Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew’s wicked stories. Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…

Most anticipated by Book Riot, Her Campus, and San Diego Union Tribune ! When falling in love is the punchline… Farley Jones is a loud, chaotic, and hilariously clever standup comedian on the way to stardom. The only thing she loves more than the rush of telling jokes in front of a revved-up audience is her hot older manager Meyer, though he doesn’t have a clue. Keeping her feelings hidden from him is agony (a tragedy, even―in lieu of flowers, please send cash...) but Meyer has been Farley’s closest and most treasured friend, not to mention vital to the trajectory of her career. She can’t risk ruining their relationship by telling him how she truly feels. After all, who else would have the patience to put up with a hot mess like her? A former standup star himself, single father Meyer Harrigan left the stage years ago in order to focus on raising his deaf daughter Hazel. Farley has been everything to them since she came into their lives three years ago, and despite his grumpiness, his protectiveness over Hazel, and his disdain for public attention, Meyer will do anything to make her standup dreams come true. When the biggest opportunity of Farley’s career comes along and forces the pair to fake-date in order to stir up publicity, it doesn't take long for their act to bring all those other funny feelings out into the open. Like most matters of the heart, it quickly begins to feel like anything but a joke. Touching on the creative spirit and all that comes with sharing that gift, Tarah DeWitt's Funny Feelings is a swoony story about friendship, love, and looking for the laugh in life. "Cozy, tender, sexy, hilarious – I adored every word.” ―Rachel Lynn Solomon, New York Times bestselling author of The Ex Talk

A poignant graphic memoir from rising star Christine Mari, following her college year abroad in Japan, as she struggles to reconcile both sides of her mixed-race identity. Christine has always felt she is just Half American, half Japanese. As a biracial Japanese American who was born in Tokyo but raised in the US, she knows all too well what it’s like to be a part of two different worlds but never feeling as though you belong to either. Now on the brink of adulthood, Christine decides it’s time to return to the place she once called home. So she sets forth on a year abroad in Tokyo, believing that this is where she truly belongs. After years of feeling like an outsider, now she will finally be complete.  Except…Tokyo isn’t the answer she thought it would be. Instead of fitting in, Christine finds herself a fish out of water, as being half of two cultures isolates her in ways she'd never imagined. All she can do is try to stay afloat for the rest of the year—still figuring out who she is, what she wants in life, and whether she’ll ever truly be more than halfway there.    Author-illustrator Christine Mari explores what it means to lose and find yourself in this moving narrative of belonging and home. 

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.” As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

An unforgettable story of courage and romance. Will Valancy Stirling ever escape her strict family and find true love? Valancy Stirling is 29, unmarried, and has never been in love. Living with her overbearing mother and meddlesome aunt, she finds her only consolation in the "forbidden" books of John Foster and her daydreams of the Blue Castle--a place where all her dreams come true and she can be who she truly wants to be. After getting shocking news from the doctor, she rebels against her family and discovers a surprising new world, full of love and adventures far beyond her most secret dreams.

Galaxy “Alex” Stern is the most unlikely member of Yale’s freshman class. Raised in the Los Angeles hinterlands by a hippie mom, Alex dropped out of school early and into a world of shady drug dealer boyfriends, dead-end jobs, and much, much worse. By age twenty, in fact, she is the sole survivor of a horrific, unsolved multiple homicide. Some might say she’s thrown her life away. But at her hospital bed, Alex is offered a second chance: to attend one of the world’s most elite universities on a full ride. What’s the catch, and why her? Still searching for answers to this herself, Alex arrives in New Haven tasked by her mysterious benefactors with monitoring the activities of Yale’s secret societies. These eight windowless “tombs” are well-known to be haunts of the future rich and powerful, from high-ranking politicos to Wall Street and Hollywood’s biggest players. But their occult activities are revealed to be more sinister and more extraordinary than any paranoid imagination might conceive.

A former Rookie contributor and creator of the popular blog Effing Dykes investigates the disappearance of America’s lesbian bars by visiting the last few in existence.Lesbian bars have always been treasured safe spaces for their customers, providing not only a good time but a shelter from societal alienation and outright persecution. In 1987, there were 206 of them in America. Today, only a couple dozen remain. How and why did this happen? What has been lost—or possibly gained—by such a decline? What transpires when marginalized communities become more accepted and mainstream? In Moby Dyke, Krista Burton attempts to answer these questions firsthand, venturing on an epic cross-country pilgrimage to the last few remaining dyke bars. Her pilgrimage includes taking in her first drag show since the onset of the pandemic at The Back Door in Bloomington, Indiana; competing in dildo races at Houston’s Pearl Bar; and, despite her deep-seated hatred of karaoke, joining a group serenade at Nashville’s Lipstick Lounge and enjoying the dreaded pastime for the first time in her life. While Burton sets out on the excursion to assess the current state of lesbian bars, she also winds up examining her own personal journey, from coming out to her Mormon parents to recently marrying her husband, a trans man whose presence on the trip underscores the important conversation about who precisely is welcome in certain queer spaces—and how they and their occupants continue to evolve. Moby Dyke is an insightful and hilarious travelogue that celebrates the kind of community that can only be found in windowless rooms soundtracked by Britney Spears-heavy playlists and illuminated by overhead holiday lights no matter the time of year.

A poignant graphic memoir from rising star Christine Mari, following her college year abroad in Japan, as she struggles to reconcile both sides of her mixed-race identity. Christine has always felt she is just Half American, half Japanese. As a biracial Japanese American who was born in Tokyo but raised in the US, she knows all too well what it’s like to be a part of two different worlds but never feeling as though you belong to either. Now on the brink of adulthood, Christine decides it’s time to return to the place she once called home. So she sets forth on a year abroad in Tokyo, believing that this is where she truly belongs. After years of feeling like an outsider, now she will finally be complete.  Except…Tokyo isn’t the answer she thought it would be. Instead of fitting in, Christine finds herself a fish out of water, as being half of two cultures isolates her in ways she'd never imagined. All she can do is try to stay afloat for the rest of the year—still figuring out who she is, what she wants in life, and whether she’ll ever truly be more than halfway there.    Author-illustrator Christine Mari explores what it means to lose and find yourself in this moving narrative of belonging and home. 

A historical tapestry of border-crossing travelers, of students, wanderers, martyrs and invaders, The White Mosque is a memoiristic, prismatic record of a journey through Uzbekistan and of the strange shifts, encounters, and accidents that combine to create an identity. In the late nineteenth century, a group of German-speaking Mennonites traveled from Russia into Central Asia, where their charismatic leader predicted Christ would return. Over a century later, Sofia Samatar joins a tour following their path, fascinated not by the hardships of their journey, but by its aftermath: the establishment of a small Christian village in the Muslim Khanate of Khiva. Named Ak Metchet, “The White Mosque,” after the Mennonites’ whitewashed church, the village lasted for fifty years. In pursuit of this curious history, Samatar discovers a variety of characters whose lives intersect around the ancient Silk Road, from a fifteenth-century astronomer-king, to an intrepid Swiss woman traveler of the 1930s, to the first Uzbek photographer, and explores such topics as Central Asian cinema, Mennonite martyrs, and Samatar’s own complex upbringing as the daughter of a Swiss-Mennonite and a Somali-Muslim, raised as a Mennonite of color in America. A secular pilgrimage to a lost village and a near-forgotten history, The White Mosque traces the porous and ever-expanding borders of identity, asking: How do we enter the stories of others? And how, out of the tissue of life, with its weird incidents, buried archives, and startling connections, does a person construct a self? Finalist for the 2023 PEN/Jean Stein Book Award. Winner of the 2023 Bernard J. Brommel Award for Biography & Memoir (Midland Authors Book Award).