After a decade of surging political activism, why have mass movements managed to change so little? A brilliant cultural analysis by the influential columnist.“Hyperpolitics” describes the paradoxical state of affairs today, in which politicization seemingly has few political consequences. Anton Jager's incisive appraisal sets the benchmark by which future histories of the present will be judged. Politics is back.After the posthistorical lull of the 1990s and the false dawn of millennial technocracy, contestation has returned centre-stage. Protests, riots and jacqueries bring citizens off their couches and into the streets, even as social media overruns the embankments of the public and personal. Such actions politicize an ever greater share of experience while lowering the costs of engagement. Yet this spate of activism has seldom translated into more durable forms of collective action—parties, trade unions and civic associations continue to atrophy, even as advertisements of commitment proliferate.

A John Cleese Twitter question ("What is your pet peeve?"), first sparked the "Weird Things Customers Say in Bookshops" blog, which grew over three years into one bookseller's collection of ridiculous conversations on the shop floor. From "Did Beatrix Potter ever write a book about dinosaurs?" to the hunt for a paperback which could forecast the next year's weather; and from "I've forgotten my glasses, please read me the first chapter" to "Excuse me... is this book edible?", here is a book for heroic booksellers and booklovers everywhere. This full-length collection illustrated by the Brothers McLeod also includes top "Weird Things" from bookshops around the world.

Take the plunge. Dive into this classic from the singular mind of Edgar Allan Poe, who is widely regarded as the short story master of horror fiction. "The Fall .. " recounts the terrible events that befall the last remaining members of the once-illustrious Usher clan before it is -- quite literally -- rent asunder. With amazing economy, Poe plunges the reader into a state of deliciously agonizing suspense. It's a must-read for fans of the golden era of horror writing. "The Fall .." is one of Poe's best known short stories - if not the best. Librarian's note: this entry is for the short story, "The Fall of the House of Usher." Collections of short stories by the author, such as "The Fall of the House of Usher and Other Tales," can be found elsewhere on Goodreads.

On an Illinois farm in the 1920s, a man is murdered, and in the same moment the tenuous friendship between two lonely boys comes to an end. In telling their interconnected stories, American Book Award winner William Maxwell delivers a masterfully restrained and magically evocative meditation on the past.

In a London flat, two young boys face the unbearable sadness of their mother's sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness. In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This self-described sentimental bird is attracted to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and physical pain of loss gives way to memories, this little unit of three begin to heal. In this extraordinary debut - part novella, part polyphonic fable, part essay on grief, Max Porter's compassion and bravura style combine to dazzling effect. Full of unexpected humour and profound emotional truth, Grief is the Thing with Feathers marks the arrival of a thrilling new talent.

A big and big-hearted novel—one enthralling, transformative year in the life of a child actor coming of age in a bygone Manhattan, from the critically acclaimed author of Mr. Peanut (“A brilliant, powerful, and memorable book” —The New York Times) “In the fall of 1980, when I was fourteen, a friend of my parents named Naomi Shah fell in love with me. She was thirty-six, a mother of two, and married to a wealthy man. Like so many things that happened to me that year, it didn’t seem strange at the time.” Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show The Nuclear Family and the pressure of high school at New York's elite Boyd Prep—along with the increasingly compromising demands of his wrestling coach—he's teetering on the edge of collapse. Then comes Naomi Shah, twenty-two years Griffin’s senior. Unwilling to lay his burdens on his shrink—whom he shares with his father, mother, and younger brother, Oren—Griffin soon finds himself in the back of Naomi’s Mercedes sedan, again and again, confessing all to the one person who might do him the most harm. Less a bildungsroman than a story of miseducation, Playworld is a novel of epic proportions, bursting with laughter and heartache. Adam Ross immerses us in the life of Griffin and his loving (yet disintegrating) family while seeming to evoke the entirety of Manhattan and the ethos of an era—with Jimmy Carter on his way out and a B-list celebrity named Ronald Reagan on his way in. Surrounded by adults who embody the age’s excesses—and who seem to care little about what their children are up to—Griffin is left to himself to find the line between youth and maturity, dependence and love, acting and truly grappling with life.

Alternate cover edition of ISBN 9780062060624. Achilles, "the best of all the Greeks," son of the cruel sea goddess Thetis and the legendary king Peleus, is strong, swift, and beautiful, irresistible to all who meet him. Patroclus is an awkward young prince, exiled from his homeland after an act of shocking violence. Brought together by chance, they forge an inseparable bond, despite risking the gods' wrath. They are trained by the centaur Chiron in the arts of war and medicine, but when word comes that Helen of Sparta has been kidnapped, all the heroes of Greece are called upon to lay siege to Troy in her name. Seduced by the promise of a glorious destiny, Achilles joins their cause, and torn between love and fear for his friend, Patroclus follows. Little do they know that the cruel Fates will test them both as never before and demand a terrible sacrifice.

In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child--neither powerful like her father nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power: the power of witchcraft, which can transform rivals into monsters and menace the gods themselves. Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts, and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus. But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from or with the mortals she has come to love.

What’s the point of giving someone a beautiful death if you can’t give yourself a beautiful life? From the day she watched her kindergarten teacher drop dead during a dramatic telling of Peter Rabbit, Clover Brooks has felt a stronger connection with the dying than she has with the living. After the beloved grandfather who raised her dies alone while she is traveling, Clover becomes a death doula in New York City, dedicating her life to ushering people peacefully through their end-of-life process. Clover spends so much time with the dying that she has no life of her own, until the final wishes of a feisty old woman send Clover on a road trip to uncover a forgotten love story—and perhaps, her own happy ending. As she finds herself struggling to navigate the uncharted roads of romance and friendship, Clover is forced to examine what she really wants, and whether she’ll have the courage to go after it. Probing, clever, and hopeful, The Collected Regrets of Clover is perfect for readers of The Midnight Library and Eleanor Oliphant is Completely Fine as it turns the normally taboo subject of death into a reason to celebrate life.