The Wheel of Time turns and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. What was, what will be, and what is, may yet fall under the Shadow. Moiraine Damodred arrives in Emond’s Field on a quest to find the one prophesized to stand against The Dark One, a malicious entity sowing the seeds of chaos and destruction. When a vicious band of half-men, half beasts invade the village seeking their master’s enemy, Moiraine persuades Rand al’Thor and his friends to leave their home and enter a larger unimaginable world filled with dangers waiting in the shadows and in the light.

"Long live the King" hailed Entertainment Weekly upon the publication of Stephen King's On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer's craft, comprising the basic tools of the trade every writer must have. King's advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported near-fatal accident in 1999 -- and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it -- fans, writers, and anyone who loves a great story well told. (back cover)

The Writer's Journey is a guide to the patterns of mythology that lie nestled in all narrative writing. Based upon the work of Joseph Campbell, it offers the reader a set of useful myth-inspired storytelling paradigms and step-by-step guidelines to plot and character development. One of Hollywood's top studio heads made the rough draft of this book required reading for his executive staff.

They killed my mother. They took our magic. They tried to bury us. Now we rise. Zélie Adebola remembers when the soil of Orïsha hummed with magic. Burners ignited flames, Tiders beckoned waves, and Zélie’s Reaper mother summoned forth souls. But everything changed the night magic disappeared. Under the orders of a ruthless king, maji were killed, leaving Zélie without a mother and her people without hope. Now Zélie has one chance to bring back magic and strike against the monarchy. With the help of a rogue princess, Zélie must outwit and outrun the crown prince, who is hell-bent on eradicating magic for good. Danger lurks in Orïsha, where snow leoponaires prowl and vengeful spirits wait in the waters. Yet the greatest danger may be Zélie herself as she struggles to control her powers and her growing feelings for an enemy.

"I live for the dream that my children will be born free," she says. "That they will be what they like. That they will own the land their father gave them." "I live for you," I say sadly. Eo kisses my cheek. "Then you must live for more." Darrow is a Red, a member of the lowest caste in the color-coded society of the future. Like his fellow Reds, he works all day, believing that he and his people are making the surface of Mars livable for future generations. Yet he spends his life willingly, knowing that his blood and sweat will one day result in a better world for his children. But Darrow and his kind have been betrayed. Soon he discovers that humanity already reached the surface generations ago. Vast cities and sprawling parks spread across the planet. Darrow—and Reds like him—are nothing more than slaves to a decadent ruling class. Inspired by a longing for justice, and driven by the memory of lost love, Darrow sacrifices everything to infiltrate the legendary Institute, a proving ground for the dominant Gold caste, where the next generation of humanity's overlords struggle for power. He will be forced to compete for his life and the very future of civilization against the best and most brutal of Society's ruling class. There, he will stop at nothing to bring down his enemies... even if it means he has to become one of them to do so.

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001).

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001).

From the author of the extraordinary Vampire Chronicles comes a huge, hypnotic novel of witchcraft and the occult through four centuries. Demonstrating, once again, her gift for spellbinding storytelling and the creation of legend, Anne Rice makes real for us a great dynasty of witches—a family given to poetry and to incest, to murder and to philosophy; a family that, over the ages, is itself haunted by a powerful, dangerous, and seductive being. On the veranda of a great New Orleans house, now faded, a mute and fragile woman sits rocking... and The Witching Hour begins. It begins in our time with a rescue at sea.  Rowan Mayfair, a beautiful woman, a brilliant practitioner of neurosurgery—aware that she has special powers but unaware that she comes from an ancient line of witches—finds the drowned body of a man off the coast of California and brings him to life.  He is Michael Curry, who was born in New Orleans and orphaned in childhood by fire on Christmas Eve, who pulled himself up from poverty, and who now, in his brief interval of death, has acquired a sensory power that mystifies and frightens him. As these two, fiercely drawn to each other, fall in love and—in passionate alliance—set out to solve the mystery of her past and his unwelcome gift, the novel moves backward and forward in time from today's New Orleans and San Francisco to long-ago Amsterdam and a château in the France of Louis XIV.  An intricate tale of evil unfolds—an evil unleashed in seventeenth-century Scotland, where the first "witch," Suzanne of the Mayfair, conjures up the spirit she names Lasher... a creation that spells her own destruction and torments each of her descendants in turn. From the coffee plantations of Port au Prince, where the great Mayfair fortune is made and the legacy of their dark power is almost destroyed, to Civil War New Orleans, as Julien—the clan's only male to be endowed with occult powers—provides for the dynasty its foothold in America, the dark, luminous story encompasses dramas of seduction and death, episodes of tenderness and healing.  And always—through peril and escape, tension and release—there swirl around us the echoes of eternal war: innocence versus the corruption of the spirit, sanity against madness, life against death.  With a dreamlike power, the novel draws us, through circuitous, twilight paths, to the present and Rowan's increasingly inspired and risky moves in the merciless game that binds her to her heritage. And in New Orleans, on Christmas Eve, this strangest of family sagas is brought to its startling climax.

Published in 1942 by French author Albert Camus, The Stranger has long been considered a classic of twentieth-century literature. Le Monde ranks it as number one on its "100 Books of the Century" list. Through this story of an ordinary man unwittingly drawn into a senseless murder on a sundrenched Algerian beach, Camus explores what he termed "the nakedness of man faced with the absurd."

Spencer wakes one morning to find that something has moved into his old hunting blind, and it left him a startling image on his trail camera. Willow hasn't left her house in months, but the arrival of an uninvited guest in her home makes it hard to stay. Nathan, haunted by memories of the last camping trip he ever took with his childhood friend, comes back to see the shoe tree one last time. These six Midwestern Gothic short stories encompass the mundane, folkloric horror of the Great Lakes, with all the nostalgia of a campfire story.

Despite everything, 104.6 FM is still on the air.  Hidden between tall trees and snowy mountains is the village of Pinehaven, a quaint town with a horrifying secret. For years, the Operators at 104.6 FM have protected the village from ravenous, mutated beasts that live deep in the forest and emerge every time the fog rolls in. The current radio hosts - Evelyn, Daniel, and Finn - have been keeping watch for over a year. But suddenly, things are changing. A hypnotic light has appeared between the trees, earthquakes have been putting the radio tower in danger, and something massive has moved into the Pinehaven coal mines. The forest is getting smarter. A blight is spreading. And this year, the winter is colder and more vicious than ever.

If you find yourself driving down a winding mountain road near an endless stretch of pines, try tuning in to 104.6 the radio station that shouldn't exist. The village of Pinehaven has a secret of monstrous proportions. Evelyn McKinnon, a radio host falling on hard times, finds herself utterly unprepared when she learns that the radio station isn't just for entertainment. It's a watchtower. She's stalked by a bird with human eyes. Her new co-host won't stop singing show tunes. And when the fog rolls in, the beasts of Pinehaven Forest begin their brutal hunt. Evelyn and her friends are suddenly face-to-face with something much scarier than ravenous flesh-giants and vengeful responsibility. 'A Lonely Broadcast' is a darkly comedic tale that mixes elements of cosmic horror, gruesome gore, and a touching story about friendship, grief, and finding hope when all seems lost. It's also the story of an unhinged woman's personal war with a goddamn bird.

The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm—that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict. Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon. There, she tells Thomas, she will fulfill her mission to confront the evil that has devastated the earth, and to restore to this betrayed, murderous knight the nobility and hope of salvation he long abandoned. As hell unleashes its wrath, and as the true nature of the girl is revealed, Thomas will find himself on a macabre battleground of angels and demons, saints, and the risen dead, and in the midst of a desperate struggle for nothing less than the soul of man.