Two workplace enemies find themselves in close proximity on a tropical work trip that challenges their assumptions—and just might make them to fall for each other—in this romcom debut from TikTok favorite author Nisha J. Tuli. 

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

It isn’t always lonely at the top. Noah Blue’s finally got her foot in the door. After clawing her way to the top of the charts with her webcomic, she’s garnered enough attention to earn a full-time position at a comic company re-launching their cult classic comic: Queen Leisah. Queen Leisah is predicted to be an instant bestseller with movie deals already in the making. Things are falling into place. There’s nowhere to go but up…as soon as she gets one person out of her way. Sage Montgomery has always been the best artist in every building she’s stepped foot in. Raw talent’s gotten her webcomic to the top of the charts every month for the past eight years. She’s been the best for as long as she can remember. Sure, her career has plateaued but that can be fixed with a big, mainstream comic. She was promised full creative control over Leisah. Instead, she got a shared credit with the one artist who’s been breathing down her neck since college. The one artist who has a fighting chance of being better than her. Sage and Noah have to work as a team — or, at least appear to work as a team. They thought the hardest part of the relaunch would be drawing together. But that’s easy in comparison to resisting their feelings for each other.

From the New York Times bestselling author of The Atlas Six, Girl Dinner is a darkly-fun novel about power, lust, and eating your fill, as wealthy moms and sorority girls practice a sinister new wellness trend . . . Good girls deserve a treat.Every member of The House, the most exclusive sorority on campus, and all its alumni, are beautiful, high-achieving, and universally respected. After a freshman year she would rather forget, sophomore Nina Kaur knows being one of the chosen few accepted into The House is the first step in her path to the brightest possible future. Once she's taken into their fold, the House will surely ease her fears of failure and protect her from those who see a young woman on her own as easy prey. Meanwhile, adjunct professor Dr. Sloane Hartley is struggling to return to work after accepting a demotion to support her partner's new position at the cutthroat University. After 18 months at home with her newborn daughter, Sloane's clothes don’t fit right, her girl-dad husband isn’t as present as he thinks he is, and even the few hours a day she's apart from her child fill her psyche with paralyzing ennui. When invited to be The House’s academic liaison, Sloane enviously drinks in the way the alumnae seem to have it all, achieving a level of collective perfection that Sloane so desperately craves. As Nina and Sloane each get drawn deeper into the arcane rituals of the sisterhood, they learn that living well comes with bloody costs. And when they are finally invited to the table, they will have to decide just how much they can stomach in the name of solidarity and power.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Set in the glamorous, competitive world of showjumping, a novel about the girls who ride, their cutthroat mothers, and a suspicious death at a horse show When the nouveau riche Parker family moves to an exclusive community in the heart of Southern California, they believe it’s their chance at a fresh start. Heather Parker is determined to give her daughters the life she never had—starting with horses. She signs them up for riding lessons at Rancho Santa Fe Equestrian, where horses are a lifestyle. Heather becomes a “Barn Mom,” part of a group of wealthy women who hang at the stables, drink wine, and prepare their daughters for competition. It’s not long before the Parker family is fully enmeshed in the horse world—from mean girl cliques to barn romance and dark secrets. With the end of summer horse show fast approaching, the pressure is on, and these mothers will stop at nothing to give their daughters everything they deserve. Before the summer is over, lies will turn lethal, accidents will happen, and someone will end up dead.