Can you tell me how to get... out alive?★★★★★ - "I can't remember the last time a book scared me and made me this nervous." Andrew Van Wey, author of Head Like a HoleJohnny awakes. A puppet looms over his bed.He recognizes the furry Grandpa was its puppeteer on the children’s television show R-City Street. But Grandpa went missing a year ago. He disappeared from this very apartment building, which was converted from the old R-City Street studio.Desperate to see Grandpa again, Johnny follows the puppet inside the building’s walls, ever deeper into a puppet-infested labyrinth...I Found Puppets Living In My Apartment Walls is a horror tale from the “darkly inventive” purveyor of uncanny places and wondrous evils, Ben Farthing.Each book in the I Found Horror series is a STANDALONE. They can be read in any order.Praise for Ben “Reminds me of early Stephen King.” ★★★★★“Excuse me while I go cry from fear” ★★★★★“When Mr. Farthing comes out with a book, I drop everything else I'm doing to read it” ★★★★★“No one is writing the kind of horror this man is writing” ★★★★★“This has become a yearly Halloween must-read” ★★★★★“Now one of my favorite horror books” ★★★★★“One of the creepiest books I’ve ever read” ★★★★★“Ben Farthing is quickly becoming one of my favorite authors” ★★★★★“Stunningly good” ★★★★★“A master of building suspense” ★★★★★“I can't wait to read everything by Ben Farthing!!” ★★★★★“Reminiscent of '80s-era Stephen King” ★★★★★“One of my favorites” ★★★★★“I haven't been let down by Ben yet. He's a really great storyteller" ★★★★★“Good luck putting it down" ★★★★★“The perfect book to kick off spooky season” ★★★★★“The scariest book I’ve read all year" ★★★★★“Farthing's ability to creep the heck out of you in so few pages is incredible” ★★★★★“One of the best books I read in 2023” ★★★★★“Restores my faith in horror novels” ★★★★★“The master of terror and dread” ★★★★★“I LOVEEEE Ben Farthing. His books are *chefs kiss*” ★★★★★“I couldn't stop reading until I got to the end. This was a mix of The Twilight Zone meets Tales From The Crypt” ★★★★★“I can't wait for the next boo

A shocking, hilarious and strangely tender novel about a young woman’s experiment in narcotic hibernation, aided and abetted by one of the worst psychiatrists in the annals of literature. Our narrator has many of the advantages of life, on the surface. Young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn’t just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? This story of a year spent under the influence of a truly mad combination of drugs, designed to heal us from our alienation from this world, shows us how reasonable, even necessary, that alienation sometimes is. Blackly funny, both merciless and compassionate – dangling its legs over the ledge of 9/11 – this novel is a showcase for the gifts of one of America’s major young writers working at the height of her powers.

Three women in three different eras encounter danger and witchcraft in this eerie multigenerational horror saga from the New York Times bestselling author of Mexican Gothic.“Back then, when I was a young woman, there were still witches”: That was how Nana Alba always began the stories she told her great-granddaughter Minerva—stories that have stayed with Minerva all her life. Perhaps that’s why Minerva has become a graduate student focused on the history of horror literature and is researching the life of Beatrice Tremblay, an obscure author of macabre tales.In the course of assembling her thesis, Minerva uncovers information that reveals that Tremblay’s most famous novel, The Vanishing, was inspired by a true Decades earlier, during the Great Depression, Tremblay attended the same university where Minerva is now studying and became obsessed with her beautiful and otherworldly roommate, who then disappeared under mysterious circumstances.As Minerva descends ever deeper into Tremblay’s manuscript, she begins to sense that the malign force that stalked Tremblay and the missing girl might still walk the halls of the campus. These disturbing events also echo the stories Nana Alba told about her girlhood in 1900s Mexico, where she had a terrifying encounter with a witch.Minerva suspects that the same shadow that darkened the lives of her great-grandmother and Beatrice Tremblay is now threatening her own in 1990s Massachusetts. An academic career can be a punishing pursuit, but it might turn outright deadly when witchcraft is involved.

A compelling and compassionate exploration of the death industry and the people—embalmers, detectives, crime scene cleaners, executioners—who work in it and what led them there. Embarking on a three-year trip across the US and the UK, journalist Hayley Campbell—inspired by her longtime fascination with death, thanks to a childhood surrounded by her father’s Jack the Ripper cartoons—met with a variety of professionals in the death industry to see how they work. Along the way, Campbell encountered funeral directors, embalmers, a man who dissects cadavers for anatomy students, and a former executioner who is responsible for ending 62 lives. She sat in a van with old gravediggers who have already dug their own graves. She raked out bones and ash with a man who works in a crematorium. She dressed a dead man for his coffin, held a brain at an autopsy, visited a cryonics facility in Michigan, and went for late-night Chinese with a homicide detective. Through Campbell’s prodding, reverent interviews with these people who see death every day, Campbell pieces together the psychic jigsaw to ask: Why would someone choose a life of working with the dead? Does being so near to lifeless bodies alter your perspective? Does an antidote to the fear of death exist? A dazzling work of cultural criticism, All the Living and the Dead weaves together reportage with memoir, history, and philosophy, to offer readers a fascinating look into the psychology of Western death. And in the vein of Caitlin Doughty and Mary Roach, Campbell sharply investigates her—and our—own fascinations and fears through her encounters with this series of extraordinary people.

Edinburgh, 1817. Hazel Sinnett is a lady who wants to be a surgeon more than she wants to marry. Jack Currer is a resurrection man who’s just trying to survive in a city where it’s too easy to die. When the two of them have a chance encounter outside the Edinburgh Anatomist’s Society, Hazel thinks nothing of it at first. But after she gets kicked out of renowned surgeon Dr. Beecham’s lectures for being the wrong gender, she realizes that her new acquaintance might be more helpful than she first thought. Because Hazel has made a deal with Dr. Beecham: if she can pass the medical examination on her own, the university will allow her to enroll. Without official lessons, though, Hazel will need more than just her books – she’ll need bodies to study, corpses to dissect. Lucky that she’s made the acquaintance of someone who digs them up for a living, then. But Jack has his own problems: strange men have been seen skulking around cemeteries, his friends are disappearing off the streets. Hazel and Jack work together to uncover the secrets buried not just in unmarked graves, but in the very heart of Edinburgh society. A gothic tale full of mystery and romance about a willful female surgeon, a resurrection man who sells bodies for a living, and the buried secrets they must uncover together.

Penpal began as a series of short and interconnected stories posted on an online horror forum. Before long, it was adapted into illustrations, audio recordings, and short films; and that was before it was revised and expanded into a novel! How much do you remember about your childhood? In Penpal, a man investigates the seemingly unrelated bizarre, tragic, and horrific occurrences of his childhood in an attempt to finally understand them. Beginning with only fragments of his earliest years, you'll follow the narrator as he discovers that these strange and horrible events are actually part of a single terrifying story that has shaped the entirety of his life and the lives of those around him. If you've ever stayed in the woods just a little too long after dark, if you've ever had the feeling that someone or something was trying to hurt you, if you remember the first friend you ever made and how strong that bond was, then Penpal is a story that you won't soon forget, despite how you might try.

A gripping, page-turning novel set in Jim Crow Florida that follows Robert Stephens Jr. as he’s sent to a segregated reform school that is a chamber of terrors where he sees the horrors of racism and injustice, for the living, and the dead. Gracetown, Florida June 1950 Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie’s journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory. Robbie has a talent for seeing ghosts, or haints. But what was once a comfort to him after the loss of his mother has become a window to the truth of what happens at the reformatory. Boys forced to work to remediate their so-called crimes have gone missing, but the haints Robbie sees hint at worse things. Through his friends Redbone and Blue, Robbie is learning not just the rules but how to survive. Meanwhile, Gloria is rallying every family member and connection in Florida to find a way to get Robbie out before it’s too late. The Reformatory is a haunting work of historical fiction written as only American Book Award–winning author Tananarive Due could, by piecing together the life of the relative her family never spoke of and bringing his tragedy and those of so many others at the infamous Dozier School for Boys to the light in this riveting novel.

Striking, visceral, and brutally honest, Rose Keating’s Oddbody is a captivating short story collection that delves into the weirdness of bodies and of existence itself through the voices of social outsiders and outcasts.In her debut collection, Rose Keating takes you on a bold journey through the intricacies of sex, shame, and womanhood. With ten enchanting short stories, she crafts an emotional masterpiece that challenges us to reflect on the movement and needs of our bodies. Strange yet utterly mesmerizing, Oddbody is a provocative exploration that feels both surprising and sincerely authentic. In “Oddbody,” a woman finds herself navigating a codependent relationship with a ghost, while “Squirm” portrays a daughter tending to her father as he devours himself from the inside out. “Pineapple” introduces us to a woman who opts to have feather wings surgically attached to her back. In “Eggshells,” a waitress gives birth to an egg during her breakfast shift. Each narrative in this collection is immersive, bizarre, and deeply empathetic, shining a light on women who dare to defy societal norms and invite you to question the conventions and milestones that determine success.

Life in a small town takes a dark turn when mysterious footage begins appearing on VHS cassettes at the local Video Hut Jeremy works at the counter of Video Hut in Nevada, Iowa. It’s a small town—the first “a” in the name is pronounced ay—smack in the center of the state. This is the late 1990s, pre-DVD, and the Hollywood Video in Ames poses an existential threat to Video Hut. But there are regular customers, a predictable rush in the late afternoon. It’s good enough for Jeremy: It’s a job; it’s quiet and regular; he gets to watch movies; he likes the owner, Sarah Jane; it gets him out of the house, where he and his dad try to avoid missing Mom, who died six years ago in a car wreck. But when Stephanie Parsons, a local schoolteacher, comes in to return her copy of Targets, starring Boris Karloff—an old movie, one Jeremy himself had ordered for the store—she has an odd complaint: “There’s something on it,” she says, but doesn’t elaborate. Two days later, Lindsey Redinius brings back She’s All That, a new release, and complains that there’s something wrong with it: “There’s another movie on this tape.” So Jeremy takes a look. And indeed, in the middle of the movie the screen blinks dark for a moment and She’s All That is replaced by a black-and-white scene, shot in a barn, with only the faint sounds of someone breathing. Four minutes later, She’s All That is back. But there is something profoundly disturbing about that scene; Jeremy’s compelled to watch it three or four times. The scenes recorded onto Targets are similar, undoubtedly created by the same hand. Creepy. And the barn looks a lot like a barn just outside of town. Jeremy doesn’t want to be curious. In truth, it freaks him out, deeply. This has gone far enough, maybe too far already. But Stephanie is pushing, and once Sarah Jane takes a look and becomes obsessed, there’s no more ignoring the disturbing scenes on the videos. And all of a sudden, what had once been the placid, regular old Iowa fields and farmhouses now feels haunted and threatening, imbued with loss and instability and profound foreboding. For Jeremy, and all those around him, life will never be the same . . .