For years Carmen Maria Machado has struggled to articulate her experiences in an abusive same-sex relationship. In this extraordinarily candid and radically inventive memoir, Machado tackles a dark and difficult subject with wit, inventiveness and an inquiring spirit, as she uses a series of narrative tropes—including classic horror themes—to create an entirely unique piece of work which is destined to become an instant classic.

A young noblewoman must pair up with a rumoured witch to ward off a curse. It is the year 1814 and life for a young lady of good breeding has many difficulties. There are balls to attend, fashions to follow, marriages to consider and, of course, the tiny complication of existing in a world swarming with fairy spirits, interfering deities, and actual straight-up sorcerers. Miss Maelys Mitchelmore finds her entry into high society hindered by an irritating curse. It begins innocuously enough with her dress slowly unmaking itself over the course of an evening at a high-profile ball, a scandal she narrowly manages to escape. However, as the curse progresses to more fatal proportions, Miss Mitchelmore must seek out aid, even if it means mixing with undesirable company. And there are few less desirable than Lady Georgianna Landrake—a brooding, alluring young woman sardonically nicknamed “the Duke of Annadale”—who may or may not have murdered her own father and brothers to inherit their fortune. If one is to believe the gossip, she might be some kind of malign enchantress. Then again, a malign enchantress might be exactly what Miss Mitchelmore needs. With the Duke’s help, Miss Mitchelmore delves into a world of angry gods and vindictive magic, keen to unmask the perpetrator of these otherworldly attacks. But Miss Mitchelmore’s reputation is not the only thing at risk in spending time with her new ally. For the rumoured witch has her own secrets that may prove dangerous to Miss Mitchelmore’s heart—not to mention her life.

Discover the world’s most fascinating death and funeral traditions in this illustrated modern-day memento mori.Embark on a whirlwind tour of burial, preservation, and memorial practices and landmarks from across the globe and throughout history, ranging from the customs of our ancestors to contemporary practices. In these vibrantly illustrated pages, you can explore how humans from time immemorial have honored and remembered the dead, Mummification in ancient Egypt Post-mortem photography in Victorian England Open-pyre cremations in India Ghana’s fantasy coffins The Japanese ritual of kotsuage (“the gathering of the bones”) And much more Author-illustrator YY Liak tackles the thorny theme of death with a deep compassion for the universal experiences of loss and grief and an intrepid interest in the unique mortuary practices that have arisen across continents, cultures, and millennia. Her colorful, modern illustrations bring to life a whole spectrum of human beliefs about death and dying.EXISTENTIAL AND ENDLESSLY Whether you’re casually curious about what happens to our bodies after we die or intimately experienced with death and its attendant customs, appreciating the rituals of others can help you develop and deepen your own.MARVELOUSLY MACABRE, TREMENDOUSLY Dynamic, full-color artwork accompanies informative and intriguing text, rendering everything in energetic detail—from a step-by-step breakdown of the embalming process to detailed diagrams of ancestral altars around the world.A GIFT FOR CURIOUS This intriguing volume makes an excellent present for sociology lovers and morbidly curious readers. It’s a perfect fit for anyone who enjoys an accessible, illustrated take on history and anthropology and can also be shared with younger readers to kickstart important discussions about death and dying.Perfect Science buffs and history lovers Adults and teens interested in death and funeral traditions Anyone curious about different cultures' beliefs about death and mortality Readers seeking resources that demystify and destigmatize death and dying Fans of popular science and sociology authors like Caitlin Doughty, Mary Roach, and Sue Black

Why are we drawn to fear? Horror manga legend Junji Ito has fascinated the world with his beautiful and strange tales, starting with his debut story “Tomie,” and followed by Uzumaki, Gyo, and many other famous works. In this memoir/horror manga analysis, he tells all and digs into dark recesses—reflections on influences from his childhood, thoughts on manga, next-level idea generation techniques, character design, craftmanship, and more. Chock-full of never-before-told insider anecdotes and behind-the-scenes stories, this is a must-have book for fans to immerse themselves completely in the world of Junji Ito.　 　

When Margaret Welty spots the legendary hala, the last living mythical creature, she knows the Halfmoon Hunt will soon follow. Whoever is able to kill the hala will earn fame and riches, and unlock an ancient magical secret. If Margaret wins the hunt, it may finally bring her mother home. While Margaret is the best sharpshooter in town, only teams of two can register, and she needs an alchemist. Weston Winters isn’t an alchemist--yet. Fired from every apprenticeship he's landed, his last chance hinges on Master Welty taking him in. But when Wes arrives at Welty Manor, he finds only Margaret and her bloodhound Trouble. Margaret begrudgingly allows him to stay, but on one condition: he must join the hunt with her. Although they make an unlikely team, Wes is in awe of the girl who has endured alone on the outskirts of a town that doesn’t want her, in this creaking house of ghosts and sorrow. And even though Wes disrupts every aspect of her life, Margaret is drawn to him. He, too, knows what it's like to be an outsider. As the hunt looms closer and tensions rise, Margaret and Wes uncover dark magic that could be the key to winning the hunt - if they survive that long.

Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

It is not the monster you must fear, but the monster it makes of men. . . For readers of Circe or Ariadne, a brilliant literary revisiting of Mary Shelley's classic Frankenstein with a fresh, queer, provocative twist. Mary is the great-niece of Victor Frankenstein. She knows her great uncle disappeared in mysterious circumstances in the Arctic, but she doesn't know why or how... The 1850s is a time of discovery, and London is ablaze with the latest scientific theories and debates, especially when a spectacular new exhibition of dinosaur sculptures opens at the Crystal Palace. Mary, with a sharp mind and a sharper tongue, is keen to make her name in this world of science alongside her geologist husband Henry, but without wealth and connections, their options are limited. But when Mary discovers some old family papers that allude to the shocking truth behind her great-uncle's past, she thinks she may have found the key to securing their future... Their quest takes them to the wilds of Scotland, to Henry's intriguing but reclusive sister Maisie, and to a deadly chase with a rival who is out to steal their secret. Our Hideous Progeny is a sumptuous tale of ambition and obsession, of forbidden love and sabotage; an adventure story that blends classic, immersive storytelling with contemporary themes.

Annihilation meets Day of the Triffids in this full-on body horror/alien invasion apocalypse. This is just a story. It can't hurt you anymore. Since she was three years old, Anastasia Miller has been telling anyone who would listen that she's an alien disguised as a human being, and that the armada that left her on Earth is coming for her. Since she was three years old, no one has been willing to listen. Now, with an alien signal from the stars being broadcast around the world, humanity is finally starting to realize that it's already been warned, and it may be too late. The invasion is coming, Stasia's biological family is on the way to bring her home, and very few family reunions are willing to cross the gulf of space for just one misplaced child. What happens when you know what’s coming, and just refuse to listen?

Earth is broken beyond repair. The Planet is our last hope. Humanity's first mission to the Planet ended in tragedy, but botanist Jill Jones won’t let that stop her from joining the second. Perfect climate, perfect terrain, perfect flora and fauna; the Planet has called to Jill all of her life. She knows, with bone-deep certainty, it's home. A new beginning for humanity. She just needs a chance to prove it. But as Jill and her team survey the Planet, a mysterious presence begins to infiltrate their thoughts. When her colleagues start to disappear, it's up to Jill to uproot the Planet's secrets before they consume her, her friends, and the one man she would do anything to keep.

CG Drews, acclaimed author of Don't Let the Forest In, returns with another deeply unsettling and yet hauntingly beautiful tale of murder and botanical body horror, perfect for fans of Andrew Joseph White and We Have Always Lived in the Castle. Evander has lived like a ghost in the forgotten corners of the Hazelthorn estate ever since he was taken in by his reclusive billionaire guardian, Byron Lennox-Hall, when he was a child. For his safety, Evander has been given three ironclad rules to follow: He can never leave the estate. He can never go into the gardens. And most importantly, he can never again be left alone with Byron's charming, underachieving grandson, Laurie. That last rule has been in place ever since Laurie tried to kill Evander seven years ago, and yet somehow Evander is still obsessed with him. But when Byron suddenly dies, Evander inherits Hazelthorn’s immense gothic mansion and acres of sprawling grounds, along with the entirety of the Lennox-Hall family's vast wealth. There’s just one caveat: He must choose a new guardian from amongst Laurie's scheming, backstabbing relatives to help manage the estate until he turns eighteen. Except Evander's sure his guardian was murdered, and Laurie may be the only one who can help him find the killer before they come for Evander next. Perhaps even more concerning is how the overgrown garden is refusing to stay behind its walls, slipping its vines and spores deeper into the house with each passing day. As the family’s dark secrets unravel alongside the growing horror of their terribly alive, bloodthirsty garden, Evander needs to find out what he’s really inheriting before the garden demands to be fed once more.