The next exciting novel from #1 New York Times bestselling author Ava Reid. A visionary and atmospheric gothic fantasy about necromancy, vengeance, and soul-consuming love, the first in a duology from the #1 New York Times bestselling author of A Study in Drowning and Lady Macbeth Once there was an island where the dead walked the earth, and seven noble houses ruled by the arcane secrets of necromancy. A conqueror’s blade brought them low, burning their libraries, killing their lords, and extinguishing their eldritch magic. But defiant against the new order stands the House of Teeth and its last living members: beautiful Marozia, the heiress to the House, and her cousin, the uncanny Lady Agnes. Though she has not spoken a word in seven years, Agnes is the true carrier of the House’s legacy. And she has her orders. She must recapture the secrets of death magic and avenge her family’s fallen honor. She must arrange the betrothal of her beloved cousin Marozia to Liuprand, heir to the conqueror’s throne, for access to the forbidden library in his grotesquely grand castle. Revenge burns in Agnes’s heart but so do stranger passions—and it is Liuprand, the golden prince, who speaks to her soul. This passion is as treasonous as it is powerful, poisoning the kingdom’s roots and threatening to tear the already shattered realm in two. For Agnes’s final order is the gravest: She must not fall in love. Book One of The House of Teeth Duology

When Nicholas Nickleby is left penniless after his father's death, he appeals to his wealthy uncle to help him find work and to protect his mother and sister. But Ralph Nickleby proves both hard-hearted and unscrupulous, and Nicholas finds himself forced to make his own way in the world. His adventures gave Dickens the opportunity to portray an extraordinary gallery of rogues and Wackford Squeers, the tyrannical headmaster of Dotheboys Hall, a school for unwanted boys; the slow-witted orphan Smike, rescued by Nicholas; and the gloriously theatrical Mr and Mrs Crummles and their daughter, the 'infant phenonenon'. Like many of Dickens's novels, Nicholas Nickleby is characterised by his outrage at cruelty and social injustice, but it is also a flamboyantly exuberant work, revealing his comic genius at its most unerring.

A heady, dark-hued Gothic gem of a debut in nineteenth-century Bulgaria, a self-proclaimed vampire slayer—actually, a traveling con artist—joins forces with a teenage girl to create a monster deadly enough to vanquish their own demons.  We make monsters in order to destroy them. For thousands of years, we’ve named witches and burned them, suspected demons and exorcised them. When crops die and children fall ill, who better to blame than a monster? In nineteenth-century Bulgaria, Yana rides from one desolate town to the next, staging grisly displays while the villagers animal corpses in the public square, eggs filled with blood in the chicken coop. She tells the stricken villagers stories of vampires that stalk the night. Then Yana eliminates the threat, and leaves seeds of hope in her wake. The village of Koprivici, however, is plagued by exceptional illness and misfortune, its children rarely surviving infancy. There, Yana meets a headstrong orphan who the villagers blame for their curse. As Anka approaches womanhood, the village Captain is grooming her for marriage against her will. Anka is powerless against him—that is, until Yana arrives. Together, the orphan and the vampire slayer hatch a to conjure a monster so vile, it might provide cover for Anka to escape. But their plan quickly takes on a horrifying life of its own... Inspired by Slavic folklore, She Made Herself a Monster concocts a clever mix of witchery, ghost stories, heresy, and deception to spin a feminist fable about agency and the power of collective action. It is a haunting and astoundingly cathartic tale of two women who will stop at nothing to take control of their fate. 

A heady, dark-hued Gothic gem of a debut in nineteenth-century Bulgaria, a self-proclaimed vampire slayer—actually, a traveling con artist—joins forces with a teenage girl to create a monster deadly enough to vanquish their own demons.  We make monsters in order to destroy them. For thousands of years, we’ve named witches and burned them, suspected demons and exorcised them. When crops die and children fall ill, who better to blame than a monster? In nineteenth-century Bulgaria, Yana rides from one desolate town to the next, staging grisly displays while the villagers animal corpses in the public square, eggs filled with blood in the chicken coop. She tells the stricken villagers stories of vampires that stalk the night. Then Yana eliminates the threat, and leaves seeds of hope in her wake. The village of Koprivici, however, is plagued by exceptional illness and misfortune, its children rarely surviving infancy. There, Yana meets a headstrong orphan who the villagers blame for their curse. As Anka approaches womanhood, the village Captain is grooming her for marriage against her will. Anka is powerless against him—that is, until Yana arrives. Together, the orphan and the vampire slayer hatch a to conjure a monster so vile, it might provide cover for Anka to escape. But their plan quickly takes on a horrifying life of its own... Inspired by Slavic folklore, She Made Herself a Monster concocts a clever mix of witchery, ghost stories, heresy, and deception to spin a feminist fable about agency and the power of collective action. It is a haunting and astoundingly cathartic tale of two women who will stop at nothing to take control of their fate. 

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future. Except the discovery of their bond would mean death for each of them. There's still a war going on, after all. And someone has to win that war.

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future. Except the discovery of their bond would mean death for each of them. There's still a war going on, after all. And someone has to win that war.

Would you trade your soul mate for your soul? A Shadowhunter’s life is bound by duty. Constrained by honor. The word of a Shadowhunter is a solemn pledge, and no vow is more sacred than the vow that binds parabatai, warrior partners—sworn to fight together, die together, but never to fall in love. Emma Carstairs has learned that the love she shares with her parabatai, Julian Blackthorn, isn’t just forbidden—it could destroy them both. She knows she should run from Julian. But how can she when the Blackthorns are threatened by enemies on all sides? Their only hope is the Black Volume of the Dead, a spell book of terrible power. Everyone wants it. Only the Blackthorns can find it. Spurred on by a dark bargain with the Seelie Queen, Emma; her best friend, Cristina; and Mark and Julian Blackthorn journey into the Courts of Faerie, where glittering revels hide bloody danger and no promise can be trusted. Meanwhile, rising tension between Shadowhunters and Downworlders has produced the Cohort, an extremist group of Shadowhunters dedicated to registering Downworlders and “unsuitable” Nephilim. They’ll do anything in their power to expose Julian’s secrets and take the Los Angeles Institute for their own. When Downworlders turn against the Clave, a new threat rises in the form of the Lord of Shadows—the Unseelie King, who sends his greatest warriors to slaughter those with Blackthorn blood and seize the Black Volume. As dangers close in, Julian devises a risky scheme that depends on the cooperation of an unpredictable enemy. But success may come with a price he and Emma cannot even imagine, one that will bring with it a reckoning of blood that could have repercussions for everyone and everything they hold dear.

Following the grief and horror of her discovery of Jack the Ripper's true identity, Audrey Rose Wadsworth has no choice but to flee London and its memories. Together with the arrogant yet charming Thomas Cresswell, she journeys to the dark heart of Romania, home to one of Europe's best schools of forensic medicine... and to another notorious killer, Vlad the Impaler, whose thirst for blood became legend. But her life's dream is soon tainted by blood-soaked discoveries in the halls of the school's forbidding castle, and Audrey Rose is compelled to investigate the strangely familiar murders. What she finds brings all her terrifying fears to life once again. In this New York Times bestselling sequel to Kerri Maniscalco's haunting #1 debut Stalking Jack the Ripper, bizarre murders are discovered in the castle of Prince Vlad the Impaler, otherwise known as Dracula. Could it be a copycat killer...or has the depraved prince been brought back to life?