One of Edgar Allan Poe's most memorable stories. The tale centers on two matters, a black cat and the deterioration of a man. The man is one who enjoyed family life with his wife and numerous pets, but then he changed radically for the worse. The story is often compared to "The Tell-Tale Heart" because of the profound psychological elements these two works share. "The Black Cat" is a story you will never forget. Librarian's note: this entry relates to the story "The Black Cat." Collections and other short stories by the author can be found elsewhere on Goodreads.

One of Edgar Allan Poe's most memorable stories. The tale centers on two matters, a black cat and the deterioration of a man. The man is one who enjoyed family life with his wife and numerous pets, but then he changed radically for the worse. The story is often compared to "The Tell-Tale Heart" because of the profound psychological elements these two works share. "The Black Cat" is a story you will never forget. Librarian's note: this entry relates to the story "The Black Cat." Collections and other short stories by the author can be found elsewhere on Goodreads.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A global look at the greatest works of Eastern and Western literature and the themes that unite them, for students and lovers of literature and reading. The Literature Book is a fascinating journey through the greatest works of world literature, from the Iliad to Don Quixote to The Great Gatsby. Around 100 crystal-clear articles explore landmark novels, short stories, plays, and poetry that reinvented the art of writing in their time, whether Ancient Greece, post-classical Europe, or modern-day Korea. As part of DK's award-winning Big Ideas Simply Explained series, The Literature Book uses infographics and images to explain key ideas and themes. Biographies of important authors offer insight into their lives and other writings, and a section on Further Reading details more than 150 additional works to explore. Discover masterpieces from the world's greatest authors, and explore the context, creative history, and literary traditions that influenced each major work of fiction with The Literature Book. Series Overview: Big Ideas Simply Explained series uses creative design and innovative graphics, along with straightforward and engaging writing, to make complex subjects easier to understand. These award-winning books provide just the information needed for students, families, or anyone interested in concise, thought-provoking refreshers on a single subject.

'... this Almanack, which all ladies should carry about with them, as the Priest his Breviary, as the Cook his Recipes, as the Doctor his Physic, as the Bride her Fears, and as the Lion his Roar!' Djuna Barnes wrote her Ladies Almanack for fun, a 'slight satiric wigging', as she called it in her Foreword, to amuse her circle of expatriate friends with the tale of Evangeline Musset who took her whip in hand and 'set out upon the Road of Destiny'. It has since become a cult classic, a unique work that combines visual artistry with literary parody, bawdy humour and an unconstrained zest for the sensual pleasures of love and friendship between strong-minded women.

From the acclaimed author of American Mermaid (“I loved it…and have never read anything like it”—Elizabeth Gilbert) comes a wise, funny, and wildly original examination of female desire and the price women pay for giving in to their appetites—starring an apparition of Monica Lewinsky    Forty-five-year old Jean Dornan cannot escape the shadow of something she did several decades ago. On a study abroad program to France in the summer of 1998, she embarked on a deeply inappropriate relationship with her professor. When the professor contacts her out of the blue to invite her to his retirement ceremony, she is jolted out of her malaise and filled with the need to understand why the affair derailed her life.    Rereading her old diaries, she is shocked to realize her relationship with the professor occurred during the summer of the Lewinsky scandal, yet she never saw the parallels. In a frenzy of guilt and regret, she finds herself praying to Monica Lewinsky—as if she were some kind of secular saint, the patron of persecuted and demonized women, perhaps?—and begging Monica’s forgiveness for not understanding everything they had in common. To her shock, Saint Monica appears to her—like a saucy Ghost of Christmas Past—and leads her back in time to reassess what happened. Had Jean merely been weak, stupid, blind, as she has told herself for years? What was it about her that led her into the affair? What did she really do that summer?     Told in flashbacks of those sun-lit six weeks that changed Jean's life, interspersed with irreverent accounts of real female martyrs and visitations from Saint Monica offering insight about Jean’s younger self, Dear Monica Lewinsky is a tender, hilarious, and thought-provoking examination of desire and how it shapes us. It is also a timely examination of what grace and forgiveness look like, in our lives and throughout history.

A reimagining of Lady Macbeth, Shakespeare’s most famous villainess, giving her a voice, a past, and a power that transforms the story men have written for her. The Lady knows the stories: how her eyes induce madness in men. The Lady knows she will be wed to the Scottish brute, who does not leave his warrior ways behind when he comes to the marriage bed. The Lady knows his hostile, suspicious court will be a game of strategy, requiring all of her wiles and hidden witchcraft to survive. But the Lady does not know her husband has occult secrets of his own. She does not know that prophecy girds him like armor. She does not know that her magic is greater and more dangerous, and that it will threaten the order of the world. She does not know this yet. But she will.

A provocative, razor-sharp, and timely debut novel about a beloved English professor facing a slew of accusations against her professor husband by former students—a situation that becomes more complicated when she herself develops an obsession of her own... “When I was a child, I loved old men, and I could tell that they also loved me.” And so we are introduced to our deliciously incisive narrator: a popular English professor whose charismatic husband at the same small liberal arts college is under investigation for his inappropriate relationships with his former students. The couple have long had a mutual understanding when it comes to their extra-marital pursuits, but with these new allegations, life has become far less comfortable for them both. And when our narrator becomes increasingly infatuated with Vladimir, a celebrated, married young novelist who’s just arrived on campus, their tinder box world comes dangerously close to exploding. With this bold, edgy, and uncommonly assured debut, author Julia May Jonas takes us into charged territory, where the boundaries of morality bump up against the impulses of the human heart. Propulsive, darkly funny, and wildly entertaining, Vladimir perfectly captures the personal and political minefield of our current moment, exposing the nuances and the grey area between power and desire.

This “incredible addition to the feminist canon” brings together the most inspiring, creative, and courageous voices concerning modern women’s issues (Jessica Valenti, editor of Yes Means Yes ). In this groundbreaking collection, more than fifty cutting-edge feminist writers—including Melissa Harris-Perry, Janet Mock, Sheila Heti, and Mia McKenzie—invite us to imagine a world of freedom and equality in An abortion provider reinvents birth control . . . The economy values domestic work . . . A teenage rock band dreams up a new way to make music . . . The Constitution is re-written with women’s rights at the fore . . . The standard for good sex is raised with a woman’s pleasure in mind . . . The Feminist Utopia Project challenges the status quo that accepts inequality and violence as a given, “offering playful, earnest, challenging, and hopeful versions of our collective future in the form of creative nonfiction, fiction, visual art, poetry, and more” ( Library Journal ).

Gone Girl meets Big Swiss in this electric, binge-of-a-debut about a millennial antihero who seeks revenge on her ex-situationship with a hex, only for him to actually, literally die. Lillian and Henry have been enjoying each other’s company, especially in bed. Even though Lillian’s best friend calls it “situationship,” Lillian is determined to lock Henry down—and she has a plan. She’ll be the best, most accommodating version of herself until he falls in love with her. But when Henry blindsides Lillian with a breakup, Lillian exacts revenge by performing a drunken hex on him.Lillian expects Henry to come crawling back to her. What she doesn’t quite anticipate is becoming a prime suspect in his murder case when he’s found dead. As Lillian grapples with the loss of her sort-of-boyfriend, she’s hit with another That Henry had a long-term girlfriend he also left behind. Desperate to control the narrative, clear her name, and assume her rightful place as Henry’s mourning girlfriend, Lillian’s pursuit of the truth will throw her into a dangerous tailspin. A deliciously addictive novel that explores our darkest, most human impulses, A Good Person heralds Kirsten King as a striking new voice in the canon of celebrated fiction.

An uncanny thriller from the acclaimed author of The Strange Case of Dr. Jekyll and Mr. Hyde Medical school students Fettes and Macfarlane are charged with the unenviable task of receiving and paying for the institution’s research cadavers. When Fettes recognizes the dead body of a woman he saw alive and well just the day before, he suspects murder. Macfarlane, however, insists that the authorities would never believe they had nothing to do with her death. Reluctantly, Fettes agrees to keep quiet, but soon regrets his decision when another familiar corpse turns up—and takes on a life of its own.

A Room of One's Own is an extended essay by Virginia Woolf. First published on the 24th of October, 1929, the essay was based on a series of lectures she delivered at Newnham College and Girton College, two women's colleges at Cambridge University in October 1928. While this extended essay in fact employs a fictional narrator and narrative to explore women both as writers and characters in fiction, the manuscript for the delivery of the series of lectures, titled Women and Fiction, and hence the essay, are considered nonfiction. The essay is seen as a feminist text, and is noted in its argument for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.