“Listen! The name, Vimonan… remember it.” That desperate plea pulled Captain Jason Burke and Omega Force down the rabbit hole into the lawless underworld of the Orion Region, hunting a lethal new syndicate that’s carving through the criminal empires with ease. With the crew cut off from allies and every move watched, Jason and his team must expose the endgame before the entire sector explodes—without putting their friends squarely in the crosshairs. Omega Force is on its own. Backs against the wall. And that’s exactly when they’re the most dangerous. Killshot is the 18th book in the international bestselling sci-fi series.

Enter the isle of Cadence in this novel from the #1 New York Times bestselling author of Divine Rivals—a Scottish-inspired romantic fantasy brimming with enemies-to-lovers romance, magic and spirits, and a captivating mystery It starts with a letter and an ominous journey across dark waters. Ten years after being sent away to the mainland to become a bard, Jack Tamerlaine is summoned home to the enchanted isle of Cadence. Girls are going missing from the island, and Adaira, his childhood nemesis and the future leader of the clan, believes Jack is the only one who can find them. The elemental spirits that dwell in every breath of air, splash of water, blade of grass, and flicker of fire find mirth in the lives of the humans, and a bard’s music—a unique form of summoning magic—is the only way to summon them and ask that the girls be returned. Yet as Jack and Adaira get closer to solving the mystery, it becomes apparent that an older, darker secret about Cadence lurks beneath the surface, and no harp song may be strong enough to stop it. With unforgettable characters, a thrilling plot, and a lush folklore-infused world, A River Enchanted is a stirring story of duty, love, and creating harmony between opposing forces. This first book in the Elements of Cadence duology marks Rebecca Ross’s brilliant entry on the adult fantasy stage.

This unprecedented book, by one of Britain's leading intellectual historians, describes the intellectual impact that the study and consideration of the past has had in the western world over the past 2500 years, treating the practise of history not as an isolated pursuit but as an aspect of human society and an essential part of the cultural history of Europe and America. It magnificently brings to life the work of historians from the Greeks to the present, including Livy, Tacitus, Bede, Froissart, Clarendon, Gibbon, Macaulay, Michelet, Prescott and Parkman, explaining their distinctive qualities and allowing the modern reader to appreciate and enjoy them. But is also examines subjects as diverse as the new perspectives brought about by the rise of Rome, the interests of medieval chroniclers, the introduction into historical narratives of what the eighteenth century called 'sentiment', the effects of Romanticism and the emergence towards the end of the nineteenth century of an historical profession. It sets out to be not the history of an academic discipline, but a history of choice: the choice of pasts, and the ways they have been demarcated, investigated, presented and even sometimes learned from as they have changed according to political, religious, cultural and (often most importantly) patriotic circumstances. The book also aims to change our perceptions of the main turning points in the history of history. It dispels persistent myths, such as that the ancient historians wrote only contemporary history and had a purely cyclical view of time, that the eighteenth century lacked understanding of the past and that the critical study of sources began only with Ranke in the nineteenth century. The ideas that historians have had about both their own times and their civilization emerge freshly and often unexpectedly. Burrow argues that looking at the history of history is one of the most interesting ways we can try to understand the past. Nothing on the scale of or with the ambition of his book has yet been attempted in English.

Drawing on cutting-edge neuroscience and psychology and displaying all of the brilliance that made The Tipping Point a classic, Blink changes the way you'll understand every decision you make. Never again will you think about thinking the same way. Malcolm Gladwell redefined how we understand the world around us. Now, in Blink, he revolutionizes the way we understand the world within. Blink is a book about how we think without thinking, about choices that seem to be made in an instant - in the blink of an eye - that actually aren't as simple as they seem. Why are some people brilliant decision makers, while others are consistently inept? Why do some people follow their instincts and win, while others end up stumbling into error? How do our brains really work - in the office, in the classroom, in the kitchen, and in the bedroom? And why are the best decisions often those that are impossible to explain to others? In Blink we meet the psychologist who has learned to predict whether a marriage will last, based on a few minutes of observing a couple; the tennis coach who knows when a player will double-fault before the racket even makes contact with the ball; the antiquities experts who recognize a fake at a glance. Here, too, are great failures of "blink": the election of Warren Harding; "New Coke"; and the shooting of Amadou Diallo by police. Blink reveals that great decision makers aren't those who process the most information or spend the most time deliberating, but those who have perfected the art of "thin-slicing" - filtering the very few factors that matter from an overwhelming number of variables.

Too many popular histories seek to establish heroes, pioneers and martyrs but as Huw Lemmey and Ben Miller argue, the past is filled with queer people whose sexualities and dastardly deeds have been overlooked. We all remember Oscar Wilde, but who speaks for Bosie? What about those ‘bad gays’ whose unexemplary lives reveals more than we might expect? Part revisionist history, part historical biography and based on the hugely popular podcast series, Bad Gays subverts the notion of gay icons and queer heroes and asks what we can learn about LGBTQ history, sexuality and identity through its villains and baddies. From the Emperor Hadrian to notorious gangster Ronnie Kray, the authors excavate the buried history of queer lives. This includes fascist thugs, famous artists, austere puritans and debauched bon viveurs, imperialists, G-men and architects. Together these amazing life stories expand and challenge the mainstream assumptions of sexual identity. They show that homosexuality itself was an idea that emerged in the nineteenth century and that its interpretation has been central to major historical moments of conflict from the ruptures of Weimar Republic to red-baiting in Cold War America. Amusing, disturbing and fascinating, Bad Gays puts centre stage the queer villains and evil twinks in history.