerfully written on-the-ground account of a nation careening into violent autocracy—told through harrowing stories of the Philippines’ state-sanctioned killings of its citizens—from a journalist of international renown “My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don’t wait very long.” Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte. Some People Need Killing is Evangelista’s meticulously reported and deeply human chronicle of the Philippines’ drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte’s war on drugs—a war that has led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others. The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had “I’m really not a bad guy,” he said. “I’m not all bad. Some people need killing.” A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist.

Two warriors shepherd an ancient god across a broken land to end the tyrannical reign of a royal family in this new epic fantasy from the author of The Vanished Birds.The people suffer under the centuries-long rule of the Moon Throne. The royal family—the despotic emperor and his monstrous sons, the Three Terrors—hold the countryside in their choking grip. They bleed the land and oppress the citizens with the frightful powers they inherited from the god locked under their palace.But that god cannot be contained forever.With the aid of Jun, a guard broken by his guilt-stricken past, and Keema, an outcast fighting for his future, the god escapes from her royal captivity and flees from her own children, the triplet Terrors who would drag her back to her unholy prison. And so it is that she embarks with her young companions on a five-day pilgrimage in search of freedom—and a way to end the Moon Throne forever. The journey ahead will be more dangerous than any of them could have imagined.Both a sweeping adventure story and an intimate exploration of identity, legacy, and belonging, The Spear Cuts Through Water is an ambitious and profound saga that will transport and transform you—and is like nothing you’ve ever read before.

A young woman is drawn into a dangerous game after being invited to the mazelike home of her childhood friend, a rumored witch, in this gothic horror set in 1986 Philippines.In this game, there’s one rule: survive.Orphaned after her father’s political campaign ended in tragedy, Josephine is alone taking care of the family home while her older brother is off in Manila, where revolution brews. But an unexpected invitation from her childhood friend Hiraya to her house offers an escape....Why don’t you come visit, and we can play games like we used to? If Josephine wins, she’ll get whatever her heart desires. Her brother is invited, too, and it’s time they had a talk. Josephine’s heard the dark whispers: Hiraya is a witch and her family spits curses. But still, she’s just desperate enough to seize this chance to change her destiny.Except Ranoco house is strange—labyrinthine and dangerously close to a treacherous sea. A sickly-sweet smell clings to the dimly lit walls, and veiled eyes follow Josephine through endless connecting rooms. The air is tense with secrets and as the game continues it’s clear Josephine doesn’t have the whole truth.To save herself, she will have to play to win. But in this house, victory is earned with blood.A lush new voice in horror arises in this riveting gothic set against the upheaval of 1986 Philippines and the People Power Revolution.

Caliban and the Witch is a history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages to the witch-hunts and the rise of mechanical philosophy, Federici investigates the capitalist rationalization of social reproduction. She shows how the battle against the rebel body and the conflict between body and mind are essential conditions for the development of labor power and self-ownership, two central principles of modern social organization. "It is both a passionate work of memory recovered and a hammer of humanity's agenda." Peter Linebaugh, author of The London Hanged"