Emily Austin, the bestselling “queen of darkly quirky, endearingly flawed heroines” (Sarah Haywood, author of The Cactus), returns with a luminous new novel following a librarian who comes back to work after a mental breakdown only to confront book-banning crusaders in an empowering story of grief, love, and the power of libraries. Darcy’s life turned out better than she could have ever imagined. She is a librarian at the local branch, while her wife Joy runs a book binding service. Between the two of them, there is no more room on their shelves with their ample book collections, various knickknacks and bobbles, and dried bouquets. Rounding out their ideal life is two cats and a sun-soaked house by the lake. But when Darcy receives the news that her ex-boyfriend, Ben, has passed away, she spirals into a pit of guilt and regret, resulting in a mental breakdown and medical leave from the library. When she returns to work, she is met by unrest in her community, and protests surrounding intellectual freedom, resulting in a call for book bans and a second look at the branch’s upcoming DEI programs. Through the support of her community, colleagues, and the personal growth that results from examining her previous relationships, Darcy comes into her own agency and the truest version of herself. Is This a Cry for Help? not only offers a moving portrait of queer life after coming of age but also powerfully explores questions about sexuality, community, and the importance of libraries.

There are an infinite number of possible futures that lie ahead of us—like threads stretching out into the distance. Rob Hopkins, cofounder of the international Transition Network movement, invites us to travel to future worlds we would actually want to live in. In 2020, when the COVID-19 pandemic disrupted every aspect of daily life, climate activist and Transition Network cofounder Rob Hopkins responded the way a lot of people by starting a podcast. But it wasn’t any ordinary podcast. In each episode, Hopkins and his guests would “time travel” together to the year 2030—walking down imagined future streets, talking with imagined future neighbors, visiting imagined future local businesses. While Hopkins’s guests came from all walks of life—economists, politicians, bakers, comedians, novelists and more—they all shared a willingness to suspend their worries about the future long enough to mentally inhabit and then describe a world they were thrilled to be a part of. What Hopkins discovered was no less this simple exercise of visiting a positive future forced him to rethink the work he’d been doing as a climate activist for decades. How to Fall in Love with the Future is the result of that radical disruption—and Hopkins’s deep dive into the people and movements throughout history who have used visions of the future to inspire positive change on a large and dramatic scale. From the life and writings of musician Sun Ra and the history of Black utopian movements to the latest neuroscience on what goes on in our minds—and hearts—when we “time travel,” Hopkins brings essential new thinking to anyone overwhelmed with dread and anxiety for the future. He asks us to what would the world look like if we all got to work imagining—and then building—a world we were deeply in love with? “Rob Hopkins puts imagination back at the heart of future-dreaming, offering us an irresistible invitation to dream bigger and then make those dreams a reality.”—Kate Raworth, author of Doughnut Economics

On November 22, 1963, three shots rang out in Dallas, President Kennedy died, and the world changed. Unless... In 2011, Jake Epping, an English teacher from Lisbon Falls, Maine, sets out on an insane — and insanely possible — mission to prevent the Kennedy assassination. Leaving behind a world of computers and mobile phones, he goes back to a time of big American cars and diners, of Lindy Hopping, the sound of Elvis, and the taste of root beer. In this haunting world, Jake falls in love with Sadie, a beautiful high school librarian. And, as the ominous date of 11/22/63 approaches, he encounters a troubled loner named Lee Harvey Oswald...

Reading Silent Spring as an outgrowth of Rachel Carson's love with Dorothy Freeman, Maxwell argues for the power of queer love now in the fight against climate change. There is something major missing from most accounts of Silent Spring and its impact: namely, Dorothy Freeman, with whom Rachel Carson had a love relationship for over a decade. Freeman had a summer house with her husband, Stan, on the island of Southport, Maine, where Carson settled after the success of her first bestseller, The Sea Around Us. Correspondence shows the women developing strong feelings as they connect over their shared pleasure in the rocky coast. In this moving new book, political theorist Lida Maxwell offers close readings that suggest Carson's relationship with Freeman was central to her writing of Silent Spring―a work whose defense of vibrant nonhuman nature allowed Carson and Freeman's love to flourish and for the pair to become their most authentic selves. What Maxwell calls Carson and Freeman's "queer love" unsettled their heteronormative ideas of the good life as based in bourgeois private life, and led Carson to an increasingly critical view of capitalism and its effects on nonhuman nature and human lives alike. From these women's experience Maxwell compellingly makes the case for an alternative democratic climate politics based on learning how to tune into authentic desire. Read through this lens, Carson's work begins to look different and shows us not that the human incursion into nature is dangerous, but that a particular relationship is: the loveless using up of nature for capitalism. When Carson and Freeman correspond in excited detail about the algae, anemones, and veery thrushes of the Maine coast, they give us a glimpse of a different, more loving use of nature. Inspired by Carson and Freeman's deep care for one another, Maxwell reveals how a form of loving available to all of us can help reshape political desire amidst contemporary environmental crises.