In this collection of classic ghost stories from Japan, beautiful princesses turn out to be frogs, paintings come alive, deadly spectral brides haunt the living, and a samurai delivers the baby of a Shinto goddess with mystical help. Here are all the phantoms and ghouls of Japanese folklore: 'rokuro-kubi', whose heads separate from their bodies at night; 'jikininki', or flesh-eating goblins; and terrifying faceless 'mujina' who haunt lonely neighbourhoods. Lafcadio Hearn, a master storyteller, drew on traditional Japanese folklore, infused with memories of his own haunted childhood in Ireland, to create these chilling tales. They are today regarded in Japan as classics in their own right.

Ten suspects. Ten heists. A puzzle only Ernest Cunningham can solve.I’ve spent the last few years solving murders. But a bank heist is a new one, even for me. I’ve never been a hostage before. The doors are chained shut. No one in or out. Which means that when someone in the bank is murdered, hostages become suspects.THE BANK ROBBER THE MANAGER THE SECURITY GUARD THE KID THE FILM PRODUCER THE PRIEST THE RECEPTIONIST THE PATIENT THE CARER METurns out, more than one person planned to rob the bank today. You can steal more from a bank than just money.Who is stealing what? And are they willing to kill for it?

When he was alive, the Happy Prince lived in the Palace of Sans Souci, where sorrow was not allowed to enter, and where he knew only pleasure. Now, a gilded statute set atop a high column, he can see all the wretchedness of the poor, the sick and the lonely who inhabit the great city where he stands. A swallow, hurrying to reach the warmth of Egypt before winter sets in, stops to rest between the feet of the Happy Prince. He is moved by the prince's description of the helplessness and hopelessness he sees all around him, and agrees to stay with the prince and to assist him in bringing comfort to those in need. This story of sacrifice and redemption is a parable for our time, as it was for that time more than a hundred years ago when Oscar Wilde first published this moving tale. Oscar Wilde (1854–1900) was an Irish writer of great wit and talent who was born Oscar Fingall O'Flahertie Wills Wilde in 1854. He wrote a number of tales for children, but is perhaps best known for his 'Dorian Gray' (1890), 'Lady Windermere's Fan' (1892), 'The Importance of Being Earnest' (1895) and 'The Ballad of Reading Gaol' (1896). Wilde died in Paris in 1900.

Mexican Gothic meets The Lie Tree by way of Oscar Wilde and Mary Shelley in this delightfully witty horror debut. A captivating tale of two Victorian gentlemen hiding their relationship away in a botanical garden who embark on a Frankenstein-style experiment with unexpected consequences. It is an unusual thing, to live in a botanical garden. But Simon and Gregor are an unusual pair of gentlemen. Hidden away in their glass sanctuary from the disapproving tattle of Victorian London, they are free to follow their own interests without interference. For Simon, this means long hours in the dark basement workshop, working his taxidermical art. Gregor's business is exotic plants – lucrative, but harmless enough. Until his latest acquisition, a strange fungus which shows signs of intellect beyond any plant he's seen, inspires him to attempt a masterwork: true intelligent life from plant matter. Driven by the glory he'll earn from the Royal Horticultural Society for such an achievement, Gregor ignores the flaws in his plan: that intelligence cannot be controlled; that plants cannot be reasoned with; and that the only way his plant-beast will flourish is if he uses a recently deceased corpse for the substrate. The experiment – or Chloe, as she is named – outstrips even Gregor's expectations, entangling their strange household. But as Gregor's experiment flourishes, he wilts under the cost of keeping it hidden from jealous eyes. The mycelium grows apace in this sultry greenhouse. But who is cultivating whom? Told with wit and warmth, this is an extraordinary tale of family, fungus and more than a dash of bloody revenge from an exciting new voice in queer horror.

In Alissa Nutting’s novel Tampa, Celeste Price, a smoldering 26-year-old middle-school teacher in Florida, unrepentantly recounts her elaborate and sociopathically determined seduction of a 14-year-old student. Celeste has chosen and lured the charmingly modest Jack Patrick into her web. Jack is enthralled and in awe of his eighth-grade teacher, and, most importantly, willing to accept Celeste’s terms for a secret relationship—car rides after dark, rendezvous at Jack’s house while his single father works the late shift, and body-slamming erotic encounters in Celeste’s empty classroom. In slaking her sexual thirst, Celeste Price is remorseless and deviously free of hesitation, a monstress of pure motivation. She deceives everyone, is close to no one, and cares little for anything but her pleasure. Tampa is a sexually explicit, virtuosically satirical, American Psycho–esque rendering of a monstrously misplaced but undeterrable desire. Laced with black humor and crackling sexualized prose, Alissa Nutting’s Tampa is a grand, seriocomic examination of the want behind student / teacher affairs and a scorching literary debut.

The Nobelist's latest masterwork, set in a sanitarium on the eve of World War I, probes the horrors that lie beneath our most hallowed ideas. In September 1913, Mieczysław, a student suffering from tuberculosis, arrives at Wilhelm Opitz’s Guesthouse for Gentlemen, a health resort in  what is now western Poland. Every day, its residents gather in the dining room to imbibe the hallucinogenic local liqueur, to obsess over money and status, and to discuss the great issues of the Will there be war? Monarchy or democracy? Do devils exist? Are women inherently inferior? Meanwhile, disturbing things are beginning to happen in the guesthouse and its surroundings. As stories of shocking events in the surrounding highlands reach the men, a sense of dread builds. Someone--or something--seems to be watching them and attempting to infiltrate their world. Little does Mieczysław realize, as he attempts to unravel both the truths within himself and the mystery of the sinister forces beyond, that they have already chosen their next target. A century after the publication of The Magic Mountain, Tokarczuk revisits Thomas Mann territory and lays claim to it, blending horror story, comedy, folklore, and feminist parable with brilliant storytelling.

On a balmy summer's day in 1930 the great and the good of the county are out in force for the annual, much-anticipated tennis party at the Bickleighs, although not everyone has much enthusiasm for the game. The tennis party exists for other reasons - and charmingly mannered infidelity is now the most popular pastime in the small but exclusive Devonshire hamlet of Wyvern's Cross. Which is why, in his own garden, the host, Dr Edmund Bickleigh, is desperately fighting to conceal the two things on his mind: a mounting passion for Gwynfryd Rattery - and the certain conviction that he is going to kill his wife ...

SIX FOUR. THE NIGHTMARE NO PARENT COULD ENDURE. THE CASE NO DETECTIVE COULD SOLVE. THE TWIST NO READER COULD PREDICT. For five days in January 1989, the parents of a seven-year-old Tokyo schoolgirl sat and listened to the demands of their daughter's kidnapper. They would never learn his identity. They would never see their daughter again.For the fourteen years that followed, the Japanese public listened to the police's apologies. They would never forget the botched investigation that became known as 'Six Four'. They would never forgive the authorities their failure.For one week in late 2002, the press officer attached to the police department in question confronted an anomaly in the case. He could never imagine what he would uncover. He would never have looked if he'd known what he would find.